Lonely Hearts

In the late 40s, Raymond Fernandez (Jared Leto) is a hustler who cons rich women. He meets damaged Martha Beck (Salma Hayek). They become the notorious "Lonely Hearts Killers" who rob lonely widows using personal ads and then kill them. Robinson (John Travolta) and Hildebrandt (James Gandolfini) are homicide detectives. The killers eventually confess to twelve murders in total.

The cast is first rate. There is enough production value. However, writer/director Todd Robinson fails to generate any intensity for me. I think the most compelling characters are Fernandez and Beck. I would have like them to lead. Travolta and Gandolfini are great actors but I'm not fascinated by their characters. Following both sets of characters simply divides the attention of the audience.

"Lonely Hearts" tells us the real story of the "Lonely Hearts KIllers", the couple Martha Beck and Raymond Martinez (played by Salma Hayek and Jared Leto) and the police investigation conducted by an obstinate detective (John Travolta) recently traumatized with the unexplainable suicide of his wife. The couple's "name" came from the scam they practiced against lonely women who wanted to engage in a relationship with a man through adds on newspaper's personal columns.

Looks like 2006 was the year to rediscover the film noir. This came out on the same year as Brian De Palma's "Black Dahlia" but attracted less attention. With justice, that was a better film. "Lonely Hearts" presents a good story that pays some small reflection on people who were looking for something good, tried of everything to have a relationship but failed at that, being tricked into the unknown, letting themselves get fooled by looks and charm, and it's also a story about serial killers who take advantage of such situation to simply steal money and take away lives. It sounds very contemporary the small appeal the movie has, just think bigger how this plot would be treated today with the internet and new ways to meet people. We would have what we're get used to see in the news.

Being "accomplices" of the couple in their spree of killing is interesting, wild, an exquisite relationship they have with each other (ironically, Raymond always make the con alone and he was about to try on Martha, who noticed it and started to help him); the background story for Travolta's character sometimes work, other times doesn't involve us at all, the investigation when made right works fine with some thrilling scenes. But the majority of scenes here is constantly showing the lack of cooperation between the detectives played by James Gandolfini (and his annoying voice-over) and Scott Caan. Why we're forced to watch them fight and play like kids all the time, what's the point?

The acting deserves some credit, specially for Leto playing a character that rare young actors would like to play, sacrificing his good looks to appear less beautiful to the camera with a hair piece to hide his slightly baldness. He's a weak fella, someone who at first only wanted to get money from his victims to later be seduced by this woman who'll boss around him to make anything for her, including the murders of the worst kind. Hayek is a little over-the-top but she knows how to leave a good impression anyhow. Laura Dern is very good in the ungrateful role of the female detective who takes interest on poor Travolta, always trying to be more than just an affair.

For the most part, characters and the movie sink little by little into a dark corner, too much predictable but somehow it manages to not disappoint. Compared with "Black Dahlia" since both are film noir updates of the 21st century it fails for not being more clever, more intriguing. Clearly, De Palma had to imagine many unbelievable devices to present the story but at least it was great. Here, even if the story is very close to the truth, and the fact of the director being related to the main character doesn't count much. To quote Kubrick: "It is real but it's not interesting". 6/10

I'm losing faith in this forum and some of the people that vote here... How can you possibly rate this film as a 1 or 2 or 3? Each to their own I suppose and for whatever reasoning or motives... For myself, I found this movie to be excellent. It held my interest from start to finish - and the finish was satisfying. Gandolfini and Travolta were excellent as you would and should expect. Salma Hayek gave what I think should be an award winning performance. Jared Leto was also superb... I can't say I've noticed him in anything of note before this. It was also nice to see Laura Dern again - I've been hot for her since watching Rambling Rose : ) All I can say is watch this movie and decide for yourself. I definitely recommend it.

"You know what they say about cops and donuts" quips Salma Hayek's character Martha Beck to James Gandolfini in the movie Lonely Hearts, "they're only good when they have a hole in them." This, coupled with Gandolfini's retort "funny, they say the same thing about women", captures the essence of the Chandler-esquire dialog that peppers this true crime homage to film noir.

