IMDb RATING
4.6/10
2.3K
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A contemporary retelling of Shakespeare's "Macbeth" set in the ganglands of Melbourne.A contemporary retelling of Shakespeare's "Macbeth" set in the ganglands of Melbourne.A contemporary retelling of Shakespeare's "Macbeth" set in the ganglands of Melbourne.
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- 2 wins & 6 nominations total
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The famous Macbeth play is uprooted from old Britain to 2005 Melbourne. The transplant is only successful with immunosuppressant drugs, i.e. & e.g. I was quite melancholy depressed when I saw this movie. The front half of the theatre was empty; sitting in the first occupied row in the centre of the theatre, the view of the dark emptiness blended with the mood of the film.
Rather than the cloud world of kings and queens and nobles, this Macbeth is set in the glamorously untouchable underworld. Guns and drugs and lots of unhappy good-looking people. That kind of stuff. A modern day tyrant king and his world could have been paralleled with a representation of some of the most powerful and wealthy people in the modern world, rather than a petty crime lord. Oh well.
Initially the movie is violent nasty crime. As it goes on it becomes more and more surreal. The hit men and thugs that play for modern lords and nobles seem to more and more live in an enchanted mediaeval world albeit decorated with guns and motorcycles and televisions and security cameras and mobile phones. The strange Shakespeare speech seems less and less ridiculous, more fitting and real. This is true for the weaker actors and stronger actors both.
Macbeth is played by Sam Worthington. He struggles with the Shakespeare dialogue sometimes but he is charismatic, enticing; he does seem like a brave champion with a dark side. Victoria Hill does a similar job as his wife, the Lady Macbeth. She splutters the dialogue sometimes yet always seems to actually be the Lady Macbeth. She's unhappy and cold and charming and manipulative. Gary Sweet is very good as Duncan. Steve Bastoni, Lachy Hulme and Kat Stewart all are very convincing. Mick Molloy drew unintentional laughs of recognition even though he is very good. A famous Australian comedian, he is just right as one of the menacing cutthroats. Bob Franklin and Kym Gyngell are two other famous Australian comedians with small roles well performed.
The film looks very polished and professional from a production standpoint. The film is actually a bit too flashy and aesthetically oriented. The famous psychological struggles of Macbeth and the Lady Macbeth are skimped over and caricatured. Ambiguous things are made unequivocal and one of the most memorable parts of the entire play, involving Lady Macbeth and her hands, is rushed by so quickly that it's almost skipped by entirely.
Overall this production has the same depth of a poor adaptation of a famous book, comic or TV show. Most everything famous about the play is included in some form but not in an emotionally involving or mentally engrossing way. At all. This film is worth seeing once.
Rather than the cloud world of kings and queens and nobles, this Macbeth is set in the glamorously untouchable underworld. Guns and drugs and lots of unhappy good-looking people. That kind of stuff. A modern day tyrant king and his world could have been paralleled with a representation of some of the most powerful and wealthy people in the modern world, rather than a petty crime lord. Oh well.
Initially the movie is violent nasty crime. As it goes on it becomes more and more surreal. The hit men and thugs that play for modern lords and nobles seem to more and more live in an enchanted mediaeval world albeit decorated with guns and motorcycles and televisions and security cameras and mobile phones. The strange Shakespeare speech seems less and less ridiculous, more fitting and real. This is true for the weaker actors and stronger actors both.
Macbeth is played by Sam Worthington. He struggles with the Shakespeare dialogue sometimes but he is charismatic, enticing; he does seem like a brave champion with a dark side. Victoria Hill does a similar job as his wife, the Lady Macbeth. She splutters the dialogue sometimes yet always seems to actually be the Lady Macbeth. She's unhappy and cold and charming and manipulative. Gary Sweet is very good as Duncan. Steve Bastoni, Lachy Hulme and Kat Stewart all are very convincing. Mick Molloy drew unintentional laughs of recognition even though he is very good. A famous Australian comedian, he is just right as one of the menacing cutthroats. Bob Franklin and Kym Gyngell are two other famous Australian comedians with small roles well performed.
The film looks very polished and professional from a production standpoint. The film is actually a bit too flashy and aesthetically oriented. The famous psychological struggles of Macbeth and the Lady Macbeth are skimped over and caricatured. Ambiguous things are made unequivocal and one of the most memorable parts of the entire play, involving Lady Macbeth and her hands, is rushed by so quickly that it's almost skipped by entirely.
Overall this production has the same depth of a poor adaptation of a famous book, comic or TV show. Most everything famous about the play is included in some form but not in an emotionally involving or mentally engrossing way. At all. This film is worth seeing once.
