The River King

I don't know why it is called "The River King", but it is a compelling movie. It has a good story line. There are some great possible endings and at least one of the best was selected. Any weak moments are covered over pretty well by the fine, believable acting of Edward Burns. Jennifer Ehle is worth watching anytime. Rachelle LeFevre should do well in the acting business. I'd recommend the movie to anyone who is interested in entertainment without unrealistic computer graphics. It was most entertaining. While it may well perpetuate the "myth" that all elite schools have bad boys leading other bad boys in deadly hazing rituals, it does not portray them in a good light.

I like Burns, he does all he can with this part. But, I detest movies with no conclusion, and this one is one of those. You could leave at any time, and know as much as those of us dumb enough to stick it out to the end.

Great visuals, good music. Beautiful winter scenes. A couple of nasty guys who you'd like to see put in their place. A nice Streep-clone girlie figure. She's engaged to one of they nasty guys. But, why is she in the story at all? Even a ghost is thrown into the cast.

Odd love scenes .... he and she are just talking, then suddenly sucking face like they were magnetized. When they pull apart, you almost miss the "plop" sound from cartoons. They swear off each other, agree to call it quits, and then get right back to swapping spit.

I can see why this went straight to DVD .... somebody had the brains to save the distribution and promO costs, and cut their losses.

THE RIVER KING is a high profile film that went directly to DVD without the benefit of a theater run. It is anyone's guess why a film of this quality should not make it commercially while there are so many less well-made movies that linger on the screens for weeks or months. The film is well acted, well directed, beautifully photographed and well scored.

The possible reason for its lack of attention may have been due to some test screenings where the audience was asked to evaluate. Despite all of the fine points of the film the problem lies in the screen adaptation by David Kane of the haunting novel by Alice Hoffman. Too many loose ends do not a story make and in the final analysis it is difficult to converse with someone who has not seen the film just what it is about.

Ostensibly, THE RIVER KING is about a private prep school out in the snowy fields of somewhere, a place where secret societies still haze, faculty are still under the control of the school's funders, and appearances are far more important than truths. Abel (Edward Burns) is called in to investigate the found drowned body of a student, and with his partner (John Kapelos) the two detectives suspect foul play - suicide, murder, hazing. Their investigation includes questioning the victim's only friend Carlin (Rachelle Lefevre) and one photography and English Lit teacher Betsy (Jennifer Ehle). But as the investigation proceeds, Abel has flashbacks to his childhood memories of his own older brother's suicide, dark secrets that have haunted him, and it is this psychic matrix which serves as the canvas for him to resolve the case as well as to relate to the various characters within the confines of the prep school.

Many of the questions raised by the narrative remain unanswered by this frustrating script, but the actors bring as much involvement and credibility as they are able to create a film of mystery and self-realization in the snow and ice of the fields around the school. For those who wish more, reading Hoffman's novel will be more satisfying. Grady Harp

I like to like movies that qualify as small gems. TRK had all the potential for such and, for the first forty minutes or so, looked to qualify. The acting wasn't bad (Ed Burns is just a bit too low key) the script is crisp and the pacing, shoot and story suspenseful. Indeed there were a dozen different prospects for; e.g., who the bad guy was going to be. I can't agree with some of the other comments herein that there was enough mood, fine acting, dialog, etc., to distinguish TRK as excellent cinema. But again, after more than a half hour I'm totally absorbed by the plot potential.

It is almost as if TRK sets up the viewer for a thousand possibilities only to intentionally fulfill absolutely none of them. A move "fizzles" when it paints itself into a corner then escapes in a clumsy manner. TRK paints itself into a corner and then climbs out a window. Again, there are not enough fine points about this movie to make it enjoyable on another level. Virtually every aspect of the build-up centers on facts, twists, questions, etc., that go unanswered. It is truly difficult to imagine what the makers of TRK wanted the viewer to enjoy about this movie.

As a thriller, The River King is as fast paced as thawing ice. Its intensity is in the isolation and disillusionment of a man who is determined to uncover the truth, though nothing is what it seems.

The body of a teenage boy is discovered in an ice-clogged river and two local cops from the bumbling school of "what do we do now?" investigate his death. An accident, suicide or homicide? Seems straightforward, except that one of the cops is seeing things that aren't there and a photography teacher is developing some eerie pictures. A conspiracy, misperception, or paranormal haunting? This intriguing film that uses sleight of hand to make you think it is about one thing, when it is actually about another.

No extras on the DVD.