Who is Stephen Maker? Did he fake his own death, or do doppelgangers really exist?Who is Stephen Maker? Did he fake his own death, or do doppelgangers really exist?Who is Stephen Maker? Did he fake his own death, or do doppelgangers really exist?
- Awards
- 1 nomination total
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Did you know
- TriviaThe idea for the film came while the director was working as a bouncer for GNER.
- Quotes
Rachel: Then he smashed all the mirrors in the flat, I mean he was getting violent.
Austin Peterson, Private Eye: Stephen's parents said that you met someone else. After Stephen's death?
Rachel: No. I mean I met someone yes. At first it was like Stephen had never been gone. It didn't work out.
Austin Peterson, Private Eye: He just wasn't Stephen?
Rachel: He kept asking questions about Stephen, like he was still here, still a rival. He couldn't accept my reasons for being with him. There was a box with Stephen's things in. One day I caught him going through it.
Austin Peterson, Private Eye: What happened to him anyway?
Rachel: I asked him to leave. He never got on with our circle.
This is a strange film by Ben Crowe . One can see it's trying to be a type of modern film noir and one with morbid overtones but everything about it is done very badly . First of all the exposition is done entirely via voice over which leads you to think that this was originally for radio and the on screen images of Peterson wandering around bust streets and deserted council estates don't really have much to do with the story itself . Secondly the delivery of the voices are rather flat and wooden . This wouldn't be so much of a problem if it was characters talking to one another on screen but they're not so the vocal range or rather lack of it is distracting . . Thirdly there's a constant musical soundtrack being played and sometimes the sound mix drowns out the dialogue and since the dialogue is the most important part of the film this is a major problem . Sadly this means THE MAN WHO MET HIMSELF is the most disappointing short film I've seen in a long time
- Theo Robertson
- Feb 25, 2014
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