Saw this at a preview screening today. I have never seen the Director's most famous film, Romper Stomper, and know it only by reputation. My guess is this very graphic and bloody version will satisfy his fans and many others. Doubt I would recommend it to anyone who was unfamiliar with the play but, taken simply as a film, I believe it is excellent. Superb cinematography and great sound track back up a 'reading' of the play that seems to me to have real integrity.
I note the current average rating on IMDb is a fraction over 3/10. Assuming the vast bulk of those are votes by the illiterate and inexperienced voters with a mental age of 12 who usually bulk out the meter, that probably bodes well for what is quite an exceptional film. If you don't know the play, for god's sake read it and don't send your ignorant comments to this forum.
I note the current average rating on IMDb is a fraction over 3/10. Assuming the vast bulk of those are votes by the illiterate and inexperienced voters with a mental age of 12 who usually bulk out the meter, that probably bodes well for what is quite an exceptional film. If you don't know the play, for god's sake read it and don't send your ignorant comments to this forum.
An interesting concept turned into carnage...
My first seeing feature from Geoffrey Wright (Romper Stomper), When i first took interest in it, it seemed at the time an interesting concept...
Shakespere + Aussie Film + Gothic setting + Melbourne Gangland
A very odd mixed that turned into a disastrous piece of Aussie cinema that gives my country a bad name...
Pros: -Interesting concept
Cons: -Waste of a good cast -Stuffed and stupid plot -Crooked camera angles -Not much variety of locations -Crap use of Shakespearian diologue
Overall: Australia's worst attempt of a Shakespere film, Stick to Baz Lurhman...or Romper Stomper (WARNING: That film is dangerous)
My first seeing feature from Geoffrey Wright (Romper Stomper), When i first took interest in it, it seemed at the time an interesting concept...
Shakespere + Aussie Film + Gothic setting + Melbourne Gangland
A very odd mixed that turned into a disastrous piece of Aussie cinema that gives my country a bad name...
Pros: -Interesting concept
Cons: -Waste of a good cast -Stuffed and stupid plot -Crooked camera angles -Not much variety of locations -Crap use of Shakespearian diologue
Overall: Australia's worst attempt of a Shakespere film, Stick to Baz Lurhman...or Romper Stomper (WARNING: That film is dangerous)
Perhaps it was the fact that I went to see the movie after reading the (mostly) negative reviews here, but I found that the movie far exceeded my expectations. It's true that the dialog comes off as a little odd when the movie first starts but it was easy to adjust to and by the end, as another reviewer said, it really seems to fit with the movie. Sam Worthington does an excellent job at playing the haunted character of Macbeth. For the most part the other actors do extremely well with their role as well. The action scenes seem to have songs that are actually appropriate as opposed to ones focusing on what big star they can throw in.
All in all, I think it certainly deserves a higher rating than it has been receiving. It may not be the movie of the year but it was extremely enjoyable.
All in all, I think it certainly deserves a higher rating than it has been receiving. It may not be the movie of the year but it was extremely enjoyable.
Well actually it is adapted from a play from Shakespeare, but it's not your typical Shakespearian adaptation you'll get here. Although the dialog seems to be spoken as it stood in the book (I don't know it word for word, but they use Shakespearian "language"), the whole thing is brought into a more modern world. It's not the first movie to do so, but I guess it's the first to be quite so brutal about it (literally speaking in this case).
The acting is quite good and with a bit of settling in time, you'll not even notice that this is done after a Shakespeare play, but see it as an action-drama (movie). And if you can do that, than you can enjoy it too (as much as it is possible for you).
The acting is quite good and with a bit of settling in time, you'll not even notice that this is done after a Shakespeare play, but see it as an action-drama (movie). And if you can do that, than you can enjoy it too (as much as it is possible for you).
Did you know
- TriviaThere are just a handful of Australian theatrical feature films which are a filmed adaptation of a play by William Shakespeare. These movies are: Macbeth (2006), Measure for Measure (2019), Twelfth Night (1986) and Romeo + Juliet (1996). There are a few more Aussie versions made for television which include: Hamlet (1959), Hamlet (1974), Othello (1964), The Tempest (1963), Antony and Cleopatra (1959), The First 400 Years (1964), 'King Lear' aka 'King Lear for Schools' (1967), Romeo and Juliet (1967), The Merchant of Venice (1961), The Taming of the Shrew (1962), The Taming of the Shrew (1973) and The Life and Death of King Richard II (1960).
- Crazy creditsNear the very end of the closing credits, the voice of one of the witches can be heard, very faintly whispering, "His issue shall be kings."
- ConnectionsFeatured in Making 'Macbeth' (2007)
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Details
Box office
- Gross US & Canada
- $9,613
- Opening weekend US & Canada
- $644
- Jun 17, 2007
- Gross worldwide
- $13,870
- Runtime1 hour 49 minutes
- Color
- Sound mix
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