Sweet Sixteen

From the opening scenes to the closing credits it was wonderful the acting the storyline the direction were wonderful, if this dosent move you nothing will, young Liam and Chantelles scene in the flat was so powerfull,,,,,,,,,,,,,,,a fantastic must see film

The kind of film I usually intend to see but don't end up seeing. In this case I did see it and was handsomely rewarded. I expected it to be a little on the depressing side but found it strangely uplifting. Perhaps because you realise that you don't have it so bad after all. Perhaps because it was extremely tight - with no needless scenes. I half expected the protag's relationship with the girl to result in a teenage sex scene. But it didn't and there's no way it would have fitted in with the film's race towards it's inevitable conclusion. Inevitable but not exactly predictable either. Stunning.

Greenock is just down the road from where I live, in fact there's rivalry bordering on enmity between the town where I work, Paisley and Greenock, where this super-realistic Ken Loach film was made. I can therefore completely identify from first-hand observation, although rarely, thankfully from experience, the young, foul mouthed, ill-mannered, drug-dependant, "neds" (non-educated delinquents), who largely populate the film. In fact, in their tracksuit and trainers garb, they still roam the streets today, usually in a zombie-like, drug-hazed trance.

The central character of the film, young Liam and his best-mate Pinball obviously don't go to school and out on the streets, work the margins, both small-time partners, roaming the local pubs selling cigarettes on the fly. Liam's mum is in prison, presumably on drugs-related charges and is due for release soon, but she's in tow with a hardened, petty criminal boy-friend who Liam hates, while also in the family mix is Liam's older sister, a single parent with a young child, who doesn't get on with their mum and bizarrely, a grandfather who's into the same petty crime as the mother's boyfriend. A chance discovery of the boyfriend's drug-stash gives the soon-to-be-sixteen year-old a golden chance to make big money quickly and buy a dream caravan for the family to make a literally clean start but instead leads him into a shady underworld of crime and violence.

Everyone lets Liam down in the film, eventually himself too and at the end, we see him in the time-honoured teenage mixed-up confusion traceable all the way back to Mod Jimmy in "Quadrophenia" and of course the original cause-less rebel of James Dean. The language and violence in the film are extreme but trust me, true to life and the little snippets of humour get steadily darker as the film progresses. Liam's progress from early-on comically getting a reversing truck to run over a policeman's motorbike in a gag used before by Woody Allen to the "sting" he falls victim to when required to stab a man to death in an underworld initiation test shows how far he comes / falls in his journey into darkness.

Filmed in real locations certainly familiar to me and without his sometime trait of attendant sentimentality, I think this is one of the best Ken Loach films I've seen. The acting by the exclusively Scottish and often first-time actors is mostly convincing, with Compston in particular showing the talent that has deservedly kept him in work ever since, although usually in rather typecast strong, silent parts in movies and on TV.

This was a believable, gritty warts-and-all slice of life of a random teenager's nowhere existence in the grey, economic wasteland of latter day West of Scotland. It's grim up north, believe me.

As someone who comes from Greenock originally, my first draw to this movie was curiosity. Having said that, I fell completely for the story of Liam. His character, played by Martin Compston, could be one of many lads that I grew up with. The need to be 'one of the big boys' an all prevalent force in this deprived, former shipbuilding town; even if that need is self destructive. The performances are stellar throughout, only the mother's character is weak. I am unsure if this is deliberate, or bad acting. Perhaps the film could have explored the lack of employment and the sectarian divide more, however it does tackle the drugs issue very well indeed. The other thing that may put people off is the language. There is nothing unusual about the frequency or the strength of it for Grenockians. But it is more usual for a filmmaker to give an essence rather than soak the audience in every single word.

It doesn't get any more nakedly gritty than this. This is a movie for

anyone who thinks that kids who grow up to be drug addicts and

drug users have only themselves to blame. What's particularly

disturbing is how the biggest antagonists for Liam, and his friend

Pinball are not people their own age, but rather adults. Some

scenes are very unnerving and hard to watch simply because the

hazing and degradation that the fifteen-year-old characters endure

is at the hands of people who behave like insecure playground

bullies, but are members of a powerful organized crime force.

Even though I'm pretty close to the age of the main character, I can

barely imagine what the nightmarish experiences he endures

must be like.

The movie is emotionally devastating nearly all the way though. It's

moments of levity are welcome, but few. There's points where it

seems as though everything will turn out alright, but then

something else happens that throws everything off-course. For a

relaxing and enjoyable time, this is not a movie to see. But if you're

looking for something that will move you, shock you and really

make you think (and appreciate your own situation) than Sweet

Sixteen is the one too see.

10/10