Catch and Release

Is there a production company somewhere that specializes in churning out the kind of banal, unoffensive films that are frequently used as in-flight movies, and if so, is it responsible for this film?

A flight from London to Chicago happens to be where I saw this movie, and even with absolutely nothing else to do or distract me, I had trouble staying with it. "Catch and Release" isn't bad. It's too safe to be bad. Rather, it's painfully uninspired. It's the kind of movie you simply can't imagine anyone getting up the energy to make. Was there really a screen writer out there who thought this story needed desperately to be told, and actually went to the trouble to tell it? Was there really a director who decided he had to bring this story to the screen, a cinematographer who put effort into planning shots? Did any of the actors read this script and think it was a project they simply had to be involved with? Apparently, because we have the movie itself as proof that at least someone thought it was worth brining to audiences. And there are decent things about it, notably Juliette Lewis, who gives a delightful performance as a new-age hippie struggling with motherhood, who makes you wish the movie was about her every time she appears on screen. Jennifer Garner, who the movie is supposed to be about, fades into the background, because neither she as an actress nor the character as written is capable of drawing our attention to herself. The script is too timid to allow any dramatic conflict to last more than a couple of scenes, so loose ends are neatly tied up with assembly-line efficiency.

This is film-making at its most disposable.

Grade: C

The title of Susannah Grant's 2006 film refers to the practice of catching a fish for sport then releasing it (rather than frying, broiling, or sauteeing it). The central character Gray (played most fetchingly by Jennifer Garner) is coming to terms with the death of her fiancé and in the process learning a good deal more about him than she thought there was to know. Loosening up about two-thirds through the film "in the company of his friends: lighthearted and comic Sam, hyper-responsible Dennis, and, oddly enough, his old childhood buddy Fritz, an irresponsible playboy whom she'd previously pegged as one of the least reliable people in the world" (as IMDb puts it), she admits that though she never told her fiancé or his friends, she abhors their practice of catching and releasing fish for sport. "If you're going to put a poor fish through the agony of being caught, you ought to have the decency to eat it" (that's a paraphrase).

"Catch and release" seems intended as a symbol of the coming to terms with the loss not only on the part of Gray, but also on the part of the fiancé's friends and mother (played effectively by Fiona Shaw). All of them have significant adjustments to make. But the association of this mental and emotional process with the abhorrent act of torturing a fish doesn't seem to me to work. The psychic process emphasizes the person dealing with loss (the fisherman, as it were), while the sport seems to emphasize the poor fish (which suffers in the catching, while the fisherman invests no psychic effort whatsoever in releasing it).

Though the film invites viewers to reflect on the patience that a significant loss demands of us that we may release and let go, it doesn't really drive the point home. Like the fishing metaphor, the film seems to be more about the catching of the next fish (a new love interest).

This movie starts with the funeral of Gray (Jennifer Garner)'s fiancé Grady. His friend Fritz (Timothy Olyphant) has sex with a server. Dennis (Sam Jaeger) is insanely responsible and his other friend Sam (Kevin Smith) is having his own difficulties. But Fritz is hiding a secret. Grady has been sending $3000 a month to a woman (Juliette Lewis) in LA.

For a movie starting from a funeral, this has a lot of light hearted humor. Most of that is due to Kevin Smith's work. Writer/director Susannah Grant has put on a complicated heart warming struggle. It's not an easy subject to go from a depressed angry place. Jennifer Garner makes those parts work. The movie struggles when it gets to more traditional rom-com space. Overall there are enough interesting moments and Kevin Smith cracking jokes to make this a good movie.

A bit overlong it may be (it is), but it is very likeable. That is, if you are not fed up or generally annoyed by romantic comedies. Jennifer Garner is someone almost everyone can relate to and an indiviual that most people can fall in love with. Or at least find enchanting.

And then you have Timothy Olyphant. A really good actor, who can be tough, but also very fragile and loving. Something his character totally plays into. The cast in general is pretty good, having to keep the audiences attention for that long. It has the usual trappings of romantic movies, but that was to expect and nothing that should void the fun you can have with the movie

Let's put it this way.... right before this movie, I had just watched 28 weeks later (highly recommend btw). It was It was one o clock in the morning, all the lights were off in my house, I was in my basement, and I was alone. There was no way I was making all the way up to my room. So I decided to stay and watch t.v. for a bit and find something cute and sweet to watch. THat is exactly what Catch and Release offered to me.

But cute and sweet are basically the only two words that I can find to correctly describe this movie. It was not good but it definitely was not bad. Its a good movie to watch when nothing else is on. Please do not waste your time and money and rent this movie but if its one o clock in the morning, you don't feel like going to bed, and nothing else is on, then I say what the heck, you might as well watch it if its on HBO or something.