Anche libero va bene

This movie was re-released in Pathe theatres, Amsterdam as part of the Summer Films special screening. I read very good reviews of it and was interested to see it. Even if did not turn out to be what the reviews say (that happens quite often) I would had been fine.

The story is shown through the eyes of 11 year old boy Tommi (Alessandro Morace), who stays in an urban lower middle class dis-jointed family with his unemployed cameraman father Renato (Kim Rossi Stuart) and sister Viola (Marta Nobili). His mother Stefania (Barbora Bobulova) has left the family for some other man. Even in the dis-functional family where it is difficult to meet expenses and ends, Renato with all his frustrations, still loves the kids a lot. Parallel to this are two sub-plot running – one, where Renato wants his son Tommi to be a swimmer, whereas Tommi wants to become a football player. Second, the school life of Tommi – where he tries to seek friendship and love with his classmates. When Stefania suddenly appears one day out of no where back to the family – after a bit of test and trials – there is hope, happiness in the family. But again suddenly she disappears and leaves behind the traumatic family in despair.

This is the first time directorial debut of the very good looking famous Italian actor Kim Rossi Stuart. After his long acting career he does great justice to his new role as a Director. I read that he was not suppose to act in this movie, and only direct the movie; but just 15 days before the shooting – when the selected actor left the movie, the producers persuaded Kim to take the role of the father. Kim looks stunning, very pleasing to the eyes and has acted efficiently well. I think after a long time, I personally have seen some real good looks on screen. But I will leave it on girls and women to add more.

But the movie belongs wholly and solely to Alessandro Morace. First movie and he lives the role of Tommi as no other kid could have ever done justly. He shows all the range of emotions so naturally as if this role was written keeping him in mind. He is magnificent. Equally good in their small roles are Marta Nobili and Barbora Babulova.

In the beginning 15 minutes of the movie Director / actor Kim sets the tone by exposing to audience scenes that would make the point – of what to expect from the movie so people are not deceived into any flamboyant commercial stuff.

This movie is jointly written by four writers with Kim being one of them. There are so many numerous scenes in the movie that make you feel – oh alas, I hope I was part of this family and character. They are so wonderfully filmed. The touching moments moist your eyes and linger with you even after the movie is over.

Good music, good editing, good cinematography! Great cinema! Well done. If I had not gone to see this – I would had missed a gem.

(Stars 7.75 out of 10)

I think this debut by Kim Rossi Stuart is the true best Italian movie of the season 2005/2006. It's even better than "Romanzo criminale" (Michele Placido) and "Il Caimano" (Nanni Moretti). It's so touching and subtle it doesn't seem a debut, but we must remind that Kim Rossi Stuart was already quite experienced as an actor.

The acting is phenomenal. Alessandro Morace (the lone Tommi) is the best child actor I've ever seen: he's natural, and he has got magnificent, sad eyes who can talk more than a speech. And Marta Nobili (the joyful Tommi's sister, Viola) doesn't confine herself to simper graciously as Dakota Fanning usually does. Kim Rossi Stuart and Barbora Bobulova are good too, but they were only confirmations.

Cinematography and score are accurate and remarkable, considering that this film's budget was very small.

And, let me say, Kim Rossi Stuart doing the ironing wearing only a pair of slips and a close-fitting T-shirt is a fantastic sight.

This film is about a family of four and told through the character of Tommi, an 11-year old boy. His sister is a nuisance, and he has trouble getting friends in school.

The mother of the family has some psychological issues and disappears for weeks, then returns for a few weeks of nuclear family bliss.

The father is a poor, stressed out cameraman struggling to find work. He goes from loving and caring role-model-father to angry, rampaging mad in seconds.

The tensions between all four members of the family are really done well, the film is believable and very emotional. Both adults and children in this story give great acting performances.

recently i saw this movie in a TV channel. i don't know about the actors and directorial details of this film.but those people are doing their job very well.especially the boy,he is the best choice for the character.the father character,particularly in the scene where he angry with his son ,when his wife cheating him scoring our attention fully.later i know he is the director of the film.finally,the story is well written .totally the film is simple and beauty.maybe its a melodrama,but it has a message as 'anything will happen life,but life must go on'.this film reflects the modern family life and the sensual problems of children and the parents.the camera work is well done.especially the swimming competition scene.it proves even the small budget films also have the perfect camera works.after a long time it is the mind blowing job along the recently watched films of mine.

Great debut, the one of Kim Rossi Stuart as a director, without pathetic scenes, tough and with no sappy concessions to an impossible happy end. A true world described with a true language and a deep tenderness, but knowing that certain situations allow very little tenderness to those who live them. A world seen through the bright, deep and severe eyes of a wonderful boy who is the focus of his family, the benchmark for his sister, the "strong man" both his mom and his dad need for different reasons, unsettled and insecure as they are. For the people living outside Italy who saw or have to see this movie, the world described in it is our world so don't go looking for some kind of "Kramer vs. Kramer" calm and aseptic atmosphere, here.

There are plenty of beautiful moments in the movie, but one would be enough to love it and it's when the father and his children come back home one evening, Tommi raises his eyes and he sees their house's windows: it's dark, no light. In the lift, he whispers: "The lights were off", mom has gone away again, he thinks without saying it. The look that father and son exchange is so intense, their desperation so palpable that it takes your breath away. I repeat, this scene would be enough. But there's much, much more.