Stateside

Having shared many conversations with Reverge Anselmo, I found him to be the honorable person portrayed in this wonderful film based on a time in his life. Both he and his film deserve high praise. With "Stateside" R. Anselmo brings the audience an intimate story with the ring of universal truth. Jonathan Tucker captures what I would imagine the young Anselmo to be, a young man of honor who grew up to be an honorable adult. I look forward to seeing future films from this talented writer/director, who presents glimpses of his interior with each project and who will meet with continued success telling stories that resonate with audiences.

If you're over 18 you're bound to be disappointed by this movie. It delivers nothing. It, actually, depresses me. The entire movie is about senseless dramas of stupidity and boredom. In spite of the celebrity cast, it does not take you anywhere emotional, enlightening, or even amusing. What's happening in Hollywood? What's happened to those genius brains? I like to watch movies because I like to escape from reality. However, with the help of Hollywood films, I unfortunately dump from the frying pan into fire. Sad, indeed. I should just stick to foreign films then.

This movie was in and out of Atlanta theaters in one week-what a shame! It doesn't deserve the short run and bad reviews. All I can say is, if you like romantic movies, try this one on DVD. Stateside has the kind of sweet story that the critics usually hate. It's refreshingly different from most romances. It avoids the typical formula. You know the one, where the girl and guy meet cute, fall in love during a musical interlude, break up, and get back together at the end, typically with the guy racing to the airport to catch the girl at the last minute before she boards her plane. Stateside reminded me of movies that I saw back in the sixties, like The Graduate. Of course, it isn't as good as The Graduate, but it has that kind of off-beat quality.

Some of the negative reviews focused on minor issues such as the slow start and continuity problems. Others complained that the dialog was too poetic, but to me that was a plus not a minus. Still others pointed out how unrealistic this kind romance would be in the real world. But haven't these people ever heard of "willing suspension of disbelief?" Besides, countless romantic stories have derived their drama from the fact that the guy and girl are so different from each other. And unlike most 'opposites attract' movies, Stateside doesn't shy away from showing how difficult it would be for these two to have any kind of long-term relationship.

These critics apparently missed the point of the movie. It is about a bittersweet romance that would never have happened if not for Dori's mental illness. Both Mark and Dori gave up something important in order to get something they desperately wanted. If Dori had not been mentally ill, she would have married some rock star or movie star. She had to give up that dream because now she is lucky to get any guy, much less a nice guy like Mark. Mark had to give up a lot, too. Before meeting Dori, he probably expected to fall in love with an average but mentally stable girl. He gave up that prospect in order to do something he would have previously thought impossible-have a relationship with a real pin-up girl.

Jonathan Tucker and Rachel Leigh Cook are outstanding as Mark and Dori, especially Cook. She plays such a sweet, innocent and guileless beauty that you have no trouble believing that Tucker's character could fall in love with her despite her mental illness. Cook strips away the veneer of civility and gamesmanship that we typically see in Hollywood romances. What she reveals is a very likable character.

By the way, the story is based on the director's own life. He was a rich kid who fell in love with a mentally ill actress. He did join the marines and was sent to Lebanon.

Stateside won't win any academy awards. It has its flaws, but it is an enjoyable movie with fine acting and appealing characters. I give it 7.5 out of 10.

"Stateside" is 'based on a true story' and tells the tale of a rich teenager who gets into trouble and is allowed to avoid prison by enlisting in the Marines; he falls in love with a disturbed young woman. We wander to five states (California, Connecticut, New York, North Carolina, and South Carolina) in this disjointed, smoky soap opera. The talented young actors do their best with the mess they are given.

GRADE = "C"

Stateside breaks the mold of teen love stories. Though it might not appeal to a mass audience of younger teens, this movie appeals to people ranging from young adults to baby-boomers and gen-x-ers who lived through this period. The cast is stellar, and the direction seems solid and the camera-work deliberate. The real-life Marine experience of director of Reverge Anselmo brings a sense of realism to the film that is often lacking in pictures about the military – which tend to be heavy with political rhetoric and are often written by people who experience wartime from Berkley CA.

This picture is enhanced by a spectacular soundtrack that compliments the film well. It's always a good sign for a film when major actors accept minor roles. Stateside finds Penny Marshall having an un-credited role as a nurse, and Carrie Fisher as Mrs. Dubios – a part which is concentrated in mostly one scene. Val Kilmer and Joe Mantegna combine for about 15 minutes of screen time.

The reviews for this movie were mixed. However, I find it impossible to change the channel when it comes on TV, and it's quickly climbing my short-list of favorite films. Clearly not everyone will like this Stateside. It does have continuity issues, and there are some dialogue and plot details that don't make sense until the second or third time you see it. And I agree that the ending is slightly abrupt. However, if you're looking for a romantic movie or a hidden gem drama, you can do a lot worse with an hour and a half of your life.