Method

In the real world people learn from mistakes. Players in Hollywood apparently feel no need to learn from mistakes. Case in point: METHOD. This beautifully shot but badly edited film is eerily similar to the beautifully shot but badly edited film THE WEIGHT OF WATER. Producers of these films obviously spent a lot of money on stars, sets, costumes, locations, equipment, etc. Directors of these films actually had good story to work with. Yet, in the end, both films don't work. In an attempt to dazzle the audience by interweaving the past with the present using slick editing techniques, the directors weaken the credibility of the story as well as confuse the audience. Regarding the story lines, both employ some type of mysterious karmic influence between people of the past and people in the present. Although this is probably a good plot device, it has to be believable, which it isn't in these two movies. Once last point: Elizabeth Hurley happens to be in both of these movies. I would love to know if she tried to point out to the producer and director of METHOD that THE WEIGHT OF WATER was very similar and didn't really work. If she did, why didn't they listen? And if she didn't, I guess she only wants to collect a paycheck.

The expression "method" was coined by the acting teacher Lee Strasberg to describe his unique interpretation of the acting techniques of the Russian director Constantin Stanislavsky. In the 1950s, Strasberg was the guru of the famed Actors Studio of New York where many great film actors honed their craft with the master. Strasberg's authoritarian style was legendary as he watched the actors perform scenes and monologues and then proceeded to psychoanalyze the actors and their choices.

Mr. Strasberg would be truly appalled by the trite and cliché-ridden "Method." The film seeks to weave two stories in a "play-within-a-play" style. Unfortunately, neither one of the stories is interesting, and the main problem is the script. Much of the dialogue was laughable. Also, the production values of this film seemed amateurish with special effects and scenes of violence that were not credible. Sadly, the good premise of a story about an actress who loses touch with reality and "becomes the character" was not realized, despite the good efforts of the cast.

The classic film "A Double Life" (1947) was successful in developing this premise as the actor playing Othello is so enmeshed within his character that he commits a real-life murder. The screenwriters for "A Double Life" were the brilliant team of Garson Kanin and Ruth Gordon, from whom the writers of "Method" could have learned a lesson worthy of the great teacher Lee Strasberg.

For some reason this came up as a horror, I assure you it isn't.

It tells the story of an actress returning to the spotlight for a new movie. She decides to live on set and really become the character, trouble is she takes it a tad far and before you know it events in the movie and events in real life start to merge.

Starring the underrated Jeremy Sisto, the overrated Liz Hurley, British favorite John Barrowman and Heavy Rain (2010) star Sam Douglas it's not the cast that fails it.

Though I appreciate what they were going for it simply doesn't work, at all. It's a messy poorly constructed not so thrilling thriller.

Liz Hurley isn't a leading lady, she's a bit part character. One of those actresses who is pretty and looks the part on camera but doesn't have the acting chops and needs that weakness disguised with minimal lines.

Badly written mess, simple as that.

The Good:

Interesting concept

Sam Douglas

The Bad:

Bad delivery

Hurley isn't up to a lead role

Things I Learnt From This Movie:

Sam Douglas needs more high profile jobs!

Pretend you are walking up the steps with a few tokens in your hand to play Plinko on "The Price Is Right". You line up token number one, release it and it zigzags down and lands into $0. That is the feeling you get after watching this movie. The story revolves around a famous actress who is back in the limelight and trying to disprove rumors she is more than just a pretty face but can actually act. The movie plays out with the story line moving between the movie being made and the characters involved in that movie production. The movie title Method refers to the type of acting where the actor/actress immerses themselves into a role. This female character plays a 19th century killer thus that mindset plays into the actress in reality. You can guess where things may end up heading. The story is rather muddled, characters are unlikable and unsympathetic and overall, this is not interesting or even visually intriguing. Simply put: avoid.

Rebecca Fairbanks (Hurley) is finally returning to the silver screen, after a three year absence, in the role of serial murderess Belle Gunnes. Fairbanks is acting alongside her old flame, movie star hunk Jake Fields (Sisto). In order to totally immerse herself in the role and get the best performance she feels she can give, Fairbanks resides on set trying to live the life of Belle Gunnes. However, all becomes tragic when people begin to turn up dead and Jake is arrested as a suspect.

Method (or Dead Even as is titled on the UK DVD) is a very good thriller and is, at times, quite unnerving. The film Method features scenes from the film 'Belle' that Fairbanks and Fields are starring in. As such you get 'real action' mixed with the action for the pretend film. Iy has been said in at least one comment that it is hard to tell what is the 'real action' and what is the fake film action. I would have to disagree with this as I thought it was perfectly clear, but maybe I'm just more preceptive than some other people. The acting in this film is very, very good with the stand-out performance coming from Jeremy Sisto, brilliant actor. Elizabeth Hurley looks very good in this film, as does Jake Field's wife Bethany (Hannah Yelland). I feel sorry for Fields having to choose between these two, it's a tough call. Olivia du Sautoy is very good as Mona, the mother of actress Fairbanks, who controls her life and seems very over-protective of her daughter. I watched this last night for the first time and am left feeling the longing to watch it again tonight which is a sign of how much I liked this film. It really is a great thriller. 8/10

Cat Squire