The Young Lieutenant

A young tough guy, eager to be a real cop solving real crime, and to be really cool. A middle-aged woman, alone, with personal problems but well organized and effective. Put these two together in a big city ("the jungle") in some cheesy office rooms, and you may expect to see another cliché cop-movie. But you're wrong.

First of all, this film contains not much action at all. The murder that things evolve around is not the main attraction, it is more of a catalyst for the development of the humans on screen. Furthermore, there is no music to "guide" us emotionally, and no extreme display of emotions (or overacting) as is so common. Instead we follow the characters at distance, but emotions are there, but like in real life, poorly articulated and often ambiguous. And the less glamorous work of attending an autopsy, and reactions to it, is also shown; just the sound is disgusting, and that scene of the film has for me a really artistic feeling to it: it highlights the "fleshy-ness" of the body, that it is not just an abstract piece in life, but something bulky, ugly, imperfect and vulnerable, which is quite a contrast to how the young tough guy probably considers himself.

These aspects together means that the film is more real. That does not have to be an advantage for a film - good film rarely limit itself to a display of reality. But to follow the development of the characters, their life and work, from a distance, sometimes with some police action added, as you do in a very precise way in this film, is very rewarding. This is a good drama with action content.