Black Book

I attended the North American premiere of "Black Book" at the Toronto International Film Festival. Although my main interest lies in independent film, and I did see many indies as well as foreign films and documentaries in Toronto, I also saw a few of the "Gala" selections. Of those "big movies" on my list, the one which impressed me the most was this Dutch production from Paul Verhoeven. Set in Nazi-occupied Holland during World War II, the film centers around a young Jewish woman named Rachel, who changes her name (and hair, and personality, and more) to Ellis and enters an odyssey of determination and sheer luck in an effort to survive what would otherwise be certain death.

Make no mistake about it: this is an epic in the true sense of the word. The visuals are stunning. Everything about the production from the sound to the effects to the score says "big budget." The story is chock full of more twists and turns than just about any film I've seen in this genre. And just when you think that, perhaps, Verhoeven is beginning to stretch the bounds of credulity, you realize (at the end credits, if not before) that "Black Book" is based on fact.

Most of all, the film's power is due to the magnificent acting of Carice van Houten. Her Rachel/Ellis is a character so unique, so original, that it holds up against the great heroines of contemporary cinema. Combine her marvelous performance with a wonderful story and superb production values and you end up with a thrill ride from start to finish. "Black Book" left me breathless.

I have been eagerly waiting to see 'Zwartboek' the past months. Finally it premiered in Holland today and i immediately rushed to cinema to be one of the first to see it. Beforehand i didn't watch any trailer nor read any review so i went in completely not knowing what to expect.

The movie starts a bit messy. Not knowing what it wants and where it wants to go. But as soon as things are set the roller-coaster ride begins. Carice and Sebastian are simply outstanding. Together they really carry the movie. The story however is predictable at times, but the awesome production quality (for dutch standards) and fast paced action really make up for it.

The overall message (which i will not give away) is something to think about. See the movie and judge for yourself.

I have heard this will be sent in for the Oscars. As much as i would want Paul to win i don't think it will happen. There will be other movies with a story less predictable and more surprising. However, my heart would want him to win this and walk out with a big figurative finger pointed at all them critics.

Zwartboek is in my opinion the best dutch production in 20-30 years, maybe even the best dutch movie since Soldier of Orange. It doesn't disappoint, it doesn't bore and it will give you a ride which you won't forget. It is also the breakthrough of Carice van Houten. Rave reviews from Venice compare her to Scarlett Johansson, but even better. Future will tell...

For now, go see this! And for Paul: please stay in Holland and make dutch cinema proud again.

I must admit that I don't like to watch dutch movies that much. Most of the time the acting is pretty bad and if they use some kind of cgi in the movies its one from the 1980's.

This movie really surprised me. Quite good acting from most of the actors. And the general view of the Alliance is good and the Germans are bad isn't presented. The movie shows both sides, the good the bad (and the ugly) behaviors of the people during the war.

Although he didn't have a very big budget to make this movie (between 16-20 million dollars) which is nothing for Hollywood matters, he'd made quite a good movie from it.

If you want to watch a movie about WWII that isn't like most of the movies made about this war, go and watch this one. You wont be bored for the next 2,5 hours.

A really interesting mix of American movie - driven by a strong narrative, complete with car chases and tense thriller moments - and European film - multilingual, with strong sense of historical moment and complex characterisation. The lead performance by Carice van Houten is compelling and charismatic. Overall the film does not amount to a big emotional experience - the centre of the emotion, however, is subtle and focused on the scenes of Ellis (the Jewish heroine, undercover among the Nazis) and Muntze (the German officer) in bed together. A complex and believable love develops between them which is the heart of the film. Great to see Verhoeven back in Europe on a project of passion, bringing back some American know-how to a fairly large scale film, albeit for a pretty modest budget (c$20M I believe).

I seem to be the first in the US to comment on this film after having seen it at a regular theater.

There's no sense in talking about the movie's plot as so many others have already done so.

My fiancée is German and tends to be interested in those artsy foreign films. Tonight she decided we should go see this one. I'm glad we did.

I've seen a number of Paul Verhoeven's films and have found some of them quite entertaining, if a bit tacky and unrealistic. I wasn't expecting much from a Dutch film by a guy known for making big budget, tacky films.

I was pleasantly surprised by this film.

Yes, it most certainly IS a Paul Verhoeven film. Gratuitous nudity and violence seem to be his hallmarks and they're certainly not lacking. Do they detract from the movie? A little, but not enough to lose sight of the message of the film - or to make it any less enjoyable.

We had recently seen "The Lives of Others" which starred Sebastian Koch. It made his character oddly familiar. I'm certainly a fan of his after seeing his performance in both of these movies.

As for Carice van Houten... well, one of the marks of a true STAR is that you just can't take your eyes off of him or her. It isn't just beauty; there are plenty of beautiful women in the world who don't possess that same star quality. It isn't just talent, either; there are many very talented actresses out there who just don't draw you in in the same way. Carice van Houten has it all: she's beautiful in a very real way and an amazing talent - and has that something special that makes you look at her every second she's on screen. I hope the directors of the world take note of her because she deserves the stardom she has exhibited in this film.

It is good to see a film that depicts how the hunted can easily turn into the hunter. My fiancée's mother was a young girl during WWII who's family lived in Poland (near Gdansk aka Danzig). Towards the end of the war, they were forced to leave their home in fear for their lives - both from the advancing Russians and the local Poles exacting revenge for what other Germans had done. The film said it in a slightly different sentence, but it is right in bringing across the message that people seem to never learn: that it is NEVER right to hurt others no matter what they might have done in the past.

I wonder if Paul Verhoeven's family is Jewish because he really seems to identify with the never ending succession of attacks against the Jewish people. It saddens me that only ONE other review even mentioned the scene at the end where Rachel's community (in Israel) was being attacked. Part of the film's message is that we seemed doomed to repeat our inhumanity to our fellow man.

Was this a perfect movie? Certainly not. Is it a masterpiece ala "Schindler's List" or "Full Metal Jacket" or "Saving Private Ryan?" Probably not. But I'll say that in the several hours since I've seen it, I can't stop thinking about it. And I certainly enjoyed every minute of that 2-1/2 hour film while watching it. I'd watch it again if I had it on DVD.