The Sickhouse

We hear about it far too much in the horror genre: a poorly made film with an interesting premise.

Had this shied away from the punk-teen angle (like that of Bava's 'Demons') and headed for straight horror (maybe on the level of 'El Orfanato'), it could've had the chance to be a rather good film. Instead, poor writing, bad direction, seemingly bored actors, and silly camera tricks in exchange for real scares, we're left with yet another forgettable haunted-house picture.

I'd say pass it up and wait for 'The Orphanage' on DVD. Or, if you can't wait, check out 'The Devil's Backbone.'

-AP3-

In London, the archaeologist Anna Ash (Gina Philips) is informed by her Professor Joan Holland (Romla Walker) that the excavation site at the Sixteenth Century Ludgate Orphanage, where she is researching the Cult of the Black Priest during the Great Plague, will be demolished on the next morning to contain the contamination since it has been found the Y.pestis in the digging. The stubborn Anna breaks in the building at midnight expecting to find any substantial evidence that could stop the demolition.

Meanwhile, four drugged punks hit and run with a stolen car and they hide inside the building. They are haunted and attacked by a ghost and one of them, Clive (Jack Bailey), is wounded. When Anna stumbles with the hoodlums, she realizes that Clive is contaminated and needs help. But soon they find that they are trapped in the building.

"The Sick House" is a movie with terrible story, screenplay and camera work. The plot is stupid and unoriginal, and it is hard to believe that an intelligent woman would prioritize her research and break in a contaminated place without weaning protective clothing and mask.

The camera is awful and to compensate the low-budget, there are many closes and the camera is shaken expecting to give the sensation of chaos, but it never works. The messy and senseless conclusion is also awful, trying to give a dreadful twist to the plot. The only things that seems to work is the false promotion of this movie through many fake reviews. Last but not the least, the Brazilian title is perfect for this film ("The Great Plague"). My vote is two.

Title (Brazil): "A Grande Praga" {"The Great Plague")

The film is a complete mess. The premise might be sort of interesting, but the already everything but clever script that has written "novices at work!" on every single page additionally gets messed up by a directing that gives a new quality to the word "confusing". And if that wasn't enough, it seems the material was edited by someone on LSD, otherwise there's no explanation for this... hmmm... montage. Putting the footage into a shredder would have shown better results. My regards to the actors who tried hard to put some life into this.

Producers listen up: little money is no excuse for bad craftsmanship!!!!

Plague doctors, the physicians who treated the sick during the Great Plague of London, wore wide-brimmed black hats, long black overcoats and primitive gas masks in the shape of a bird's beak; in short, they looked bloody freaky.

Horror newcomer Curtis Radclyffe attempts to capitalise on the unsettling nature of these bizarre historical figures by making them the antagonists in his film The Sick House, but fails to realise that having a cool looking killer just isn't enough on its own: a coherent plot, decent acting, competent editing and considered direction doesn't go amiss either.

After a thoroughly confusing pre-credits sequence featuring a whispering child, Radclyffe's film begins proper with the discovery of a sealed chamber beneath a 17th century hospital. Archaeologist Anna (Gina Philips) is keen to find out what is on the inside, but when the site is declared to be a bio-hazard, she is prevented from continuing her dig. So what does this supposedly intelligent scientist do next? Why, break in, of course—a stroke of genius which not only results in an outbreak of the plague, but also the resurrection of a murderous plague doctor. Meanwhile, a car full of joy-riders seek refuge in the hospital after their fun results in a fatal accident. Guess who's going to wish they'd not broken their ASBOs...

Having introduced his raft of thoroughly selfish characters, and established them within a fairly creepy locale, Radclyffe then proceeds to belie his novice status as both a writer and director by boring the pants off his audience with a solid hour and a half of people wandering aimlessly through dark corridors, whilst the shadowy plague doctor randomly appears and disappears in the shadows.

Fluorescent lights flicker on and off to add a little extra ambiance (or in my case, to irritate me even further), none of the supernatural events that occur are ever adequately explained, gimmicky editing and post production trickery makes everything extremely hard to follow, and the whole thing finishes as confusingly as it began, with a child once again whispering some nonsense that might possibly have made some sense had I not given up caring long before.

Despite knowing that the film industry will always sacrifice originality (and therefore risk) to make money it still amazes and annoys me that rubbish like this gets made. Can't a producer realise that making an interesting and vaguely original film will likely make more money through positive word of mouth than a bland, boring, seen it all before piece of cable movie sh!t like Sick House. This film was average, listless, un-engaging, dark and unintelligible, with a pointless and unnecessarily confusing twist ending. I'm desperately trying to think of something positive to say about this film and all I can come up with the cinematography and general look of the film was quite interesting, well that is at the few points in the film where it was possible to actually make out what was happening. Another positive point was Gina Philips who turned in a creditable performance.