Former superhero Jack is called back to work to transform an unlikely group of ragtag kids into superheroes at a private academy.Former superhero Jack is called back to work to transform an unlikely group of ragtag kids into superheroes at a private academy.Former superhero Jack is called back to work to transform an unlikely group of ragtag kids into superheroes at a private academy.
- Awards
- 4 wins & 8 nominations total
Ryan Whitney
- Cindy Collins
- (as Ryan Newman)
- …
Featured reviews
The soundtrack having 5 smash mouth songs really fits the tone and overall quality of the movie.
Remember how in the 70's you could tell the production value of a film by how often you saw the boom mike fall into view of the actors- well thanks to boom operator Darryl Purdy and the laziness of Peter "I apparently never watch the dailies" Hewitt, you can see the boom mike fall into view 3 separate times. That said allow me to point out that the cute little girl who acts as badly as her speech impediment can't save the film in the same way that the Brady Bunch would not have been popular with a the show devoted to Cindy Brady.
There was so much wasted possibility showing us the back ground of these characters the over use of montage and collage editing would not have been needed.
Also the film has three apparent villains in the film except none of them are bad and we never know why two of them are necessarily considered bad- but that's o.k. because the story was written by someone with ADD or perhaps short term memory loss as significant as the character in "Memento".The story has no continuity- Tim Allen hates the kids he plays with the kids he feels sorry for the kids no wait he doesn't understand why he's there to train the kids_ FOR THE LOVE OF GOD MAKE UP YOUR MIND!!! Nothing in this movie fit together- and in the end the super evil villain (whom we have waited 90 minutes to see) gets a scolding in the last 6 minutes of the movie and then it's over.
Didn't Peter Hewitt read the script before filming oh no wait this is the same guy that gave us "Bogus Journey"- you remember- the sequel that ended the Bill and Ted franchise. Not to mention the Garfield Movie.. a comic strip so revered for 30 years they made it into a Saturday morning cartoon but the movie that couldn't keep the audiences attention for 90 minutes (success based solely on a lack of other children films during its release and parents who grew up with Garfield the previous generation)...WHY DOES PETER HEWITT GET WORK, why?? Afterall,it is the directors responsibility for many things including having a working script and a vision before starting a project ( the exceptions being Andy Warhol who's audience base was too stoned to notice and Francis Ford Coppola with "Apocalypse Now" who had several million dollars to keep his dream afloat.
Peter Hewitt should be ashamed of himself for this crap.
There was so much wasted possibility showing us the back ground of these characters the over use of montage and collage editing would not have been needed.
Also the film has three apparent villains in the film except none of them are bad and we never know why two of them are necessarily considered bad- but that's o.k. because the story was written by someone with ADD or perhaps short term memory loss as significant as the character in "Memento".The story has no continuity- Tim Allen hates the kids he plays with the kids he feels sorry for the kids no wait he doesn't understand why he's there to train the kids_ FOR THE LOVE OF GOD MAKE UP YOUR MIND!!! Nothing in this movie fit together- and in the end the super evil villain (whom we have waited 90 minutes to see) gets a scolding in the last 6 minutes of the movie and then it's over.
Didn't Peter Hewitt read the script before filming oh no wait this is the same guy that gave us "Bogus Journey"- you remember- the sequel that ended the Bill and Ted franchise. Not to mention the Garfield Movie.. a comic strip so revered for 30 years they made it into a Saturday morning cartoon but the movie that couldn't keep the audiences attention for 90 minutes (success based solely on a lack of other children films during its release and parents who grew up with Garfield the previous generation)...WHY DOES PETER HEWITT GET WORK, why?? Afterall,it is the directors responsibility for many things including having a working script and a vision before starting a project ( the exceptions being Andy Warhol who's audience base was too stoned to notice and Francis Ford Coppola with "Apocalypse Now" who had several million dollars to keep his dream afloat.
Peter Hewitt should be ashamed of himself for this crap.
First off, a tiny bit about me. 1) I took my daughters (13 & 10) to this movie. 2) I tend to enjoy children's movies and I love SciFi. 3) My wife & I mostly agreed about the quality of this movie. 4) I've never rated a movie before.
Although I agree with many points from the first posting, I do think this movie *had* promise. It seems to me that if all characters were developed properly, that the screenplay had been more carefully thought out, that the technical filming of the show had gone better (boom mic!), that there was cohesiveness to the whole story, and that the actual plot had been more fully developed that this movie could have been spectacular. I was even willing to accept the story line until the kids were mysteriously found dutifully waiting in their room when they were supposed to be hiding. After that, it went downhill quickly for me.
I would have liked to see more exemplary development of the kids' powers -- the kind of foreshadowing that is later revealed in how they save the day (ie. A scene of Summer controlling the paint balls would have helped me believe better her focused power use in the end). Why spend all that time watching Cindy throw ton-weights at a target? How did Dylan's ability with the apple help in the end? What did they do with Tucker to help him learn to control his bloating? How is "mind sight" related to invisibility? Don't even get me started on Ms. Cox character (which I thought she played well).
