IMDb RATING
7.6/10
5.3K
YOUR RATING
A documentary on perception of the United States's war with Iraq, with an emphasis on Al Jazeera's coverage.A documentary on perception of the United States's war with Iraq, with an emphasis on Al Jazeera's coverage.A documentary on perception of the United States's war with Iraq, with an emphasis on Al Jazeera's coverage.
- Awards
- 9 wins & 10 nominations total
Josh Rushing
- Self
- (as Lt. Josh Rushing)
George W. Bush
- Self
- (archive footage)
Donald Rumsfeld
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I found myself watching this film by myself in the dark, got up half way into it and emailed every person in my family and extended family that they had to netflix this film.
I found that because it wasn't trying to be artsy, or controversial, or uncover any hidden secrets, this film truly worked magic in its "roll the cameras and lets see what happens" form of cinema.
I tried thinking of my favorite part of the film, but really, it was all amazing. Without making insinuations or suggestions, the film truly lets the viewer decide for himself what the real truth is, more so than in any Michael Moore film ever made on any subject. This film truly puts Michael Moore to shame.
Pay attention to every "character" in this film: they all have important roles on how the media and government, and in turn society, collide and interact.
I found it most amazing that any assumption or doubt I had about any of these characters were completely wrong in the end, and what you find is that they are all on the same side: the side of truth....the only problem is whose truth they believe.
I can't express clearly enough how important it is for everyone to see this film. If you saw Farenheit 9/11, you absolutely have to see this film. ABSOLUTELY HAVE TO SEE THIS FILM!!!!
I found that because it wasn't trying to be artsy, or controversial, or uncover any hidden secrets, this film truly worked magic in its "roll the cameras and lets see what happens" form of cinema.
I tried thinking of my favorite part of the film, but really, it was all amazing. Without making insinuations or suggestions, the film truly lets the viewer decide for himself what the real truth is, more so than in any Michael Moore film ever made on any subject. This film truly puts Michael Moore to shame.
Pay attention to every "character" in this film: they all have important roles on how the media and government, and in turn society, collide and interact.
I found it most amazing that any assumption or doubt I had about any of these characters were completely wrong in the end, and what you find is that they are all on the same side: the side of truth....the only problem is whose truth they believe.
I can't express clearly enough how important it is for everyone to see this film. If you saw Farenheit 9/11, you absolutely have to see this film. ABSOLUTELY HAVE TO SEE THIS FILM!!!!
Control Room is the latest film from the Egyptian-born Harvard-educated director of startup.com, Jehane Noujaim.
It follows the only independent news service in the Middle East, Al Jazeera, for six weeks, starting one week before the US invasion of Iraq in 2004.
The war's press coverage was delivered from US military Central Command in Qatar, right near Al Jazeera's HQ. One of the things Control Room demonstrates is just how manufactured the news stories of the war were.
We hear from several Al Jazeera employees (including women), some Western journalists and also from US Lieutenant Josh Rushing, the idealistic Central Command Press Officer.
There are several reasons why Control Room is compelling viewing. Firstly because Al Jazeera is an independent satellite service in a culture which does not have a history of freedom of the press.
Also, because both the US Government and many Middle Eastern governments condemn Al Jazeera for broadcasting propaganda, it reminds me of the conundrum often facing Australia's ABC. Yes, Al Jazeera gets it wrong sometimes, like any other broadcaster, but they are attempting and I'd suggest, often succeeding, at delivering relatively balanced journalism.
One of the things most criticized about Al Jazeera was for broadcasting messages from Osama Bin Laden. But I think just about any network that had that exclusive would do the same thing, as demonstrated by so many networks quoting the Bin Laden tapes. Unfortunately this is not covered in the film, but another Al Jazeera technique criticized in Control Room is their decision to broadcast footage of US military hostages, including the dead. As an NBC correspondent said, they just don't do that kind of thing in America. But it's very common for Western viewers to see and be shocked by horrific images on television. By broadcasting footage of these US soldiers, at least some of the Al Jazeera demographic would empathize with the suffering Westerners. Before that, much of their footage was of how Iraq's civilian population was suffering. In hindsight, now that it's been revealed that the US tortured prisoners, Al Jazeera's stance seems vindicated.
It follows the only independent news service in the Middle East, Al Jazeera, for six weeks, starting one week before the US invasion of Iraq in 2004.
The war's press coverage was delivered from US military Central Command in Qatar, right near Al Jazeera's HQ. One of the things Control Room demonstrates is just how manufactured the news stories of the war were.
We hear from several Al Jazeera employees (including women), some Western journalists and also from US Lieutenant Josh Rushing, the idealistic Central Command Press Officer.
There are several reasons why Control Room is compelling viewing. Firstly because Al Jazeera is an independent satellite service in a culture which does not have a history of freedom of the press.
Also, because both the US Government and many Middle Eastern governments condemn Al Jazeera for broadcasting propaganda, it reminds me of the conundrum often facing Australia's ABC. Yes, Al Jazeera gets it wrong sometimes, like any other broadcaster, but they are attempting and I'd suggest, often succeeding, at delivering relatively balanced journalism.
