Shaun of the Dead

Shaun Of The Dead was an absolute comedic treasure. From the punny name itself (poking fun at Dawn of The Dead) to the beginning and then to the end, this movie was an absolute laugh and masterfully written. There's so many funny one liners throughout and an actual story line behind everything. Every time I watch this, I notice new Easter eggs of funny or witty things included. The whole movie is just the perfect blend of humor and an actual story line with drama and suspense. There's never been such a success movie before that's done what this movie has done. Absolutely recommend this movie to anyone.

The great British sit-com has undergone something of a revival in recent years. Galvanised by the new wave of smart, sassy imports from the US, the Brits have girded their loins and produced a spate of quality comedies that have banished memories of the bland, identikit dross of the late eighties and early nineties.

One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.

Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).

When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.

Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.

Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.

What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.

8/10

This is the best mix of beer and blood I have ever tasted. "Shaun of the Dead" has some great comical moments and yet it has been made with lots of professionalism like this was a serious gory horror movie they were making. Because of this, through its seriousness, the movie becomes perhaps even more hilarious and really delivers. Both the fans of the (British) comedy-genre and the fans of mainly 'Zombie' movies and other gory horror-movies, will be entertained by this movie.

Visually the movie is really good looking. Its not like many other British movies and has a good looking use of cinematography and lighting. The gore, make-up and visual effects are extremely good and are even something that I haven't even seen in 'serious' Zombie/horror flicks.

You might think that this movie is just mainly a spoof of "Dawn of the Dead" (1978) but its really more than that. The movie is good and creates a good story on its own so that it becomes more than just a simple spoof. All of the characters are well written and are funny in their own way.

The acting is good for comedy standards and the actors perfectly know how to play in both hilarious/funny scene's as well as in serious/emotional one's. Plus of course it has the wonderful Bill Nighy playing a role in it. This guy really is a terrific actor that always is at his best in comical roles like he plays in this movie.

Basically this is a very good looking and professionally made movie that also is funny and hilarious at moments. I can't see how anyone could not like this movie.

8/10

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Shaun's nearing 30, stuck in a crappy sales job, and his girlfriend Liz is unhappy with the amount of time he spends with his ultra-slacker B-class drug dealer friend, Ed, at their local pub, the Winchester. When Liz dumps him, Shaun's so glum he doesn't even realise that London's been overrun with flesh-eating zombies. But somewhere within his console-happy lazy self, a hero is born.

I can't even begin to emphasise how cool this quintessentially British film is. The amount of time it takes for Shaun (Simon Pegg) and Ed (Nick Frost) to realise anything's wrong is priceless. Director Edgar Wright, who co-wrote the film with Pegg, also demonstrates that there's little difference between glassy eyed commuters and their undead brethren.

The plot rips along beautifully and parodies both the romantic comedy and zombie genres, while at the same time remaining true to them. Hopefully a new genre, the romzom com, has been born – incidentally, that's where you can go to find out more about the movie – romzom.com. The fabulous supporting cast includes Bill Nighy (Love Actually) as Shaun's supercilious stepfather, Penelope Wilton (Calendar Girls) as Shaun's absent-minded mum, Dylan Moran (Black Books) as Liz's snooty housemate David and Lucy Davis (The Office) as wannabe actress Diane.

Shaun of the Dead was partially inspired by the classic zombie flick, Dawn of the Dead. Its creator George Romero was reportedly so impressed with Shaun of the Dead that Simon Pegg and Edgar Wright are taking on cameo roles in Romero's latest instalment, Land of the Dead.

Shaun of the Dead is one of the best comedy of 2004 and a must-see for all rom zom com (romantic comedy with zombies) afficionados. ****½/***** stars.

...He'll kill some zombies too! Brace yourself for some nonstop zombie action and laughs with the delightful horror-comedy "Shaun of the Dead."

Armed with a cricket bat, razor-sharp wit, and an attitude, Shaun (Simon Pegg) is perhaps the last guy that you'd want to save the world from the legions of the living dead that have suddenly begun to storm the London neighborhood where he lives. It could be stated, as this is a running gag here, that we're all dying slow deaths, so it's no surprise that when zombies begin to eat the flesh of the living, Shaun couldn't be any more oblivious to the chaos that has gripped most of London.

Shaun loves his dead-end existence of wasting his days at the Winchester, a local pub, with his friend and flat mate Ed (Nick Frost). The film's money shot arrives about 20 minutes in, when Shaun, hungover from a hard night's drinking, goes to the store and because he's so hungover and is worried about his ex-girlfriend Liz (Kate Ashfield), he doesn't even notice that the street behind him is teeming with the living dead.

While in the store buying a beverage, he doesn't notice the bloody handprints on the refrigerator door and he almost slips in a puddle of blood. I was quite amazed at the response this film got from people in the theater: it seemed that every time something funny happened, the response was almost always with riotous laughter.

Straight from Britain, we have what is certainly one of the most original horror movies to come out in a long time. Even in a genre that embraces gore, "Shaun of the Dead" is fairly light on it (at least for the first 45 minutes) and is dominated by laughs galore.

You may remember the character of "Ash" (Bruce Campbell of "Evil Dead" fame), who has remained pretty much the supreme demon slayer in the horror genre. But you know, Campbell's pushed past 40 and people today may not be weary of his history slaying evil Deadites in Sam Raimi's notorious film series. So maybe with "Shaun of the Dead," the torch has been passed to Simon Pegg, who slays more than his fair share of the living dead in this film.

It's pretty obvious that "SOTD" was greatly influenced by the works of George A. Romero (the director of 1978's supreme epic of zombie action-mayhem "Dawn of the Dead") and 2002's "28 Days Later" (directed by Danny Boyle). There are little itty-bitty references to the two zombie flicks throughout the movie.

Granted "Shaun of the Dead" is aimed largely at the gorehounds who idolized Romero's "Living Dead" trilogy, but it's also the first zombie flick to attempt making a hit with the mainstream. I guarantee any viewers out there that you'll spend more time laughing than you will being frightened.

10/10