The pacing and development of the two predictable romances was fair, but why not let Summer have a little tirade with Dylan for knowing he had "seen" her dancing? Followed up with Dylan's peace offering of the necklace pendant -- drama & release -- make the relationship grow on us.
The human stories here have to do with the kids as outcasts in life. Let's develop that more than the two short bits about the girls and Jack finally relating to Dylan. Zoom needed to grow with each kid to show his own growth and bring out his determination to succeed.
Then again, succeed at what? I think Tim Allen does a great job with the "unknown" aspect of the plot. He has no motivation, he gives none. But without a believable reason to drive the plot of the kids' training, we get what we saw. Also, there's nothing socially "dangerous" about the threat of Concussion - it seems a personal vendetta or overblown fear that Larraby is concerned about -- hardly enough to make me feel for him or his cause, and, unfortunately, the movie.
Finally, let's chew on continuity and technical prowess. I was thinking I saw the boom 5 times (but let's not quibble). Aren't people paid to notice these things (the director, even) during production? Let's keep track of where the characters are and give them a reason to go/be somewhere else. Let's give the characters more reason, heck even a strategy, to want to make and close a vortex. Let's see Rip Torn say the line that we watch him ventriloquize {sic}.
Would I watch it again? Maybe just to watch Zoom stumble again, see Houdini throw another punch, or see Summer be radiant -- OK, Cindy's got the tough-cute factor that can be enjoyable in moderation (pull up a chair, whydontya).
Although I agree with many points from the first posting, I do think this movie *had* promise. It seems to me that if all characters were developed properly, that the screenplay had been more carefully thought out, that the technical filming of the show had gone better (boom mic!), that there was cohesiveness to the whole story, and that the actual plot had been more fully developed that this movie could have been spectacular. I was even willing to accept the story line until the kids were mysteriously found dutifully waiting in their room when they were supposed to be hiding. After that, it went downhill quickly for me.
I would have liked to see more exemplary development of the kids' powers -- the kind of foreshadowing that is later revealed in how they save the day (ie. A scene of Summer controlling the paint balls would have helped me believe better her focused power use in the end). Why spend all that time watching Cindy throw ton-weights at a target? How did Dylan's ability with the apple help in the end? What did they do with Tucker to help him learn to control his bloating? How is "mind sight" related to invisibility? Don't even get me started on Ms. Cox character (which I thought she played well).
The pacing and development of the two predictable romances was fair, but why not let Summer have a little tirade with Dylan for knowing he had "seen" her dancing? Followed up with Dylan's peace offering of the necklace pendant -- drama & release -- make the relationship grow on us.
The human stories here have to do with the kids as outcasts in life. Let's develop that more than the two short bits about the girls and Jack finally relating to Dylan. Zoom needed to grow with each kid to show his own growth and bring out his determination to succeed.
Then again, succeed at what? I think Tim Allen does a great job with the "unknown" aspect of the plot. He has no motivation, he gives none. But without a believable reason to drive the plot of the kids' training, we get what we saw. Also, there's nothing socially "dangerous" about the threat of Concussion - it seems a personal vendetta or overblown fear that Larraby is concerned about -- hardly enough to make me feel for him or his cause, and, unfortunately, the movie.
Finally, let's chew on continuity and technical prowess. I was thinking I saw the boom 5 times (but let's not quibble). Aren't people paid to notice these things (the director, even) during production? Let's keep track of where the characters are and give them a reason to go/be somewhere else. Let's give the characters more reason, heck even a strategy, to want to make and close a vortex. Let's see Rip Torn say the line that we watch him ventriloquize {sic}.
Would I watch it again? Maybe just to watch Zoom stumble again, see Houdini throw another punch, or see Summer be radiant -- OK, Cindy's got the tough-cute factor that can be enjoyable in moderation (pull up a chair, whydontya).
The people who rated this movie 1-star should get their heads out of their posteriors.
Too many movie-goers these days seem to only see movies as either being the best thing ever or the worst thing ever. The only way a movie should get 10 stars is if it would be difficult to improve upon and the only way a movie should get 1 star is if it was absolutely ineptly made on every level, and I assure you this movie doesn't come close to that. Even solely rating on personal taste and ignoring the technical filmmaking and how successfully the movie achieves the filmmakers' apparent intent, this movie could hardly be in the worst 10% of movies for anyone's taste.
This movie fails in many respects, but it has some redeeming moments and taken as a movie for small kids, it's not bad. The humor and acting both fall flat or miss the mark about as often as they're on target, but that is a sign of mediocrity, not atrocity.
