A mysterious comedy about love, lust, art and the power of the "charged image", Dark Arc follows the eccentric love triangle between an artist, a graphic designer and their inspiring muse.A mysterious comedy about love, lust, art and the power of the "charged image", Dark Arc follows the eccentric love triangle between an artist, a graphic designer and their inspiring muse.A mysterious comedy about love, lust, art and the power of the "charged image", Dark Arc follows the eccentric love triangle between an artist, a graphic designer and their inspiring muse.
- Awards
- 1 win & 7 nominations total
- Basic Fucker
- (as P. Adrien Dorval)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
the story of a critic of art trying to affect the perceptions of a sort of artist (graphic artist), using an attractive make-up artist who is also an escort..but also maybe being used.
It is offputting at times, but I think this is the intention and a bit slow in sections, but there is always magnificent visuals to soak in and orchestra type music. I also like this song over the closing credits, sort of David Bowie punk.
The pacing lags a bit here and there, but overall I found this a very interesting indie film which was refreshingly different from most of the independent films that I see. It is a genuinely challenging movie.
Very solid acting from the three leads, and some extremely black humor in places, especially at the outrageous climax.
For something off the beaten cinematic path, I would recommend it.
Also very good music throughout, which goes with the impactful images.
I will watch this film again.
It's densely wordy and slow at times, but this will appeal to some who want something different than the low key naturalism which seems to be the de facto style in most indie's today. The pace is uniform though, and the visual schema holds constant delights. And the actors are all on board with the style, with particular mention going to a mesmerizing actress with the very apropos name of "Sarah Strange".
The camera and production design are at a basic TV-level of imagination, there is no broader adventure in the eye.
There are a few weird costumes and shots framed around images, but they are as artistic a gesture as passing around flyers for your friend's art gallery.
The main threads in the story revolve around watching, images, and sexual pull to memory, ostensibly the same dark and noirish stuff that Lynch deals in. Robbe-Grillet before him. All of which I like in films. But the thinness of obvious ideas compared to their overstating, the amused wordplay ("I'll pass on being Pasiphae, I don't like bulls or bullish men" "Slink your slickness into the kitchen and get us libations"), the sense of a mere eccentricity pretending aloofness while dressed in pink, it's all so art school-ish for my taste.
Overall, the effect it has on me is like getting a papercut from a book on poetry and thinking I was on dangerous and poetic adventure.
Did you know
- TriviaLos Angeles Premiere at the main Lloyd E. Rigler Theatre (616 seats) at the legendary Egyptian Theatre in Hollywood as part of the American Cinematheque Festival of Film Noir, April 13 2006.
- Quotes
Viscount Laris: Everyday there are a handful of images that stay with us. We see them by accident or design, create them consciously, or unconsciously, some stay with us for a day or two... most are forgot in minutes, seconds.... and of those images, maybe there's one that sticks out beyond all the others... the most powerful image of your life.
- SoundtracksF. Byron FitzBaudelaire
Written by Dan Zukovic
Dan Zukovic: Guitars, Vocals
Nathan Blakely: Bass
Nat Damm: Drums
Engineered by Christian Mock
Produced by David Barnett and Mitch Mayer
Courtesy of Byronic Pose Productions
Details
Box office
- Budget
- CA$250,000 (estimated)