The movie tells the story of Raymond Fernandez (Jared Leto) and Martha Beck who carved out their own chapter in the annals of crime history during the 1940s as the Lonely Hearts Killers. Together, Fernandez and Beck ran a con game using personal ads to seek out wealthy widows and single women with money. Fernandez would engage in correspondence with the women, eventually meeting them and gaining their trust as well as access to their money. Beck, would accompany him posing has his sister, helping Fernandez gain the trust of their victims, whom the two murdered after they'd drained their bank accounts. At the time of their capture, the body count they'd racked up was estimated at between 12 and 20.

Directed by Todd Robinson, the grandson of detective Elmer Robinson (played by John Travolta), the story alternates between that of Fernandez and Beck, and pursuing detectives Robinson and Hildebrandt (Gandolfini), with Gandolfini handling the connecting voice-over narration in traditional film noire patter.

Although some details are condensed for narrative purposes, the story largely sticks to the facts of the couple's actual murder spree, the only glaring discrepancy being the casting of Hayek as Beck, who in reality was a rotund, unattractive, battleaxe of a woman who maintained Fernandez's loyalty by granting his every sexual wish. The producers can be forgiven for opting to cast Hayek instead of a more credible Rosie O'Donnell type, however, as Hayek brings more than mere eye-candy to her role. She plays a sadistic, manipulative, cold-blooded murderer to the hilt, and practically serves as the driving engine for the film's story.

With a crackerjack cast of Travolta, Gandolfini, Hayek, Leto and Laura Dern (as Robinson's love interest) all bringing their A-game, coupled with a smartly written screenplay, snappy dialog, good pacing, excellent cinematography and direction, the only oddity about this film is that it was relegated to limited theatrical release, largely playing a few festivals before being relegated to DVD. Unlike the case it is based on, this is one crime that probably will remain unsolved.

Lonely Hearts (2006)

A steady, interesting, colorful crime movie packed with both great old tropes from the film noir days and lots of familiar tricks. Amazingly, it's based on a true story from post-war America that goes way way way beyond the slimmed up version here.

The result is good, yes, but never mesmerizing, never a complete surprise, and never up to the potential of the either the source material or the talented cast. The very dependence of well known formulas for a kind of classic look and feel is what holds it back, because we know those formulas so well. The one aspect to the movie that is forcibly modern is the one that feels so forced it's almost pandering to a contemporary audience--lots of open swearing and sexual references in a manner not really "right" for a 1951 America.

Several lead actors are terrific. Salma Hayek, once she arrives, is an edgy bad girl, a woman with little moral code and a comfort level with blood and manipulation that makes an old school femme fatale look like schoolroom stuff. Her bad boy companion, Jared Leto, at first comes off as a Robert Downey Jr. wannabe, but he gradually hardens up his edges and by the end is pretty believable as a cocksure murderous idiot. The two cops, John Travolta and James Gandolfini, are a great pair, the one restrained and more in tune with the criminals, the other the sidekick with a good heart. (They might be modeled after, say, Glenn Ford and William Bendix, as two 1951 actors who could have pulled off the same roles with more conviction.)

The filming, the editing, the pace, the sets, the old cars, the interior and exterior location shoots, all of the nuts and bolts are in place here for a good movie. (Of these, the photography is the most routine, partly because of how it's directed, as in the last scene when the cops swarm the house--it could have been really exciting.) But overall it's the script--the script, not the story--that holds it all back. The parallel plots of the two criminals in their love affair crime spree and the cops on their trail is clear and fine, but unrevealing. The events happen, and we sort of know how it will end. And it does (not to give away anything!). If you want the true facts, go to the really long but readable account at trutv.com and type in the Lonely Hearts.

As a quick and hopefully helpful movie comparison, you can look at recent films like "Road to Perdition" or "Shutter Island" and see how a period piece film can brim with originality and better filming. A movie comes closer to this kind of familiar quality, based on older classic Hollywood models, is "Public Enemies" with Johnny Depp, though that one had some really beautiful moments in the photography. And what about that title? It is derived from the male killer's original tactic for getting money, which is given a comic treatment at the beginning of the movie--he writes to lonely women, gets them to fall in love with him, and steals their assets.

A final revealing note: the director is the grandson of the cop who led the original investigation into the crimes. That means he's really well placed emotionally, but as a director he's really incomplete. It's amazing, in fact, that he got the budget and talent he did with such a short track record. Opportunity squandered? Partially. Give it a chance.