The Baxter

The Baxter This is probably one of the most underrated films I've seen yet, considering that it's style is basically generic romantic comedy (meaning the makers underrated it themselves), it's gotten little to no viewership... I never even heard of it before I picked it up off the wall (it was next in line).

Anyway, you know all those movies about how the man and the woman love each other but can't figure it out, so the woman almost marries the wrong person before the man crashes the wedding and sweeps her away? Well this is the story of the guy left at the altar, and his search for the "right woman" as well when his character is defined as the safe, content "nice guy" that women are supposed to erroneously try to marry when their lively romantic relationships go awry. Basically that's the long way of saying that this guy is an accountant who spends his time reading the dictionary as a private pleasure, and now he realizes that he'd like to actually get the girl too.

What's absolutely wonderful about this film is that Elliot knows that his problem is that he's such a harmless nice guy, but he knows that being a harmless nice guy is a really great thing to be if you don't take into account that that means losing a lot of relationships because women are more interested in romance risk-takers. So he has to battle his own personality with his own personality while his friends give him TERRIBLE advice that sounds good (we've been there, now haven't we?), he surrounds himself with completely superficial people because superficiality is the only way he knows to fit in, and he totally doesn't notice the direct and not-so-subtle advances from the "right girl" who is, also, way too nice to take risks as well.

In short, it's an absolutely delightful sort of aside in the whole romantic comedy industry, but still uses a lot of the tropes and techniques usual to the form to keep it simple and enjoyable for everyone.

--PolarisDiB

A quirky premise and some delightful performances made this film refreshingly true to its stated goal. Showalter is charmingly awkward and perplexed throughout, as a "baxter," one of the guys who are always left alone at the altar when their brides' true loves return to abduct them. Michelle Williams is exceptional in her role, and Jon DeVries and Peter Dinklage both contribute some great comedic moments.

A few sour notes rang out, including Elizabeth Banks' performance as Caroline Swann, which seemed confused and inconsistent. But The Baxter's power is in its non-standard take on old romance stereotypes. The impassioned speeches of each reformed lover to his girl are wonderfully recast from the perspective of the safe, nice guy who is our protagonist here. True love for him is not in being a daredevil or a risk-taker, but simply being himself and taking the opportunity that presents itself. As a new kind of romantic comedy that doesn't necessarily play by the rules, The Baxter succeeds in many ways.

Saw this at the Maine International Film Festival. It shares some characteristics with prime Woody Allen -- an affection for New York (warmly shot) and a sure sense of casting supporting actors.

Is it a ground-breaking comedy? No. But it is thoroughly charming and entertaining and had the audience laughing at all the moments it intended. The truth is, most people identify not with the pretty leads in glossy romantic comedies but with the zhlubs, and this is a film that gives us permission to identify with the zhlubs (without demonizing the pretty people). There aren't a lot of uncynical comedies out there, and this is a welcome one.

It's also valuable for people casting in the New York area -- there are enough engaging performers in here to cast three or four movies.

The wonderful thing about browsing video stores is coming across films that never came to your local theater - because they were filled with garbage such as "Fever Pitch" and "Be Cool" - and finding out these small films are actually pretty good.

"The Baxter" is certainly one of those films. It's surprisingly sweet without getting maudlin. The characters' neuroses are all charming without ever seeming to be unnatural. And the film's also awfully funny.

It's helped immensely by a superbly deadpan performance by Michael Showalter. He plays his character completely straight and the laughs come naturally. And the always wonderful Michelle Williams again proves why she's quite possibly one of the most under-rated actresses today. She's so good at playing slightly quirky people without ever seeming odd. Just take a look at turn in "The Station Agent" (2003).

The film gets wonderful supporting work from Elizabeth Banks, Justin Theroux - his entrance is priceless - and a genuinely funny cameo from Peter Dinklage.

"The Baxter" isn't the greatest comedy, but it's certainly better than most of the fare that's in theaters right now. It has a certain honesty. You can't help but feel for the title character and his predicaments. Most of us have been there and it's hard not to like this chap. He also surrounds himself with oddballs who never take away anything from the film. Of course, they're movie people but they add something unique to this special little film.

I really like "The Baxter." Now, I am a confessed Showalter, Wain, Black, The State, "Wet Hot", Stella fanatic, so I obviously have a history with these guys and their particular brand of humor. This is a great, sweet, hilarious little movie. These State alumnus guys have a very intelligent, interesting, off kilter type of humor that is definitely love it or not get it. Watch "Stella" sometime with a room full of your friends. Half of them will laugh extremely hard, and half of them won't get it. If you are familiar with Show and his humor, you will love this film. Its much more subtle than Stella or Wet Hot American Summer, but there are some huge laughs in it. It is probably the only romantic comedy I've ever seen that I really like. Highly recommended!