One of the things most criticized about Al Jazeera was for broadcasting messages from Osama Bin Laden. But I think just about any network that had that exclusive would do the same thing, as demonstrated by so many networks quoting the Bin Laden tapes. Unfortunately this is not covered in the film, but another Al Jazeera technique criticized in Control Room is their decision to broadcast footage of US military hostages, including the dead. As an NBC correspondent said, they just don't do that kind of thing in America. But it's very common for Western viewers to see and be shocked by horrific images on television. By broadcasting footage of these US soldiers, at least some of the Al Jazeera demographic would empathize with the suffering Westerners. Before that, much of their footage was of how Iraq's civilian population was suffering. In hindsight, now that it's been revealed that the US tortured prisoners, Al Jazeera's stance seems vindicated.
I'll be the first to admit that this film is good but not great. All politics aside, I was just left hanging in the balance wanting MORE. Though I can appreciate their limited access to outside footage and English-speaking counterparts, certain scenes tended to drag on a bit and left me wondering what could have been.
That said, per my subject heading, I feel that this should be REQUIRED viewing for any concerned citizen grappling with the media coverage and news-spin of this and all other wars. Much like BRAVO's "Anatomy Of A Scene", the unfolding of the 'end of the war' and the subsequent toppling of Saddam's statue in the square both serve as serious examples of Al Jazeera news coverage vs. 'The Big Boys'. It's just completely different when seen through the intelligent, capable eyes of the Al-Jazeera staff than what we're spoon-fed by Fox, et. al. Check it out...... Really.....
That said, per my subject heading, I feel that this should be REQUIRED viewing for any concerned citizen grappling with the media coverage and news-spin of this and all other wars. Much like BRAVO's "Anatomy Of A Scene", the unfolding of the 'end of the war' and the subsequent toppling of Saddam's statue in the square both serve as serious examples of Al Jazeera news coverage vs. 'The Big Boys'. It's just completely different when seen through the intelligent, capable eyes of the Al-Jazeera staff than what we're spoon-fed by Fox, et. al. Check it out...... Really.....
"Control Room" takes a hard look at the Al-Jazeera news network, but on a grander scale shows us how important the role of media is in war. Media is a tool or war, and war a tool of media. There's some disturbing stuff here, and also some raw moments of human emotion (war is hell, and covering war can tear out someone's soul). The makers of this film also show how propaganda can be spewed from both sides (Fox News, anyone?) and no war can be fought intelligently without propaganda and the media. In the end, this is probably the closest thing we will get to an unbiased look at the strife in the Middle East. We the viewers feel sympathy for those innocents caught in the cross-fire and empathy for all sides involved on the battle fields and behind the scenes. Powerful, thought-provoking, educational and debate worthy, there need to be more documentaries like this in times like these.
Two things moved me very much about this film:
The first was Lt Rushing, one of the US military media liaison officers at Centcom. His open-mindedness, fairness and plain decency are very rare to find in any spin doctor, let alone one working for an army during a war. He is a credit to himself, his family and his country, and I sincerely hope he hasn't suffered any professional repercussions for his honesty in this piece.
The second was the man who was the head of Al Jazeera. It was funny when he said he would accept a job at Fox News the second it was offered. But it turned out to be heartbreaking when he said as soon as his children are old enough, he'll send them to the US for education, in order to escape the "Arab nightmare" and live the "American dream". It's so sad that that part of the world is such a mess that even people who love it and have grown up there and are rooting for it recognise that there is little hope there for their children. If only that sentiment could be channelled into finding a solution for the problems in the Middle East.
The first was Lt Rushing, one of the US military media liaison officers at Centcom. His open-mindedness, fairness and plain decency are very rare to find in any spin doctor, let alone one working for an army during a war. He is a credit to himself, his family and his country, and I sincerely hope he hasn't suffered any professional repercussions for his honesty in this piece.
The second was the man who was the head of Al Jazeera. It was funny when he said he would accept a job at Fox News the second it was offered. But it turned out to be heartbreaking when he said as soon as his children are old enough, he'll send them to the US for education, in order to escape the "Arab nightmare" and live the "American dream". It's so sad that that part of the world is such a mess that even people who love it and have grown up there and are rooting for it recognise that there is little hope there for their children. If only that sentiment could be channelled into finding a solution for the problems in the Middle East.
Did you know
- Quotes
Lt. Josh Rushing: It makes me hate war, but it doesn't make me believe that we're in a world that can live without war yet.
- SoundtracksControl Room Intro Theme
Written by Kinan Azmeh and Dinuk Wijeratne on a theme by Béla Bartók (as Bartok)
Performed by Kinan Azmeh and Dinuk Wijeratne
Courtesy of Kinan Azmeh and Dinuk Wijeratne
Details
- Release date
- Country of origin
- Languages
- Also known as
- Контрольная комната
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,589,616
- Opening weekend US & Canada
- $27,125
- May 23, 2004
- Gross worldwide
- $2,724,826
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