A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.
- Awards
- 1 win & 7 nominations total
- Charlie
- (as Skip Pitts)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This little light of mine Black Snake Moan
The first moment I knew I was in for a treat was during the abbreviated credit sequence at the beginning. Like he did with Hustle and Flow, Brewer lays the music over the widescreen shots perfectly with simply titled fonts coming up statically. The 70's aesthetic was welcome and helped show that this would be another great character piece in the vain of those from that decade of some of cinema's best. From here we continued on with the short snippets into the lives of both Lazarus and Rae, each vignette mirroring the other while they journey to the fateful moment their paths finally cross. The editing between them was fluid and relevant rather than abruptly cutting before the scene felt finished with its purpose. Rae's boyfriend leaves for duty in the service and Laz's wife leaves him for his brother. Each feels the loneliness and reverts to what they know in that situationRae to sex and Laz to the bottle. Only when Rae is left for dead at the side of the road and her savior comes from his farm to take her in does the reasoning for their actions finally start to become clear.
Samuel L. Jackson is fantastic as the older bluesman farmer trying to reconcile his life with God and that of the flesh and the pain it has brought him. There are the moments of stoic sternness as well as those of kindheartedness with his captive/patient. You never really look at the setup as comical or unrealistic because he sells what he is doing so well. Also, the character of Rae is not chained up for very long, despite what the trailers would have you believe. The situation starts a bit awkward until we see that the chaining was for her own good and is actually used for only a day or two. As for that chained girl, Christina Ricci really shines. I never really saw her as anything special, but this role is a true breakthrough for her. This girl is so troubled that her past sexual abuse has scarred her very deep down. Any time she is away from her love she starts seeing flashes of the man who took her childhood innocence away and itches to be touched by any man available to let the image go away. Her nymphomania is not for pleasure, but rather for survival from the haunting nightmares always hiding behind her eyelids. Ricci fully inhabits the role and shows all the emotional trauma to great effect and realism. Mention must also be made of Justin Timberlake, again showing some real acting talent. Where this guy came from I have no clue, but hopefully he will continue taking more films and steer away from the mostly crap music he churns out.
While not as solid and consistent as Hustle and Flow, Moan still ranks equally to it, in my mind, because when it is on, it is spectacular. Towards the end we have a truly enthralling sequence with "This Little Light of Mine" singing out, and earlier, the interaction between captive and captor, when the chain is first introduced, shows some top-notch work. The truly magical moment, though, is when Jackson sings (yes that is him throughout, like it was Terrence Howard in Hustle) the titular song while a thunderstorm roars and the lights flicker. If I don't see a more beautifully shot sequence all year, I won't be surprised. What these two people do for each other is wonderful and shows what humanity is capable of. One thing I think I really enjoy with Brewer's work is the fact that he doesn't show sinners becoming redeemed heroes. Instead he shows us that no matter how bad you have been, or how bad life has been, everyone can strive for redemption and to be better people. We don't have saints here, but fallible people looking to right their ship. If the course stays true or if it falls back into darkness, no one really knows, but at least they can say that they tried as hard as they could.
Bold Bite
In the third offering from director Craig Brewer, we are taken into the deep south where as the tagline to the film claims, everything is hotter. While there we're introduced to the Godfearing bluesman, Lazarus as previously said played by Jackson, and the almost always half naked Rae; a role bravely taken on by Christina Ricci. In the film this unlikely pair cross paths long enough for their characters to each learn a lesson from one another. Both lessons ultimately convey the message to us the audience that no matter what, we are all human. No one is perfect and if everyone would realize that, then we'd be a lot better off. The question of if this will be understood, or be accepted by all who see the film is another story.
One thing not up for debate is how great Jackson and Ricci both are here. You'd think with the role of a sex-crazed woman, overacting would be a given, but no, not here. Ricci breaks through and demonstrates true talent with a raw performance that also doubles as her best to date. Then we have Jackson who completely disappears and for the first time in a long time makes us forget who he even is. Sadly, the third star of the film, Justin Timberlake who plays Rae's military-bound boyfriend isn't all that great. At the start, he fails miserably as he appears to be trying too hard. Later on he steps it up some, still he's far from the level he reached in January's 'Alpha Dog'.
The other thing 'Black Snake Moan' boasts is a splendid soundtrack. Containing tracks from The Black Keys, John Doe, pieces from the score done by Scott Bomar, & of course four, count 'em, four tracks from Jackson himself. It's actually one of his songs, the main performance of the film, 'Stackolee' that is the fuel to the fire of this great collection. It alone is worth the ticket price. Other notable musical delights from the soundtrack are Bomar's 'The Chain', 'When the Lights Go Out' from the Black Keys, & the title track which is also among the most memorable scenes in the film where Lazarus sings to Rae on a stormy night.
