User reviews

I love this film. It's a bittersweet tale of life, loneliness, expectancy, and fulfilment.

The acting is superb, the storyline is original. The director gives the audience all the information in a concise way, enabling the viewers to immediately understand the scenario, and be able to both laugh at and sympathise with the protagonist throughout the rest of the movie.

Rapaport is incredible. His performance is under-stated and fits the character and the situation like a glove.

There is nothing wrong with this film at all. It's clever, it's funny, it's sad, and most of all, it's entertaining. I could watch this film over and over again. I was touched in the end. This is a lovely film.

Go out and see this great movie if you can. If this movie is in your neck of the woods, and your searching for something to do on a cheap matinée Monday night, this is your ticket. Your week will be better because of it. Actually, pay full price for this movie because its worth it. And because the directors and actors deserve the extra $5.00 or what have you.

I got the privilege of seeing this film at its opening night in the Zurich Film Festival. A little treat followed after the movie with a Q & A with writer and co-director Jeremy Passmore. This USC grad and his home-e came up on a whim with the idea of this movie, and within 18 months ( 18 days of shooting) made this feature. The movie itself: great storyline with phenomenal acting by one of my favorites M. Rapp. He was undeniably crucial in making this movie seem 'real'. So fabulous was this 'low' budget superhero movie. Fabulous. The characters, the foundation, the storyline, imagination ... the believability and emotional recognition for the characters ... it all was there. Made me want to laugh, made me want to cry and made me want to change the world. Awesome. That is what movies are supposed to make you feel. Hats off to these two directors and their crew with their first film ( which they were going to put on CCards before they got backing from agencies ... among other things) From what Jeremy was saying, everyone was supremely underpaid and overworked, but in the end, all knew that the finished product was worth more than anything. One of my top 10 for 2006.

The film itself has a great premise, the actors believable, in fact everything about it is great with the sole exception of the camera operator, who clearly has some sort of inner ear malfunction. I'm noticing this more & more, and it must be a cost saving method to shoot films with handheld cameras, but at least let someone with a semi steady hand hold them! Unfortunately this wobbling of the screen image has the effect of being on a boat in choppy waters. It makes me feel ill to watch what I want to see. I'm so annoyed that I had to turn this off after 15 minutes because of nausea.

What makes us special? Not much, really, especially in the world created in this movie. Michael Rapaport plays Les, a down-on-his luck meter maid (what's the male equivalent of a male maid? A meter dude?) stuck in a dead end life. He's single, lonely, eating gross microwave food and reading a lot of comic books. (That last part got a serious, sideways and long-suffering look from Kathleen.) What guy can't relate? The world Les lives in, and the real world, is bleak. That's why he, and many of us, seek escape in movies and comic books that allow us take part in the hero's journey vicariously. Les is lonely and sadder than most, so he signs up for a clinical trial to test a drug he thinks will give him superpowers. When he starts to manifest powers, he uses them to try and fight crime. But it's highly likely the powers are manifesting only in his mind as the drugs may be forcing a psychotic break.

The movie pits him against a nasty pharmaceutical company and his own demons. What we learn along the way is that the world doesn't need superheroes, we just need people willing to act like superheroes. And as Les indicates early on, that means always getting back up, no matter what bad guys throw at you, or what life throws at you. From asteroids and laser beams to dead end jobs and emotional minefields associated with dating, true bravery is always just getting back up. And the hero's journey — though often spiffed up for cultural consumption — is really just continuing to trudge forward when every muscle fiber in your body screams to give up.

A couple of things of note. First, clinical trials are not skeezy and there are many oversights and controls to prevent just such abuse. It makes for a fun movie, but outside of the big screen, they are closely monitored. Second, Alexandra Holden as Maggie, an intersecting love interest who is marginally differently-abled, was tremendous.

I greatly enjoyed this movie, and Rapaport, but I may have been conditioned to like it -- I cheerfully admit to reading way to many comics (like Elephantmen and The Boys).

-- www.cowboyandvampire.com --

Just saw this film at the Edinburgh film festival, nearly went to see something else instead and i'm so glad i didn't! First half of the film is very funny, lots of ridiculous yet sorrowful scenes of the main characters self belief in his own superpowers.

