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How sad that such a high-calibre film has so little interest in Canada or the USA, according to IMDb. Perhaps it has been recognised in Quebec (which IS part of North America) on some website I don't know about.
Director Meunier apparently fled the rat-race in Paris and found Najac, which is like a thousand other villages in France. Indeed, once you leave the rush of Paris, the whole of France resembles Najac in some way.
I lived in a town of 199 in the Languedoc, and our Mayor yearned for one more resident so that he could boast 200. As mayor, he could run for President of France! The French countryside has many surprises. I once saw four old men in boiler suits emerge from a restaurant and get into a large, brand-new Mercedes. And there are plenty of discoveries in this lovingly made fly-on-the-wall documentary. It enhances your life and leaves you feeling richer, not as though you've been dragged backwards through a mangle, as with most Hollywood films.
The only proviso is that this film does not include the new residents of France. Except for a back-to-the-land type descended from Lithuanian Jewish intellectuals in Paris, the vast hordes of immigrants of a semi-white skinned type are left out. Naturally, because they have not yet penetrated La France Profonde, where this film is emphatically set.
Very highly recommended in the non-fiction department.
Director Meunier apparently fled the rat-race in Paris and found Najac, which is like a thousand other villages in France. Indeed, once you leave the rush of Paris, the whole of France resembles Najac in some way.
I lived in a town of 199 in the Languedoc, and our Mayor yearned for one more resident so that he could boast 200. As mayor, he could run for President of France! The French countryside has many surprises. I once saw four old men in boiler suits emerge from a restaurant and get into a large, brand-new Mercedes. And there are plenty of discoveries in this lovingly made fly-on-the-wall documentary. It enhances your life and leaves you feeling richer, not as though you've been dragged backwards through a mangle, as with most Hollywood films.
The only proviso is that this film does not include the new residents of France. Except for a back-to-the-land type descended from Lithuanian Jewish intellectuals in Paris, the vast hordes of immigrants of a semi-white skinned type are left out. Naturally, because they have not yet penetrated La France Profonde, where this film is emphatically set.
Very highly recommended in the non-fiction department.
"La vie comme elle va" is a 90 minutes comment-free documentary about life in a south western village of France, Najac.
This little place could be anywhere: time passes by slowly, people meet and go, a bee falls into a glass of beer, a cow watches a leaf fall from a tree... A 100 year-old lady dies. A man takes his dog for a walk. An old man cries for his wife gone long ago.
It is touching, sometimes overwhelming, with tragedy and comedy intertwined just as they are in life, making the fragile poetry of our lives come out in the light.
A must see for those who can.
This little place could be anywhere: time passes by slowly, people meet and go, a bee falls into a glass of beer, a cow watches a leaf fall from a tree... A 100 year-old lady dies. A man takes his dog for a walk. An old man cries for his wife gone long ago.
It is touching, sometimes overwhelming, with tragedy and comedy intertwined just as they are in life, making the fragile poetry of our lives come out in the light.
A must see for those who can.
One of the most memorable films I have seen. It tugs at your heart, it makes you laugh, it lifts you up, it makes you cry. It was shot with obvious love, tenderness and respect for the inhabitants of Najac. Life is in the small, quiet details. And these are captured by the director in an utterly simple but magical way. This film is very much like Etre et Avoir - another one of my favourites. Works like these make my heart sing! It always amazes and delights me that there are directors who can make films like these with just a camera, small crew, small budget, and manage to pack much more of a punch than most of the big-budget, big-name, big-effects movies think they can.
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