The efforts of Craig Brewer can't go without mention though. His last film 'Hustle & Flow' which ended up surpassing low expectations and gaining critical acclaim put him on the map. What he has done with 'Black Snake Moan' will be what sets him apart from other newbies to the industry. He not only directed 'Moan', but also wrote its screenplay. The end result is a story that is surprising and clever. As you watch you feel like you know exactly where it's headed despite its valiant composure. Just as you think you've predicted the next move Brewer shifts gears and takes an entirely different route. There are however some blotches within the screenplay. The background characters are drab and flat while the ending is somewhat disappointing. It left me craving for something more exciting. After so many highs I guess the final scenes were a tad weak compared to the rest of the film.
I imagine the majority of people who see 'Black Snake Moan' won't enjoy it due to the fact they won't be able to stop themselves from thinking how unlikely the situations are. The depressing part about that is there are many other films with just as unlikely, even more outrageous scenarios that are widely well received. It's the issues of race, religious motives, & sexuality the film exhibits that will have more effect on opinion than anything. The idea of a black man chaining a white woman up in his house is enough to make most people not even consider seeing it. Simply put, it's not for everyone. Like I said, to fully enjoy it you have to go in with an open mind, or else you're just wasting your money. For those of you who can do that, I highly recommend it.
surprising movie with a good message
Craig Brewer convinces us that he is for real and Samuel L. makes sweet music
Moan hits Home ..
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Did you know
- TriviaChristina Ricci wore a forty-pound chain during filming. Writer and director Craig Brewer brought various different chains on the set and told Ricci to choose the one that suited her best.
- GoofsRonnie's American Flag patch on the right sleeve of his BDU shirt before he leaves appears to be backwards. However, this is in accordance with Army regulations that call for the flag to appear as if the wearer was advancing toward the battle; if the flag was reversed, it would appear that the colors were retreating. The unusual layout is due to the requirement to wear the flag on the right sleeve - the position of honor on the US Army uniform.
- Quotes
Rae: [confronting her mother at the grocery store] Since you workin' on the square now, maybe we could get some coffee in the morning, if you want...
Sandy: You need money again?
Rae: No. That's not why...
[pause]
Rae: Why we always gotta do this? I mean, you and me been at each other as far back as I can remember. Wasn't no love between us. And I'm your daughter. I'm the only family you got.
Sandy: You never needed nobody. Always made that clear to me.
Rae: Yeah. I know I did. But I'm trying to be different. I'm trying to get some peace, you know?
Sandy: I'm workin' here, Rae. Can you see that?
Rae: [sulks] I just wanted some make-up.
Sandy: All that shit's on Aisle 5.
Rae: [Rae starts walking away. She quickly turns back to Sandy] I just think you should'a kept him off me, that's all!
Sandy: [stops working and turns to Rae] The hell are you talkin' about?
Rae: Now see? Don't do that. I'll go along with all you say about me. But that, you can't pretend no more on that 'cause I was just a kid, Momma.
[pause]
Rae: I didn't know about any of that stuff he was doing to me, and you let him do it. Some big nobody in your life and you let him do as he wanted with the only somebody you had!
[Sandy walks up to Rae and grabs her by the arm]
Rae: I'm sorry, Mama! I didn't mean to shout...
Sandy: All my life I been putting out your fires with you givin' out your snatch to every waggin' dick in this town, and you gonna lay the blame at my feet? Well, I ain't gonna take that!
Rae: But Momma, just tell me! I'm not gonna be mad. We can just talk about it! Be eye to eye on this. You don't even gotta say you're sorry, just say how you knew!
Sandy: Only thing I'm sorry for is listening to my parents and having you...
[pause]
Sandy: Instead of doing what I should'a done!
Rae: [grabs a mop and attacks her mother] TELL ME YOU DON'T KNOW! *GODDAMNED LIAR*! SAY IT! JUST FUCKING SAY IT!
[Rae continues whacking Sandy with the mop]
Rae: YOU WERE IN THE NEXT ROOM, YOU *BITCH*!
- SoundtracksWhen The Lights Go Out
Written by Dan Auerbach (as Daniel Auerbach) & Patrick J. Carney (as Patrick Carney)
Performed by The Black Keys
Courtesy of Fat Possum Records
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $9,396,870
- Opening weekend US & Canada
- $4,143,199
- Mar 4, 2007
- Gross worldwide
- $10,907,485
- Runtime
- 1h 56m(116 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1






