Nabbed

1915
20m

IMDb RATING

YOUR RATING

One of the chief difficulties encountered by the new Chief of Police, is the Red Light Abatement Act and a bunch of so-called "reformers," who make things lively for the new chief. The chief... Read allOne of the chief difficulties encountered by the new Chief of Police, is the Red Light Abatement Act and a bunch of so-called "reformers," who make things lively for the new chief. The chief orders the Red Light district closed. This act brings the new chief in conflict with one ... Read allOne of the chief difficulties encountered by the new Chief of Police, is the Red Light Abatement Act and a bunch of so-called "reformers," who make things lively for the new chief. The chief orders the Red Light district closed. This act brings the new chief in conflict with one of the big ward bosses, who controls the Red Light district. The boss calls on the chief, ... Read all

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IMDb RATING

6.2/10

YOUR RATING

1User review

See production info at IMDbPro

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Top cast7

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Francis Ford

The Chief of Police

Grace Cunard

Nan Cooper

Eddie Polo

The Detective

Edward Clark

1st Ward Boss
(as M. Clark)

Victor Goss

1st Reporter
(as Vic Goss)

Lew Short

2nd Ward Boss

Nolan Leary

2nd Reporter
(as Mr. Leary)

Director
- Francis Ford
Writer
- Grace Cunard
All cast & crew
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User reviews1

6.29

Featured reviews

deickemeyer

Gives a realistic picture

A three-reeled tenderloin story written by Grace Cunard and dedicated to Chief Sebastian of the Los Angeles police force. It pictures a raid on a fast house by the police force. The chief's daughter, who has been lured there, is saved by a fast woman whom the chief had befriended. This is staged in an ample way and gives a realistic picture of the interior and inmates of the resort raided. Among the latter is a woman who had been posing as a reformer. The chief motive of the production, if it can be said to have one, is to prove that all reformers are not sincere. The reporter comedians were funny, but out of keeping with the rest of the story; the author should feature them in a different production. - The Moving Picture World, May 1, 1915