I rarely find "comedy " films in any way amusing, but found myself crying with laughter at a lot of this.Very subtle, believable performances which make it heartrending when most of the laughs give way to a film dripping with sadness and important comments about the way we live today, and the search to find something important and special within ourselves. Film looks beautiful too, lots of strange fluorescent lighting. I can't rave about this film enough, its such a gem. Hilariously sad if that makes any sense....

"Special" as a movie wasn't very. A meter maid named Les (Michael Rappaport) opted into a program to test an experimental drug from the Exiler Research Group called Special. Les believed it gave him super powers when it really was him having an adverse reaction and imagining things. From that point on he was either trying to fight crime or convince others that he had superpowers, and both were a bit cringeworthy and pathetic. The villains (because every superhero needs a villain) were two brothers who were the founders of Exiler. They wanted to stop Les from parading around with their logo on his back while he envisioned them trying to stop him for a more nefarious reason.

It wasn't all bad. Les was a genuinely likeable character. He was a regular guy with regular friends and a desire just to be a little more than he was. Michael Rappaport didn't do a bad job, and I think the movie concept was novel. However, his was like an unfunny version of "Kick-Ass" or "Super." It was like "Kick-Ass" meets "Everything Must Go" with Will Ferrell. It wasn't very empowering or uplifting, it just was.

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Honestly, this movie is in no way funny - although it could have been, and although it sometimes really made the impression that it was somehow intended to be funny. But it was just tragic. And what was really annoying, was the soundtrack, which was so entirely depressing and really got me close to turn off the movie at times, because it added such a thoroughly negative atmosphere. I couldn't help thinking "if anyone laughs at this, they have a serious empathy problem". Plus i believe, because of the way the story was told and the emotional bias thats created, this movie really drowned somehow. And it surely could have been, fore-mentioned negatives put aside, a pretty good one.

An introverted meter maid attempts to change his pathetic personal life by participating in an anti-anxiety drug study, but quickly runs into some psychotic side-effects. When the drug alters his perception of reality, his mind takes the cue to mean he's developed super powers, which he immediately applies to the streets as a self-styled hero. A dark comedy that's quite similar to Rainn Wilson's odd superhero send-up Super, it's often hopelessly lost in the deep, complicated middle ground between absurdist comedy and bleak, grizzled reality. Character actor and stand-up comic Michael Rapaport plays a good sympathetic lead, but his naive nature and good intentions only make the tribulations he endures that much more difficult for the viewing audience. It's a light, energetic first act that's backed by a tough, distressed greater story, and the frequent reminders that the protagonist is hallucinating steal most of the drama from its root concept. A troubling little package that can't quite settle its own private identity crisis.

Best movie at the Austin Film Festival. One of the best movies of the year. Funny, emotional, and one of the few recent movies that is generally unpredictable.

Michael Rapaport is brilliant. He has a subtlety about him that I did not expect from his TV show, "The War at Home." He has scenes of great physical comedy, and emotional scenes that nearly brought a tear to my eye.

I don't want to give away anything about the story. The log-line gives all the information for you to know what the movie is about. Seek this movie out. Take your friends with you.

It is too easy for us to just exist throughout our lives. It is up to us as individuals to make ourselves truly Special.

Michael Rapaport really saves this movie. Without him it would be much less watchable. It has a very interesting story and it is very well executed in many ways, but has a lot of small missteps that detract from my ability to believe in it as a story.

It's a story of a common, boring everyman (Rapaport) who enters a drug trial for an experimental drug that is supposed to remove people's self-doubt. On him, though, it goes too far, and he begins to believe that he has super powers. This part of the film is, for the most part, well-executed.

However, a lot of little details don't ring true. I won't go through all of them, but early in the movie is one good example: A man goes into a comic book store and tries to sell a comic. We are supposed to believe he is homeless and desperate, but he doesn't look homeless. He has a long gray beard, yes, but he's dressed in clean clothes and his beard is meticulously groomed. It's like the director thought that a long beard was all you needed to look homeless.

Additionally, this may sound like nit-picking, but the director's choice of music in some areas seems way off. A scene will look like it is trying to be dramatic and the music that is playing is some oddball high energy song. Sometimes this works well (like the ending of Dr. Strangelove) but in this case it just looks haphazard.

Overall its worth a watch, but its unfortunate that the film makers couldn't go that extra step and make it a better film.

