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A documentary on the rise and stumble of Troy Duffy, the bartender-cum-filmmaker who was swept up by Miramax's Harvey Weinstein to turn his script for The Boondock Saints into a feature film... Read allA documentary on the rise and stumble of Troy Duffy, the bartender-cum-filmmaker who was swept up by Miramax's Harvey Weinstein to turn his script for The Boondock Saints into a feature film.A documentary on the rise and stumble of Troy Duffy, the bartender-cum-filmmaker who was swept up by Miramax's Harvey Weinstein to turn his script for The Boondock Saints into a feature film.
- Directors
- Writers
- Stars
Jeffrey Baxter
- Self
- (as Jeffrey 'Skunk' Baxter)
Emmanuelle Béart
- Self
- (archive footage)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this film at the San Diego Film Festival and consider myself extremely lucky to have seen it. The film chronicles the rise and crumble of Troy Duffy, temporary wunderkind. The film managed to capture the process of instant success and provide such a thorough window into one man's descent into his own ego. Duffy manages to ruin every single wonderful opportunity he is blessed with. He becomes a pariah in the film industry, a dirty word that even the munificent Harvey Weinstein won't touch. It is an incredibly intense, cringe-inducing film as you see Duffy unravel in front of the directors ever-present camera. Duffy uses the camera as confessional and it in turn captures his self-inflicted demise. It is a testament to the filmmakers ability that they managed to infuse the film with a palpable sense of pity for their subject. This film must be compulsory viewing for any filmmaker as a cautionary tale into the heart of hype, ego, and the fleeting love affair Hollywood has with the next big thing. Bravo gentlemen, you've made a great film.
There is nothing more enjoyable than watching a very mean and terrible person getting what he deserves. It helps me get up in the morning that complete jerks like Troy Duffy get what they deserve. He is an egotistical under talented sexist intolerant moronic alcoholic piece of trash that I have no sympathy for. He clearly did it to himself. Although I have to say this film was not well put together and carried on on some subjects too long it was very entertaining. It is amazing to see how much Troy Duffy thinks of himself. He is a jerk to his whole family especially his brother. I really cannot believe he is trying to get back into the industry with Boondock Saints 2. Poof!
This is a doc that makes you squirm in pain at what you see happening on the screen-- no matter how you feel about the "Harvey" referenced repeatedly in the film, Troy Duffy manages to make you take Harvey's side. That, in itself, is a major accomplishment. There is no sugarcoating what you see on the screen, no Moore-ish distortions, just Duffy managing to show the viewers exactly what he is made of, and how he feels about himself, and everyone else to boot.
A great documentary, well worth watching-- and when available, buying on DVD to keep on your shelf in case you need to remind yourself about "staying humble."
An interesting take on pain-- emotional pain-- on giving it, receiving it, and living through it. .
A great documentary, well worth watching-- and when available, buying on DVD to keep on your shelf in case you need to remind yourself about "staying humble."
An interesting take on pain-- emotional pain-- on giving it, receiving it, and living through it. .
This is not just a fantastic story; the film is beautifully produced. You can't pull your eyes away from it, just like a burning building, simply because you cannot believe this is non-fiction. Tony and Mark endure so much more than normal humans should ever endure from a so-called friend for the duration of their story, and it is all captured on film. However it is they who get the last laugh. I was so amazed that I saw it twice. I look forward to seeing your next work. Be it another documentary or not, the editing and production of "Overnight" has turned me into a lifelong fan of its filmmakers, and a lifelong head-shaker in the direction of Troy Duffy.
When his script for action thriller The Boondock Saints got picked up by Miramax, Troy Duffy found himself going very rapidly from an unknown barman in West Hollywood to being the hot new property in the movie business. Not only that but his agency manages to use this heat to wrangle Duffy money for the sale of his script, the permission to direct the film and a recording deal for his band to work on the soundtrack; it is the dream opportunity presented to Duffy, his family and friends and it is his to embrace or ruin.
