Romanzo Criminale

I completely disagree with the last writer. I found this film to be a High speed roller-coaster following the path of Crime in the last century of Rome's history. The Brutal Violence and callous disregard for the people they prey on washes away any chance of redemption for the Protagonist Anti-hero or the group of people he moves with & the writer makes no attempt to forgive them. The film glamourises their way of life yet inevitably does not end happily with only the strongest surviving and even them eventually being cut loose by the people who pull their Machavellian strings..Sex, drugs and violence reign supreme in a film that, although not perfect, paints a vivid picture of the blood spattered underbelly of Roman society. The only faults that I could raise about it would possibly be it's length which at times drags and could perhaps have done with a slightly less flabby cut..

I confess I'm not Italian and don't really have a grasp on the historical significance of the 70's in Italy though I read Moravia's A Time of Innocence (I believe that was the English translation title) and liked it. The movie looked like it was made in contemporary times and the few references to the 70's were confusing as nobody looked like they did in that period. Given that, I loved the style, color, photography and editing and found the plot absorbing and the actors great for the parts. I haven't seen the extended version, don't know what it includes, but would like to, since I was never bored for a minute and it could have been longer as far as I was concerned. Kim Rossi Stuart was great, as were the other members of the 'band', though yes, he seemed out of his element playing a 'cold-blooded' killer. But his sensitivity and decline at the end worked for me. The other guys were great, as was Anna who played Patrizia. She was pretty stunning to look at and believable - when she was on the screen my eyes never wandered. The movie reminded me of Soavi's Uno Bianca in its hypersensitive style, which I loved, though Romanzo wasn't as tight or as suspenseful, I guess. And it wasn't scary either like Soavi's Ultima Pallottola. I don't know if it makes me shallow or what, but I liked the glossy, model feel of the movie a lot. Like I like Soavi's work. For my eyes it was a cinematic feast. Its apparent failings pointed out by other reviewers as a faithful adaptation of the material about the times didn't so much matter to me as I don't know that much about them anyway. I just enjoyed the movie as if it were taking place today and I think others like me might too.

There is long tradition in Italian cinema in which the hero is a thief or a pathetic loser or a criminal or, like in "Romanzo Criminale" all three. Part of the tradition is to humanize the beasts, to give them feelings, to make us feel for them. Here we're giving an endless romance based on the real life Magliana band, a bunch of heartless, violent thugs that dominated the Roman gangland in the 70's. Michele Placido and his script writers concoct a confused and confusing document that is as annoying, tedious and opportunistic as it is long, endless really. There is, however, one big plus in its favor, the actors. They are given a sketchy draw of their perverse characters but they go for it with body and soul. Kim Rossi Stuart's tormented Freddo exudes a cutting pain that makes you think he has a conscience. Claudio Santamaria projects danger without even trying and the "Libanese" is played by an actor totally new to me, Pierfrancesco Favino, that gives the best performance by an Italian Actor in many, many moons. Riccardo Scamarcio has a face to launch a thousand ships but unfortunately no character and Stefano Accorsi is totally unbelievable in a character that is nothing short of absurd. Explosions, production values, American style editing, but very slow pacing, a brilliant dirty photography by the great Luca Bigazzi. What a pity that with all of this talent available the end result is so mediocre.

This is a fictional crime story based on the exploits of the infamous "Banda Della Magliana", which terrorized the city of Rome for two entire decades. The movie is OK and it features an all-star cast and a famous director, but if you really want to see the same story brought to a much much higher level (not to mention going way deeper into the details), I strongly recommend you watch Romanzo Criminale The Series (two seasons of 12 episodes each), which is now available on Netflix, from other online sources and on DVD's.

The "condensed" story line of the movie is at times confusing and fails to successfully put the story into its historical context. Really, two hours aren't nearly enough to explain the back story and the historical references, especially to someone who didn't grow up in Italy --and particularly in Rome-- in the 1970's and 80's. So, I watched the movie years ago when it was released, and I was left with so many open questions that were only answered to my complete satisfaction once I watched the series (and yes, there are some continuity issues between the two productions, so don't think of the series as complimentary to the movie but rather as a complete retell.) I know that I'm actually ending up reviewing the series here more than the movie, but really if you watch the series, then you will find that the movie is just a brief summary of the story without much character development, despite the more famous cast and director (incidentally, Mr.Placido is credited as a creative consultant in the series.) The series, on the other hand, is one of the best small-screen productions I've ever seen, really quite up to the level of outstanding crime dramas like the Sopranos or Breaking Bad.

I would rate the movie 6/10 and the series 10/10.

As the history of modern (1970-95) Italy plays out - the kidnapping of Aldo Mora, the Bologna bombing etc. - a ruthless gang of outsiders are successfully muscling in on Rome's lucrative drug and gambling rackets. Meanwhile, a hard-nosed detective is tracking their activities, seeking evidence to put them away. And lurking even deeper in the background are State black ops figures who may or may not be manipulating both the criminals and the events themselves.

I was expecting the sort of cheap crime exploitation movie that proliferated in Italian cinema back in the 70s, but this is a different, much more ambitious and better type of movie. Crime Novel is structured very much like an Italian version of American Gangster. It has the same intimate yet gritty feel, the same long slow story arc, playing out over years against a background of world events; the dedicated cop who seems like the only police official who sees his duty as catching criminals rather than taking bribes; and drug dealers who see themselves as businessmen providing a service rather than villains, and most of time they are.

The focus is clearly on the gang. They grew up together in the streets. Crime and friendship are what holds them together. They have strong loyalties to those closest to them but can be ruthless to those who oppose them. Individually, they have frailties, but together they are formidable. The script is structured to provide each of the central characters with plenty of screen time, and its strong dialogue and intimate tone create very multi-dimensional and mostly sympathetic portraits.

The resulting movie is very watchable and a worthy companion piece to movies like Carlito's Way, Scarface and American Gangster. Recommended.