Afro Samurai

Afro Samurai started as life as manga before animation studio GONZO adapted the story into a five episode series that premiered online January 1 2007.

Like most contemporary anime, Afro Samurai is another exercise in culture jamming, straddling genres as diverse as Blaxploitation, kung-fu cinema, splatter flicks, western and, of course, Japanese animation. Samuel L. Jackson lends his talents in the voice department, and is also credited as one of the shows producers.

The plot revolves around Afro - nicknamed after his hairstyle - a perpetually silent and bloodthirsty master swordsman, whose quest involves exacting bloody revenge on the man who killed his father, and claiming the title of 'Number One'; a warrior whose powers are comparable to those of a god. Given only five episodes to work with, structure is pretty tight here, so there are no filler episodes or meandering off-sides or tangents to distract from the narrative's focus. Although the series seems to lack that 'epic' journey feel, episodes are never anti-climactic; this is a relief to the casual anime viewer who just wants to get to the carnage.

And carnage there is a-plenty. The plot of Afro Samurai is really just an after thought; it's the fight scenes that are really the star of the show here. A word to the squeamish: Afro Samurai is one of the bloodiest, goriest and most anatomically detailed anime series on the market, so if you've got stomach issues with splatter flicks, avoid this one like syphilis. If, however, high-definition animated gore-porn is your thing, Afro Samurai will not disappoint. Each fight scene is beautifully choreographed and fluidly animated to deliver some truly jaw-dropping, gut-wrenching, wince –"oh man, that's gotta hurt"-inducing scenes of unadulterated devastation on the human body. Be-heading, disemboweling and eye-stabbing are just an entrée.

The only thing wrong with Afro Samurai is that it's all over too soon. Most anime fans are used to more meat on the bones, so for many the narrative will feel underdone and the characters under-developed. This is probably a side-effect of the show's creators attempting to cross anime over to a mainstream Western audience, but, in doing so, seem to have sacrificed content for carnage. And while carnage seems to be the whole point of Afro Samurai, five episodes is still remarkably short. Although the series swiftly resolves itself in a fairly predictable way, there is an immense potential for spin-off projects (there's a movie rumor already doing the rounds in cyberspace) and the show itself is re-watchable many times over, if only to sample the audacious ultra-violence again and again. For those of you with an unquenchable blood-lust, Afro Samurai will have you screaming with delight.

I loved Afro Samurai for many reasons. The story isn't the most unique you will ever find, but the great action scenes and cool art style make up for it. The fights are fast-paced and gory, and the art style is innovative and uses plenty of dark shadings to give every thing a shadowy tone.

It mixes together Japanese anime culture, rap, and other things to make one AWESOME anime. And I can't review this without mentioning the great job that Samuel L. Jackson and Ron Pearlman did with their voice acting. I just wish this could have went at least 20 episodes to really extend the story. And since it was only 5 episodes, there was basically a fight in every single episode, and that takes away the feeling of drama and importance of the fights. It just feels like an actionfest at times. But for the 5 episodes that it lasted, it was a very fun and entertaining anime.

In a sci-fi feudal japan world there's 2 titles for the strongest, Number 2 & Number 1. When you're #2, you're only semi-strongest, when you're #1 you're on the top of success. One day a black boy experienced the sight of his dad(the original #1) being killed by Justice(a corpse gun slinger) who gained the title of #1. Several years later that same boy now holds the #2 title. And seeks for vengeance over his father's death by reclaiming the number 1 title.

Afro Samurai is different from the other samurai anime in so many ways. Including the idea of having a black samurai instead of an Asian samurai as the main character. As well the use of hip hop for the background music. And it's one of the fewest anime to include this kind of theme.

For a mini-series, it's already considered a cult anime to many Anime fans and non-anime fans alike. The dub for it is one of a kind with THE Samual L. Jackson as the voice of Afro Samurai and everyone's favorite Ninja Ninja. The action is very intense and gory at the same time. In other words it's not an anime for those who have weak stomaches.

Besides that it does have an interesting plot to it. And feels more like watching a movie rather than watching TV episodes. It's available on DVD in both edit and uncut form(which is suppose to be longer and more violent than the TV viewing).

