An art curator decides to seek revenge on his abusive boss by conning him into buying a fake Monet, but his plan requires the help of an eccentric and unpredictable Texas rodeo queen.An art curator decides to seek revenge on his abusive boss by conning him into buying a fake Monet, but his plan requires the help of an eccentric and unpredictable Texas rodeo queen.An art curator decides to seek revenge on his abusive boss by conning him into buying a fake Monet, but his plan requires the help of an eccentric and unpredictable Texas rodeo queen.
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Featured reviews
Not Colin's best
Rickman & Firth entertain but mediocre plot
An art curator (Colin Firth) in London devises a way to rob his wealthy art collector boss (Alan Rickman) with the help of a rodeo champion from Texas (Cameron Diaz).
It's a remake of an old Michael Caine film I remember really liking because you see the heist plan smoothly imagined and then you get the somewhat different reality. In this version the imagined plan is brief and sadly does not firm a key component of the movie.
Overall, the film is just okay, mildly amusing with a mediocre plot, but not that memorable. Rickman and Firth are entertaining though.
Why pick this for a remake?
Alan Rickman does an appropriately pantomime turn as the monstrously egotistical tycoon and gets some of the movie's most embarrassing scenes, but he seems to be having fun. Colin Firth makes a visible effort to enjoy losing his pants on a ledge outside the Savoy Hotel, but the role would have perhaps been easier for Hugh Grant. Stanley Tucci plays a German art expert who may (or may not) be inspired by Albert Schweitzer. The London scenes are livelier than the scenes at Rickman's Downtonesque country house, though a farting dowager moment targets a younger audience than this is likely to pull in.
This piece of fluff comes from the Coen brothers who usually apply themselves to something zanier and zingier. If they wanted to revamp a comedy heist movie, why didn't they take on Peter Ustinov's all-star Istanbul romp TOPKAPI (1964) or, if they wanted to keep the budget down, Warren Beatty's KALEIDOSCOPE, also from 1966, which had more pace and plot than the original GAMBIT but not such deft performances? It's really only the actors who raise this year's GAMBIT from being potentially dire into something that is merely mediocre.
Quite good really
*Disclosure, I am not connected to the film's production or any of the cast, and have no agenda here other than offering an alternative point of view.
The basic plot is already known in advance: that Colin Firth wants to con his evil boss using a beautiful Texan as bait. He travels to meet her accompanied by his friend and co-conman, Major Wingate. After watching her in a rodeo they go to a local bar to make the approach. The Major asks Colin how much is he going to tell her? He answers: "Oh, only enough for her to play her part". And the same is true of the audience. You are only told enough to a) identify with Colin's character and his motivation, and b) follow the plot to come.
We're then treated to a brief 'Ocean's 11-style' précis of how Colin imagines the con will play out from start to finish. Needless to say, no plan ever works out exactly as imagined!
The humour is very dry, never in-your-face, and this isn't the kind of film to hand you gags. Laughing our loud isn't the point. Instead there's a mixture of situational comedy, miss-understanding comedy, wordplay, and great interaction between the characters. Some of the best jokes are the ones where you have to smile ruefully when things go wrong on a bad day. I thought at the time that the screen-writing was a lot like Richard Curtis, and could easily imagine Rowan Atkinson as the lead.
Instead the best joke is Colin Firth himself, playing a little man, in Cameron Diaz's words, instead of a larger-than-life character for a change; playing it straight, rarely smiling because he's not very happy (he wants revenge, remember) and not trying to seduce the very comely Cameron Diaz, who also plays a wickedly funny character without being cast as the comic side-kick.
But, from a critics point of view, I guess, there's not much originality. You can perceive homages to other films; old Ealing- comedies like the Ladykillers, where the subject matter isn't funny but there is some great humour. And I'm not referring to the re-make, which I didn't like.
I'd like to watch this film again at a later time and see if I can. It might grow on me and become a minor classic, or it might drop to mediocre. Either way, if you watch it you have to appreciate it for what it is, rather than what it isn't. And it probably helps if you have a temperament where you can see the funny side in unfunny situations.
very enjoyable
Did you know
- TriviaThe Coen brothers' draft of the script was originally written in the early 2000s, but the project became stuck in development hell after several directors dropped out. Despite several uncredited rewrites that removed many of their contributions, the Coens were still given sole writing credit.
- GoofsJust over 53 minutes in, Harry Deane is shuffling along an outside ledge of The Savoy, facing the wall, with the stolen, large Ming vase. To continue, he must climb over a metal obstruction. He puts the vase down at arm's length on the right hand side of it, over a stone block away, climbs over it but gets his trouser leg caught on it. The film cuts to a car scene and when it returns to Harry his trousers are still entangled and he is taking them off but the vase is now placed right against the obstruction.
- Quotes
Lionel Shabandar: And where are you staying?
PJ Puznowski: Er, well, one of them big hotels downtown. I can't remember the name of it. You remember, Harry?
Harry Deane: Connaught.
PJ Puznowski: Me neither.
- Crazy creditsOpening credits are shown over cartoon characters performing odd actions with artwork and elevators.
- ConnectionsFeatured in Projector: Gambit (2012)
- SoundtracksDeep In The Heart Of Texas
Written by Don Swander and June Hershey (as June Hershy)
Performed by Moe Bandy
Master courtesy of K-Tel
Performed by Cameron Diaz
Master courtesy of Shabandar Productions Ltd
Published by Melody Lane Publications Inc c/o Peer Music (UK) Ltd
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- Con Tốt Thí
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- Gross worldwide
- $10,200,000
- Runtime
- 1h 29m(89 min)
- Color
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- Aspect ratio
- 2.35 : 1