Unfortunately at this point most of the IMDb users seem to think that if they enjoyed a movie they should give it a 10 and if it wasn't all they hoped for they should give it a 1. For instance the Lord of the Rings movies were entertaining, but have no business being rated higher than Citizen Kane or any of the countless classics relegated to lower ranks here. Similarly. Zoom has no business being rated lower than a piece of garbage like I Accuse My Parents which wasn't even watchable when it was skewered on Mystery Science Theater 3000.
Remember folks most movies are mediocre. That means a low rating, not the bottom rating. Furthermore, just because a movie is exciting or satisfying doesn't make it a 10. For example, one can love the original Star Wars movies and still realize they have occasional flaws in acting, direction, pacing, or script.
Is Zoom a great movie? Absolutely not. Will some children, some parents, and even some adults without children enjoy it? Yes. Will it go down in history for being remarkable in any way? Probably not.
Too many movie-goers these days seem to only see movies as either being the best thing ever or the worst thing ever. The only way a movie should get 10 stars is if it would be difficult to improve upon and the only way a movie should get 1 star is if it was absolutely ineptly made on every level, and I assure you this movie doesn't come close to that. Even solely rating on personal taste and ignoring the technical filmmaking and how successfully the movie achieves the filmmakers' apparent intent, this movie could hardly be in the worst 10% of movies for anyone's taste.
This movie fails in many respects, but it has some redeeming moments and taken as a movie for small kids, it's not bad. The humor and acting both fall flat or miss the mark about as often as they're on target, but that is a sign of mediocrity, not atrocity.
Unfortunately at this point most of the IMDb users seem to think that if they enjoyed a movie they should give it a 10 and if it wasn't all they hoped for they should give it a 1. For instance the Lord of the Rings movies were entertaining, but have no business being rated higher than Citizen Kane or any of the countless classics relegated to lower ranks here. Similarly. Zoom has no business being rated lower than a piece of garbage like I Accuse My Parents which wasn't even watchable when it was skewered on Mystery Science Theater 3000.
Remember folks most movies are mediocre. That means a low rating, not the bottom rating. Furthermore, just because a movie is exciting or satisfying doesn't make it a 10. For example, one can love the original Star Wars movies and still realize they have occasional flaws in acting, direction, pacing, or script.
Is Zoom a great movie? Absolutely not. Will some children, some parents, and even some adults without children enjoy it? Yes. Will it go down in history for being remarkable in any way? Probably not.
I actually watched this movie before I read any of the reviews or comments on this site which is rare for me; I tend to value the reviews and rankings of the other members. This is the first time I am left scratching my head wondering what exact movie did you people watch to give it such low reviews??!! This movie is what it is and a very good job of it. It is a movie that makes fun of super hero movies. Take a bitter misfit ex-superhero who can't be any less interested in training new recruits and make it funny. Zoom has his reasons to be bitter and they are CLEARLY explained, if people don't get the plot, they weren't really paying attention. The acting in this movie is very good by a well collected cast. Allen and Chase deliver slapstick one liners throughout the whole movie that are truly reminiscent of their comedic classic styles. If the one liner isn't enough to make you laugh, add the highly adorable factor from Ryan Newman as Cindy Collins is tops. The rest of the cast works very well together and even though there is a lot of predictability in the movie, it is still very funny and worth the watch. This is not a literary classic brought to life, so don't expect it to be. The negative comments about Allen are unjust, as his character wasn't' that far off from his style in the Santa Clause movies. This movie was enjoyable and I laughed out loud many times and I don't do that often with movies because they just aren't as funny in the same style. If you want to just relax and laugh at a silly movie, the Zoom on over to your video store and pick this one up.
Did you know
- TriviaIn the only photo of the old Zenith team, in addition to Tim Allen (Zoom) and Kevin Zegers (Concussion), the other teammates are portrayed by Alexis Bledel (Ace), Wilmer Valderrama (Marksman), and Devon Aoki (Daravia).
- GoofsWhen Dylan sees a display in the control room with pictures of the 4 of them with their stats, 3 ages are wrong: 6-year-old Cindy is listed as 10, 12-year-old Tucker is listed as 11, and 17-year-old Dylan is listed as 18. The same display shows Tucker's and Cindy's hero names, but they got those names seconds before Dylan saw the display.
- Crazy creditsThe film opens with a prologue detailing the history of Team Zenith, and ends with a shot of the new Team Zenith Roster, both in comic-book art.
- ConnectionsFeatured in Troldspejlet: Episode #36.16 (2007)
- SoundtracksSo Insane
Written by Greg Camp
Performed by Smash Mouth
Smash Mouth appears courtesy of Beautiful Bomb Records Inc.
- How long is Zoom?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El Capitán Zoom Y Los Pequeños Grandes Héroes
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $11,989,328
- Opening weekend US & Canada
- $4,510,408
- Aug 13, 2006
- Gross worldwide
- $12,506,362
- Runtime1 hour 23 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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