It took me quite a while to get past the cinematography. I could find no reason why the entire film was shot hand-held. It brought nothing to the story and was extremely distracting until I got past it and and started appreciating the acting and story. All DP's and directors should know when to put the camera on sticks and trust the actors to bring motion and emotion to the frame. The music was another stumbling bock for me. Extremely obvious and over the top choices were made throughout - and what's truly unfortunate is that I recognized a number of loops that were used in creating the score. Not a good sign. Having said all of this - I still laud the writers and directors for their effort and the actors for their work as well.

at first when the film started i thought it was going to be a long drawn out cheap indie film but i loved it, this film had the same feel to it as darko did but with this film i was not left feeling confused and bewildered, the acting in this film is the same class of such classics like darko and eternal sunshine of the spotless mind that you don't realise that there is no big names in this film but you are sure that they will be in big films to come. so if independent movies are your thing this film is a must see. P.S there is a lot of super hero films coming out at the moment(spiderman 3 fantastic 4.2) but non of them will make you think like this film does

Aside from the time I spilled hot coffee on my lap during "Fiddler on the Roof", I'd say this is one of the most powerful experiences I've had while watching a movie.

This quirky gem of a film is 25% comedy, 25% tragedy, 25% feel-good, 25% depressing, and 100% awesome. Starting off with the most preposterous plot (i.e., a lonely metermaid guy develops special abilities and fights crime while running from strange men in suits), it quickly develops into much more than meets the eye. It's essentially the story of the lone, forgotten individual who's trying to make a difference in this world. In that respect, it can be a sad film. But at the same time it can be funny, warm and deeply inspiring.

Thanks largely to an absolutely brilliant performance by Michael Rapaport as the metermaid guy, this movie takes you on a crazy ride through every emotion you've ever had and some you haven't had yet. I laughed, felt sad, felt angry, felt the warm fuzzies, felt pity and felt empowered. I can't remember the last time I cared so much about a movie character. It's funny because I began watching this film not liking him very much (after all, who likes metermaids??), but quickly he became one of the most lovable misfits since "Amélie".

Never have I seen the plight of the superhero so wonderfully presented and fleshed out in human terms. Whether we wear a cape or not, we're all trying to change the world in our own ways. You, yes you sitting there reading this, could be a superhero. This movie presents us with that idea, and (unlike Spiderman, Batman, Catwoman, etc) it does not slip into fantasy territory where we lose touch with our perspective. Instead it remains firmly rooted in reality and thus allows us to see ourselves in the hero's role. That's where this movie draws its power to affect us. It's the story of us all. Watch it and learn about yourself & the people around you.

Other great, obscure movies that this reminded me of: a Michael Keaton film called "The Merry Gentleman" (2008), a must-see Korean movie called "The Foul King" (2000), and a powerful Australian flick called "Noise" (2007).

With Hollywood so obsessed with easily-bankable superheroes, sooner or later you were going to get a spate of movies making fun of them.

However, 'Special' isn't one of them. It, like another similarly-themed film called 'Defendor,' is a different take on the genre. If you want a parody of a superhero film then watch something slapstick like 'Superhero Movie' (which, incidentally, is the cinematic equivalent of self harm). 'Special' is about a decent, well-meaning man who signs on for some experimental drugs-testing trials. The results make him believe he has superpowers. Obviously, he doesn't. Here might have been the time to add in some really funny jokes into the mix. Special doesn't. It's a sad take on seeing a rotten world through the eyes of a man who wants to do the right thing, but doesn't really know how - or even get it right.

I found this film sad and poignant rather than laugh-a-minute. If people do think it's funny, then it's the blackest black comedy around.

It won't be for everyone. It's low budget is visible from time to time and it goes without saying that there are know well-known actors in it.

Did I enjoy it? Yes, but you have to be in the mood for something a little heavier than Toby Maguire in red and blue tights.

Uplifting and heart-warming it is. The X-Men it is not.

A solid movie of the kind Hollywood can't make. A small but excellent cast tell a small but engrossing story of a normal man who wants to be something else.

Rapport really steals/carries this, and his performance is flawless. The supporting cast are also all solid with Alexandra Holden doing a particularly stand-out job as the brilliantly understated love interest.

If there is an off note anywhere in the film, it is the ending which slightly strains credulity but, more to the point, is not really clear in what it is trying to say.

A film well worth watching, and talking about afterward.