Afro Samurai will stay in my collection as a pure guilty pleasure, a black samurai saga that has more than a touch of being made just right for die-hard fans of blood-drenched anime (or, for that matter, members of the Wu-Tang Clan, for which RZA did the music, and is an asset via groovy beats and is an occasional deterrent with rap going on during a big battle). At the same time it's also got a little tongue pressed into cheek, as the usual clichés in a revenge saga get just the right touches of harsh comedy (the side character Samuel L. Jackson mostly voices, Ninja Ninja as the fool of the series, gives some of it, and some of it just comes through the wild ways that the other samurais send out their forms of slaughter to Afro) and rapid stylization, with not just one specific style, though it is mostly indebted to recent ultra-violent anime. Through first-time director Kizaki and the writers who are also working mostly as their first efforts, experiment with its "ghetto" influence with it looking as much like an exploitation flick from the 70s as much as a sword-revenge story (many of those out for Afro's head could be compared to those out for Grier or Williamson's heads in the classic films).

But it's also science fiction to a degree, or at least futuristic in scope, mixing feudal Japan with crafty cyborgs and robots and other technology thrown in (including a robot clone of Afro who mimics his moves but not his subconscious). It's not anything exactly masterpiece-like, and after a few episodes it does come close to being a little tiresome in seeing Afro, who has little-to-no personality and just a straightforward bad motherf***er attitude, on his quest to achieve something higher than his simple 2-level. But it's downright exhilarating, as far as today's anime can get, in seeing the extremely bloody swordplay and other violent bits that come quick but with a lasting after effect, and in seeing how the conventions inherent in the supporting characters, be they in flashbacks to Afro's training or in the present as the ones out for Afro's head on a stick. It might actually be too based on the action for some, and it is a little light on story as it goes along past the flashback episode. Yet with people like Jackson and Perlman as the voices behind the figures, and in such a distinctive blend of the usual and unusual in the genre, it's worth a look for fans, and maybe even as a curiosity to those who dug Chapter 3 in Kill Bill 1.

Afro Samurai came out of left field from me. Totally unexpected, I saw the tile pop up somewhere and sounded cool enough for me to give it a go. And even though I'm not an anime fan, I found lots to appreciate in this mini series of blood and mayhem.

The main appeal for me was the combination of blaxploitation culture and samurai swordfighting (chambara). Samuel Jackson doing the voice-overs for both Afro Samurai (Clint Eastwood style, few words, calm and badass) and his sidekick Ninja Ninja (wisecracking non-stop banter) was another major plus. The third advantage is the simple story that takes its cue from a long line of revenge movies: this is a simple revenge story and that's why it works so well.

In a futuristic world, young kid watches his father get cut down by baddie who is after his father's Headband #1. Headband #1 allows its bearer to be like a god. The only one who can challenge him is the one who wears Headband #2. Anyone can challenge Headband #2. As one could expect, Headband #2's path is littered with corpses as everyone and their dog want their chance to challenge Headband #1. Young kid grows up and becomes Afro Samurai and walks the path of revenge against Headband #1. A colourful ensemble of baddies will stand in his way, from a neo-Buddhist cult of assassin monks, to cyborgs to teddy-bear faced guys with a grudge to common crooks. Through flashbacks we come to find out how Afro Samurai became who he is and how he obtained Headband #2. Simple yet effective.

The main appeal here is the visual aspect. Being a fan of 60's and 70's chambaras and jidai-gekis I find the swordfights a tad too hyperkinetic for my taste, but that's anime for you I guess. However everything has a smoother, more westernized approach perhaps to the rapid, eyesore that often is the genre which I took to with pleasant surprise and relief. The graphics and design tend to be great (especially Afro Samurai's) although they can settle for just good or serviceable at times. The blood geysers and slashing, taking their cue from stuff like Lone Wolf and Cub and Lady Snowblood (copious amounts of glorious arterial sprayings) will please every fan of the red stuff although it's not particularly gruesome. Good, clean, family fun.

The soundtrack is done by usual suspect RZA. I have to say that the whole combo of hip-hop/anime/exploitation works particularly well even though I'm only a fan of the latter third. If you wanna get a picture of what Afro Samurai is, think of the animated sequence in Kill Bill vol. 1.