Having not seen Boondock Saints for several years I have not been able to review it but I do recall that it was OK without being anything that special. What I didn't know at the time was the story behind the film, which is far more interesting than the film and serves as a good cautionary tale about the nature of fame and Hollywood politics. Well, I suppose it is actually more about Troy Duffy himself and is more a warning about how you have to play the game to get ahead. It is a fascinating and depressing tale because it shows Troy going from captain at the start, to immediately going below decks and scuppering his own ship. There is a quote at the end of the movie from Albert Goldman about how fame is a revealer rather than a creator and indeed that is true in this case. At the start Duffy is pretty full of himself and being made the centre of everything just makes this worse and he becomes more and more of an arrogant pr1ck who treats everyone around him like he is doing them a favour and they should be glad to be in his presence and this applies from Weinstein himself right down to Troy's bandmates. And this is the focus of the film one man's shocking ability to take a goose laying golden eggs and p1ssing it all away.
It is fascinating stuff and it is hard not to feel anything but sympathy for Duffy's friends, some of whom struggle to pay their rent while Troy pockets $300,000 for his script. That he immediately sets himself above them and refuses to give them a break in the same way he got one is a shocking condemnation of the man. I suppose it is interesting to think how we would react in the same situation but it was hard for me to imagine being such a jerk as was shown here. It could have been a stronger documentary by bringing more insight into the political games played within Hollywood or the wrangles behind every film, but in fairness Duffy is such an architect of his won downfall that Montana and Smith just seems to let their material do the talking.
Overall this is not a great documentary but it is a fascinating one. It could have been stronger in regards insight and comment but it is rare to see someone so completely destroy a brilliant opportunity simply by the power of their own arrogance. For this alone the film is well worth seeing and is engaging and interesting.
Having not seen Boondock Saints for several years I have not been able to review it but I do recall that it was OK without being anything that special. What I didn't know at the time was the story behind the film, which is far more interesting than the film and serves as a good cautionary tale about the nature of fame and Hollywood politics. Well, I suppose it is actually more about Troy Duffy himself and is more a warning about how you have to play the game to get ahead. It is a fascinating and depressing tale because it shows Troy going from captain at the start, to immediately going below decks and scuppering his own ship. There is a quote at the end of the movie from Albert Goldman about how fame is a revealer rather than a creator and indeed that is true in this case. At the start Duffy is pretty full of himself and being made the centre of everything just makes this worse and he becomes more and more of an arrogant pr1ck who treats everyone around him like he is doing them a favour and they should be glad to be in his presence and this applies from Weinstein himself right down to Troy's bandmates. And this is the focus of the film one man's shocking ability to take a goose laying golden eggs and p1ssing it all away.
It is fascinating stuff and it is hard not to feel anything but sympathy for Duffy's friends, some of whom struggle to pay their rent while Troy pockets $300,000 for his script. That he immediately sets himself above them and refuses to give them a break in the same way he got one is a shocking condemnation of the man. I suppose it is interesting to think how we would react in the same situation but it was hard for me to imagine being such a jerk as was shown here. It could have been a stronger documentary by bringing more insight into the political games played within Hollywood or the wrangles behind every film, but in fairness Duffy is such an architect of his won downfall that Montana and Smith just seems to let their material do the talking.
Overall this is not a great documentary but it is a fascinating one. It could have been stronger in regards insight and comment but it is rare to see someone so completely destroy a brilliant opportunity simply by the power of their own arrogance. For this alone the film is well worth seeing and is engaging and interesting.
Did you know
- TriviaAccording to a RUSiriusRadio.com pod-cast interview, Director Terry Zwigoff based his direction for Ethan Suplee in Art School Confidential (2006) on the way Troy Duffy acts as a director in this documentary.
- Quotes
Troy Duffy: Harvey Weinstein is afraid of me.
- ConnectionsFeatured in Cinematic Excrement: The Boondock Saints II (2015)
- How long is Overnight?Powered by Alexa
Details
Box office
- Budget
- $550,052 (estimated)
- Runtime
- 1h 22m(82 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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