The Girl in the Café

Two films in one Jekyll and Hyde package. A marvellous performance by Bill Nighy well supported, or rather, accompanied by Kelly Macdonald. The rest of the cast seemed just right with their supporting 'pattern' characters.

The dialogue of the romance must have seemed odd to read but is made utterly believable by the main players. Great writing.

The bad part is the moral message. Clumsy, lumpen, mawkish. If it were possible to put on film the sentiment behind the 'humanity' interest as well as was done with the love interest then it would have really been something. It was a sledgehammer trying to move a continent - with about as much of a lasting effect on those who were actually taken in by it in the first place.

Switching from a beautiful and believable story of two lonely people to Sesame Street mentality scenes at a G8 conference doesn't spoil it completely, it's well worth seeing. You just know when to zone out to avoid the PC bits second time round.

Marvellous but flawed and not marvellously flawed, which is a pity.

Well worth several viewings.

A beautiful and moving film. I didn't know what it was about as the trailer didn't reveal much other than the relationship between Nighy and McDonald so I was thinking it was just a gentle love story, a British 'Lost in Translation'.

But what transpired was so much more than that. I thought the way the enormous issue of global poverty and the few people who hold the political power to affect change was dealt with intelligently and sensitively and interwoven poignantly with the strange romance developing between the two leads.

I'm not too familiar with the background of the film but I would hazard a guess that the seeds of the project were sown when Richard Curtis wrote 'Love Actually' which included a subplot where the British PM (Hugh Grant) publicly opposed policies brought forward by the American president (Billy Bob Thornton).

Since 'Love Actually' was a light-hearted romantic comedy, the politics were never elaborated on but I'm sure that 'The Girl in the Cafe' was the opportunity for Curtis to put this topical issue into terms that anyone could understand and empathise with. The timing, of course, is impeccable, with the G8 summit to be held in Scotland within 2 weeks and widespread attention of the summit brought to the masses by Sir Bob Geldof and the simultaneous Live 8 series of concerts.

It goes without saying that the performances of the two leads are spot-on, Bill Nighy is the king of understated pathos as Lawrence and Kelly McDonald is gracious as the mysterious but steely Gina.

The film is shot in (literally) cool locations and makes a fantastic ad for the chilled aloofness that is Reykjavik.

But at the heart of this love story are the nameless, faceless millions who suffer daily and the ease with which this fact is taken as statistic. Africa has never before been on the forefront of social issues as it is today and to anyone who might be under the impression that poverty is an issue for politicians to sort out around the conference table, 'The Girl in the Cafe' is a potent reminder that the power to affect change is more immediate than we might think. Superb.

Make Poverty History

Bill Nihby's Lawrence is such a painfully reserved character to observe that one wonders how he can possibly be effective as a policy wonk. Still, the fusion of this shy man and the girl in the cafe who has all the time in the world and a charming b.s. meter to boot is a wonder to behold. This film is clearly a piece of propaganda wrapped in a love story. The message is delivered in inescapable measure. Ultimately, the film punches out its challenge to the movers and shakers of the G8 to 'be great.' One could only wish that the real movers and shakers could accept the simple message they are being challenged with. This is such a lovely little film with plenty of gusto.

It is rare indeed to experience a film that successfully blends comedy with a strong social message. "The Girl in the Café" is just such a film!

The first half of the firm is primarily quirky romantic comedy as a pencil-pushing, workaholic diplomat has a chance meeting with a young woman, and the couple share a table in a crowded café. The relationship of Lawrence (Bill Nighy) and Gina (Kelly Macdonald) then proceeds in fits and starts...mainly in fits!

There is obviously an attraction between the two characters. But the main problem is the diffidence of Lawrence, whose character redefines the concept of "British reserve." Based upon the shy and reluctant deportment of Lawrence, it is difficult to see how Great Britain was ever able to "people" its great Empire! One of the offbeat lines shared by Lawrence and Gina in a restaurant is: "I scrubbed up for you, tonight." The words "nice," "handsome," "beautiful," or even "You look good, tonight" are not available to characters so maladroit in their social graces.

The second half of the film moves into the area of politics when Lawrence invites Gina to the international G8 Summit meeting in Reykjavik, Iceland. It is there that Gina has some surprises for Lawrence and for the politicians at the conference. As brilliantly played by Kelly Macdonald, Gina delivers passionate and impromptu pleas to address the problems of world hunger, poverty, and AIDS. Gina's speeches are some of the most memorable moments in the film.

While the romantic relationship between Lawrence and Gina continues to unfold, it is the social and political side of the story that dominates the final portion of the film. Here, there is no shilly-shallying around on the part of Gina, as she boldly plants the seeds for social action. Ultimately, a question that emerges is whether or not an unassuming individual like Gina can single-handedly make a difference in her world, and the answer delivered by this gem of a film is a resounding "Yes."

Written to coincide with the Africa Lives series on the BBC and also the current Make Poverty History campaign, 'The Girl in the Cafe' is a superlative TV drama that makes its political points without resorting to grandstanding or heavy-handedness.

Played to absolute perfection by Bill Nighy and especially Kelly MacDonald, and written by Richard Curtis with his usual wry wit, this drama places a socially aware Everywoman in the same room as the world's most powerful politicians at a fictional G8 Summit in Reykjavik.

The blossoming romance of the two leads and the politics of the summit develop in perfect tandem, neither allowed to undermine the other. It is to Curtis's credit that he does not seek to provide an easy way out for any of the characters, nor does he wrap everything up in a neat bow at the climax.

This is one of the most accomplished TV dramas I have ever seen, and I can only hope that it achieves the profile elsewhere that its creative team and, more importantly, its message deserves.