Guess Who

Ashton Kutcher and Bernie Mac are a wonderful comedic team

When it was released in 1967, "Guess Who's Coming to Dinner" was acclaimed as a "breakthrough" film for its lighthearted, yet serious, depiction of an interracial romance. In the years since, society has moved so far in the direction of acceptance of so-called "mixed marriages" that any remake is bound to feel, at least to some extent, superfluous and anachronistic. And that is exactly the case with "Guess Who," a 2005 update whose abbreviated title is only the first of the many changes the filmmakers have rung on the Stanley Kramer original.

The screenwriters' first alteration involves switching the race roles, so that it is now a black family having to accept a white male as a prospective in-law rather than the other way around. Bernie Mac assumes the Spencer Tracy role as the father whose world is turned upside down when his beloved daughter brings a Caucasian boyfriend (Ashton Kutcher as a white Sidney Poitier) home to meet the family. On the distaff side, we have Judith Scott taking over for Katherine Hepburn as the understanding mother and Zoe Saldana replacing Katherine Houghton as the freethinking daughter.

Since interracial marriage is no longer the hot-button issue it once was, the filmmakers have been forced to inject a number of other non-race-related plot complications into the mix to develop and maintain the conflict and drama. Thus, we have Kutcher trying to hide the fact from both his fiancé and her family that he has recently quit his high-paying job at a prestigious firm and that he may, in fact, be the target of a securities-and-exchange commission probe. Indeed, with Kutcher spending most of his time trying to win over his critical and overbearing future father-in-law, "Guess Who" feels more like a remake of "Meet the Parents" than of "Guess Who's Coming to Dinner." The real problem with "Guess Who" is that it rarely has the courage of its convictions. Having decided to tackle a relatively dicey topic, the film too often drops the issue in favor of scenes that wouldn't pass muster even on a third-rate sitcom. For every scene that is incisive and daring - i.e. Kutcher telling a series of black jokes at the family dinner table - there is another that is pure Hollywood hokum (Mac and Kutcher sleeping in the same bed together, Mac and Kutcher having a go-cart race to determine who has the higher testosterone level and the greater machismo, etc.).

All of the performers are fine, especially Mac and Kutcher in the lead roles. However, they just haven't been given very sophisticated material to work with here. "Guess Who" might have been a better film had it aimed more for genuine, hard-edged satire and less for lowbrow slapstick and predictable romantic comedy sentimentality.

Still, it's been 38 years since "Guess Who's Coming to Dinner" first shocked the nation with its in-your-face defiance of miscegenation laws, and the world has since moved on to other issues of social injustice and marital definition. Which is why, in the year 2005, "Brokeback Mountain" was a breakthrough film and "Guess Who" was not.

In New York, the Afro-American Theresa Jones (Zoë Saldaña) goes to the suburb of New Jersey with her Caucasian boy-friend Simon Green (Ashton Kutcher) for the renewal of the vows of her parents after twenty-five years marriage. Her father, the racist banker Percy Jones (Bernie Mac), does not accept the white Simon and does not give a break to Simon. In the end, love is beautiful, and all the family problems are fixed.

Although having the theme "visiting the family", which is very explored in comedies by Hollywood, the beginning of "Guess Who" is funny, with many hilarious racist situations. I laughed a lot, for example, with the confusion of Percy with the cab driver in the arrival of Simon to his house; or with the stupid dialogs of Simon with Percy, making the situations worse and worse. There are some jokes at the grandfather's dinner table that I did not understand (for example, the joke with the "ho" sister). Bernie Mac is simply perfect in the role of a very racist black man, and Aston Kutcher is very good in the role of an impulsive young guy that does not think before speaking. Indeed his character is too much silly to be a good and disputed professional in business. Unfortunately, in a certain moment the story become boring and corny, certainly for commercial interests in order to have a politically correct conclusion. My vote is six.

Title (Brazil): "A Família da Noiva" ("The Family of the Bride")

And it's still funny and romantic. Bernie Mac, Ashton kutcher and Zoë Zaldaña had a great chemistry in the screen.

To take a work of pure genius (Guess Who's Coming To Dinner / Stanley Kramer 1967) and turn it into a Bernie mac, Ashton Kutcher roll reversal. I have nothing against the actors in this film... BUT! The original still stands strong as a cinematic masterpiece. Reviewing the troubled historic times past. Any comedic treatment of this classic work is nothing more than panhandling.

You can rent or buy the original for under $10. Sydney Portier was and is his generation. Don't be fooled, This series of remakes being spit out by the studios are simply because they already have the rights to the films and they will be the only ones making money. But the best question is what will they remake in 20 years from now.

Don't buy any of it!