The Cutting Edge: The Magic of Movie Editing

This is a first-rate job of work, one of the best documentaries on film-making that I've ever seen, opening up the fascinating world of film editing by letting great editors and directors speak to us directly about the mysteries of film cutting--supported by illuminating examples drawn from real films. I can't praise too highly the thoughtful choice of speakers, from Thelma to Dede to Walter Murch and on down the line. Nice to see director Joe Dante too. I was particularly pleased at the inclusion of early film editing examples, such as Dziga Vertov's Man With a Movie Camera and, of course, the down-the-stairs sequence from Potemkin. (The film includes a few sequences from later films that echo the Potemkin sequence, but I bet there's at least five examples they missed!) Bravo! Michael Goodwin

In the 80's I watched a Hollywood how-it's-done film called "Scream Greats." It was the how-tos of horror. They showed many of the tricks for the blood, guts, and gore that I was sneaking to watch.

"Cutting Edge," I would say, is the partner to that film. To this point I had no idea what a film editor was. If I was given a hundred guesses I probably wouldn't have gotten it right. They are the people who piece the movie together from the thousands of frames of film. They have to cut, splice, intersplice, and more. Regardless of what order the movie is shot in, the editors can put it together to give the viewer the impression that it was one seamless and chronologically cohesive movie. If a movie incongruously jumps from one scene to the next, that's the editor. If a movie has seamless transitions from one scene to the next, that's the editor. "Cutting Edge" was some really fun and eye-opening stuff to watch.

"Cutting Edge" gives a history of the film editor, some of the most influential film editors, and the methodology of some current film editors. These hidden heroes are essential to the movie making process--probably as important as anybody--yet so unheralded. If "Cutting Edge" does anything it gives them at least a little bit of just due.

I'm a film director/editor from Colombia with more than 45 years in the business and this film is absolutely the best essay on film editing that I've had the good luck of seeing. The examples are great, the explanations on the "unseen" or "hidden art" of editing are perfect, the pacing is just right, etc., etc. The only thing I felt was that it was too short, but then I'm biased on the subject. This should be a MUST SEE FILM for everybody starting out in the business (and not just those who want to be editors).This is a solid "10" for me and I can't understand how anybody would consider it less, except for those mediocre joes who just can't cut it...

This is a must see documentary for any serious film buff. For all you folks out there that dismiss older films, you may be surprised by your favorite directors such as Quentin Tarantino, Martin Scorsese, Steven Spielberg and James Cameron praising the magnificence of silent films and many classics. Without these classics and the skill involved in making them, today's movies wouldn't be what they are. A brilliant and informative documentary. It very thoroughly explores a movie art form that is often not understood and certainly unappreciated. The editing of a film is very instrumental in its success. However, not many people appreciate it.

This documentary is a general overview of how film cutters evolved into film editors and took their place among the giants of the film industry.

We are introduced to methods and philosophies used down through the ages and the metamorphosis from celluloid to digital recordings.

As informative as this documentary is it suffers from sound-bite-itus instead of concentrating on one person or thought, we are leaped back and forth through a collage of people, techniques, and time. This method of presentation can become quite boring after a time. Still, the documentary (that only shows highlights and nothing practical) is worth viewing.