Accused

This movie in the same boat as JAGTEN and THE CELEBRATON films. I have to say that the acting is very well made, the picture quality was great. I was stoked for the most of the movie. However, the movie is confusing at times; It showcases sometimes random scenes that have nothing to do with the scene which is going on.

Another problem i kinda have is that our victim has zero buildup. We know nothing about her, except her trauma, and that she lied a lot. That's all we know. I think what could of helped a bit was some kind of depth (But then again THE CELEBRATION didn't have much buildup of the victims either).

This whole movie is a puzzle that you have to solve if the father is guilty or not? This movie and JAGTEN show very well how adults (Complete adults over 25), end up if they are accused of such horrific crime. This is the MURDER of the SOUL.

I have to be honest, i have believed that the father is guilty at the start, because he just came off as heartless. The only character that is extremely likeable is the Mother. She truly is a very likeable character that is trying her best to love her husband, but have her daughter with them. I felt horrible for her.

Yes i can recommend this movie it was very well executed. However it does get difficult to follow at times. If you want some similar films too; Go watch JAGTEN and CELEBRATION.

This is one of my favourite movies of all time. It's shocking, thought-provoking and skilfully made.

Not only does Anklaget deal with a taboo topic, incest (the father is accused of it), it also discusses the ways the human mind deals with such a thing (and they are a taboo on their own).

The movie is psychologically insightful. The most important insights don't come via much talk, but with elegant dialogue and the arrangement of scenes.

In many ways this is a one-of-a-kind movie. Terribly underrated.

Normally the name of screenwriter Kim Fupz Aakesonon a Danish film is enough to make my blood freeze. His proletaristic, mind-numbing dialog (mostly consisting of ummmm.... f****... errr s***) is enough to drive me up the wall, and the terribly dull "everyday" (as if people died in car crashes or went insane were everyday things) stories were tiresome. So my expectations for this film were low. Yet I was to be surprised: Director Jacob Thuesen has turned the "everyday" story on it's head, and created a searing critique of the welfare state, the middle class, and society's (particularly the legal system) increasing dependence on experts, and their influence on people's lives.

Troels Lyby is amazing as the father accused of incest, and for once Aakeson's dialogue is fascinating and sharp. For a Danish film it is impressively edited and filmed, and the visual style (especially the unconventional character introductions) is fittingly cold and edgy. The only problem with this film is that it goes on for about ten minutes too long, and the fact that Sofie Graabøl is simply too tried and tested in this sort of film to be anything else than tiresome.

Overall, a greatly underrated movie. I might actually look forward to Aakeson's next film.

If a kid accuses an adult of having done inappropriate things to her (in this case it is her, could also be him) .. well that adult is in quite some trouble. Not just in the justice system, but even if he gets a not guilty verdict ... but lets not get ahead of ourselves.

This has to be decided by the courts and there are things that do suggest what might be the truth behind it all. A very heavy drama, that does a really good job with the theme it chose to depict and have as central subject matter. Great actors and great twists and turns, even if you yourself may be aware of the "truth" early on (there is only one of two choices so guessing right is not really saying anything) ...

If Sofie Gråbøl gets any better than in this movie, it's scary!! I hope for her that she can keep on improving her acting, but I fear that she will be on a "Mission Impossible" if she has to do better than this performance. She is simply outstanding, and she singlehandedly saves the movie, when the script runs away with it round an easy Hollywood corner, that makes everything fit too well into script-mathematics. Just watched the extra material on DVD and was a bit embarrassed on behalf of director Jacob Thuesen, when after meeting the press at The Berlinale (Film Festival) he seemed surprised, that his audience wanted to talk about the subject of the film (incest), rather than the "filmtechnical matters" (which he had hoped for). Proves to me, that this was another film where the filmmakers aim for the perfect effective drama, rather than caring for what is on their mind and heart. Damn effective though - not least through the first 4/5 of the movie.