An example of how deceiving poster can be. What kind of admirer of the Golden Age of Science Fiction, especially Heinlein's juvenile science fiction novels, would suspect in an anime hiding behind a poster with kawaii girls a plot worthy of Robert himself? If you look at the poster you'd probably suspect that it's another miserable harem in the space opera genre (which is certainly not) with swaying "oppai", lusciously slobbering pseudo-romance, giant humanoid mecha, extremely imbecile behavior and stupid motivation of characters, as well as close combat within line of sight (sic!) in outer space. However "Starship Operators" (I just wanted to write "Starship Troopers"), minus the kawaii girls, is genuine early Heinlein - here you also have space cadets - young geniuses who are growing from boys to ..., or rather, from girls to women, very believable political intrigues and realistic battles in space (perhaps, minus the latter, which turned out to be too "epic"). Battles here are not conducted by meaningless giant humanoid robots and not even in the line of sight, not to mention the crazy massive frontal assaults, but through tactics and maneuvers, radars and sensors, calculation and timing, with the study of the enemy's weaknesses, to each of which an individual approach is applied (it seems that the author of the original used real naval battles of the Second World War as inspiration) and, of course, luck - everything is like in Heinlein's stories, where the heroes prevail by the means of reason and calculation. It's really interesting to watch the battles here. However, even the actual matriarchy with kawaii girls is suspiciously reminiscent of the matriarchy of Free Traders from the "Citizen of the Galaxy" of "early Heinlein ", while "late Heinlein" even more so was a great admirer of matriarchy.
The plot here is without fillers and sagging - as it fascinates from the very beginning, from the moment when the ship was "seized" by cadets inspired by a small group of conspirators (through its ransom through a sponsor) in protest against the surrender of their home planet, and keeps in suspense throughout the journey of this team through battles, political intrigue and betrayal, attempts to find allies and simply a port in order to replenish supplies and repair the ship. The enemy acts not only by military means, but also through psychological and political manipulations, trying to undermine the morale and deprive the "pirates" of any outside support. The heroes, with a few exceptions, are not at all perfect, but not repulsive either - including the captain who panicked from time to time in battle, but who at the same time is a good and responsible administrator who forces himself to behave with dignity and uses his inherent caution to identify weaknesses in "constructions"of his brilliant executive officer; his beloved cold-blooded and manipulative politician girl, whose fears and real feelings only rarely give out through involuntary tears; a good man - the chief engineer, nevertheless committing stupidity (I suspect that in this scene the genre of "mecha" with its "humanoid giant robots" and "heroically" hysterical attacks is subtly ridiculed), apparently out of a desire to show off in front of Sinon (it's worth notion that the enemies are shown to be quite humane - they were retreating and did not even want to shoot at the "heroic" engineers, having done so only when absolutely necessary). Even a cynical and sneaky TV show producer turns out to be capable of an heroic act at the end (however, hardly out of philanthropy). Basically, the characters are revealed qualitatively - through their actions rather than through words.
Political intrigues here do not cause irritation by absurdity, as well as heroes by being stereotypical. Perhaps there are no unequivocally positive and negative characters and "forces", but the ship's crew is written "nicely" enough to arouse the viewer's empathy. And, yes, some favorite heroes die, most often as a result of "heroism" (sometimes unreasonable) - there is no place for victories with hysterical screams of mentally retarded "heroes" that flooded modern anime. But there are no senseless "murders for the sake of murders" of characters, as well as stupid self-sacrifices (except for one, quite expected). Of the characters only Sinon sometimes causes irritation as she is too unnaturally ideal and ingenious - but for the virtual "embodiment of Amaterasu" it is perhaps forgivable ) So you certainly shouldn't judge this anime by the cover. I would even say that the cover is simply deceiving the viewer by mis-positioning Starship Operators. Those who admire serious, thoughtful anime with a good storyline, may be turned of by the cover, as it at first turned me of. For the admirers of "kawaii" and actual space opera genre like Star Wars, this anime simply might be a disappointment. This is for such incorrect positioning I will lower the score - after all, girls will be uninterested in the Starship Operators as well as those boys at which the positioning is aimed at, while the target audience may pass by deceived by such a poster. But, perhaps, there is no other reason to lower the assessment.
