New Tricks

Bizarre and fun, New Tricks doesn't take itself too seriously, which is why it doesn't get bogged down in the mire that so many American cop shows do. Nothing against American TV, it's produced some hilarious shows, (Arrested Development and Friends come immediately to mind). But this particular type of gentle comedy / drama can only be done by the Brits. Eccentric, charismatic characters, quirky situations and witty dialogue are the strong points. Erratic pace and stereotypical minor characters are the main weaknesses. I find the problems with this show can be overlooked because it's willing to laugh at itself. I think it's great. The actors are right at home and it's sharp and original. Go for it, watch it, why not.

We've watched George Gently, Janet King, The Paradise, A Place to Call Home, and the list goes on. UK/British TV series are great for interesting plot, good casting, beautiful locales and of course superb actors. Our most pleasant surprise is this years-old series "New Tricks." COVID-19 isolation has expanded our viewing beyond the usual PBS/US TV dramas. In signing on to several British outlets we've seen UK shows that have increased our appreciation of the wit/culture that are hallmarks of Brit shows. "New Tricks" is a winner, night after night. There's sufficient salty language and sophisticated sexy innuendo to move the stories quickly forward, no Hallmark syrup here. Plots are unlike any other crime shows we've seen, no spoilers; just watch, you'll see.

The premise of "New Tricks" is based on three retired police officers whose investigative expertise and often cynical approach to crime solving build believable characters. Dialogue is clever, with references that are subtle but still current. Alun Armstrong is brilliant as an alcoholic savant. Amanda Redman is a perfect feminist Guv directing three older men; she's got a complicated past, but builds her team. Dennis Waterman and James Bolam complete the excellent leads. There are frequent cameos by outstanding actors seen more recently from Downton, Grantchester, Doc Martin, and Masterpiece. There's Sheila Hancock, Nicola Walker, Ian McNeice, Claire Bloom, Patrick Malahide and more.

Settle in, you'll watch and watch and miss them when they're gone.

I agree that the Brits seem to be able to produce well written shows that can make you laugh out loud one minute and then be tearing up at the sincere drama of the next minute. This is a unique and entertaining crime drama with good humor and great actors. I became a fan of Amanda Redman in spite of first seeing her in a terribly crap TV movie called "Suspicion". She was clearly working hard to make that script interesting and I knew an actress that determined must be good. Now that I'm seeing her in a decent show I am not in the least disappointed. She is great (and getting more beautiful with each year). She's completely believable as the tough policewoman in charge of this motley crew of men, and the guarded, reluctantly vulnerable woman sort of dating a younger man. The entire cast is superb. Alun Armstrong has never disappointed in anything I've ever seen him in and he is hysterical as the cop on multiple meds in this show. It's nice to see real looking people rather than bimbos & himbos. These are talented actors having a good time and creating something extremely entertaining.

What is it about British crime drama that makes them so good? While Americans produce one run of the mill series after the other that centers on fancy technique and the minds of killers the Brits constantly come up with new concepts and interesting character line ups.

New Tricks is probably the best of the current breed closely followed by my personal favourite, "55 Degrees North". I pity the so called young and hip series which feel the need to give identification figures to every focus group the entertainment industry cares about - "New Tricks" manages to make you care about the characters because they simply feel real and because it uses their genuine faults and quirks to propel exquisite and hilariously entertaining story lines.

The actor all are veterans of crime drama and the fun they are having with this one is palpable. These old dogs having plenty of new tricks up their sleeve to make he viewer eagerly ask for more.

We are just at the conclusion of 5 episodes, the end of the 2003 series I would imagine and therefore hopefully expecting additional episodes to be made available later in the year. This programme, unique in its storyline, tells of a senior Detective Superintendent,a lovely blonde who commences to address older cases, unsolved, with three senior ex Detectives. All have unusual characteristics such as photographic memory for one, excellent detective skills with another and criminal contacts with the third. The scripts are well written, full of humour but are still a serious crime drama series. As good as Dalziel and Pascoe, Taggart etc., and is recommended for scripting, acting and humour. Good English series