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Check out Cynthia Erivo in [link=/title/tt19847976/][i]Wicked: For Good[/i][/link] and more actors who totally transformed for their roles.

Fantastical Physical Transformations

Check out Cynthia Erivo in <a class="ipc-md-link" href="/title/tt19847976/?ref_=tturv_eds_right-5_lk">Wicked: For Good</a> and more actors who totally transformed for their roles.

Check out our favorite premiere and event photos of [link=/name/nm7248827/]Cynthia Erivo[/link], [link=/name/nm3812858/]Ariana Grande[/link], [link=/name/nm0000706/]Michelle Yeoh[/link], and [link=/name/nm0160840/]Jon M. Chu[/link] and more from the whirlwind [i][link=/title/tt19847976/]Wicked: For Good[/link][/i] premieres.

On the Red Carpet: 'Wicked: For Good'

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American Fifth Army captain Jim Benedict leads his company in a beach assault at Salerno, as Allied forces begin their push up the Italian peninsula. William Windom guest-stars as a disgraced major now serving incognito as a private in Benedict's unit -- a soldier determined to atone for transgressions committed earlier in the war during the North Africa campaign.

THE GALLANT MEN – Pilot – 1962 &quot;The Gallant Men&quot; was an American television series that debuted on ABC in the fall of 1962. It followed a company of US soldiers from the Sept 1943 invasion at Salerno, and their battles up the toe of Italy. The series ran for a total of 26 episodes during 1962-63. Leading the cast is Robert McQueeney, who also narrates the story. McQueeney is a newspaper reporter who follows the company on their exploits. (Sort of an Ernie Pyle clone) The rest of the regulars are played by, William Reynolds, Francis X Slattery, Eddie Fontaine, Roland La Starza, Roger Davis and Robert Gothie. There are the standard types sprinkled throughout, the joker, the card sharp, the loner etc. This one starts with the company storming ashore at Salerno. They then end up in the mountains fighting for the village of San Pietro. Attack after attack is launched against the well-entrenched German defenders. These make ground, but only slowly and with many casualties. Newsman McQueeney notices that one man in the squad, William Windom, always seems to be first in the attacks. Almost as if he has a death wish. McQueeney is sure he knows Windom from somewhere. Then he recalls, Windom had been a Major in North Africa. He had been relieved of duty after getting most of his command killed in a botched attack. What is he doing here as an infantryman? McQueeney grills Windom and discovers that Windom had taken the identity of a dead man, and reported to this unit as a replacement. He begs McQueeney not to turn him in. He has to prove that he is not a coward or a foul up. McQueeney agrees to remain silent. During the next attack, the officer in charge, William Reynolds, is wounded and carried to safety by Windom. Reynolds wants to put the man up for a medal but Windom says no thanks. Windom does however offer some advice on how to take the hill they are assigned to occupy. Reynold and his officers listen and like what they hear. That night, they infiltrate up the hill and launch an assault at first light. It is a hard fought go, but they manage to chase the Germans off the heights. Needless to say Windom is badly wounded taking out a machine gun nest singlehandedly. He asks McQueeney to continue to keep his secret and dies. A pretty good first episode which blends in plenty of live combat footage and film clips from other war films. Being in black and white of course helps this work. The series only lasted the one year and lost out in the ratings to the same networks other war series, COMBAT. The look of the episode is quite good with Robert Altman in the director&#39;s chair. The cinematographer duties were handled by veteran Harold Stine. Stine would later work again with Altman as the d of p on the film, M*A*S*H. The screenplay was by Halsted Welles. Welles was known for his work on numerous television series and the feature film, 3:10 TO YUMA. William Reynolds would hit it big in the series THE F.B.I. Roger Davis would also score with a recurring role on the vampire soap opera hit, DARK SHADOWS.

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Pilot

Director Robert Altman&#39;s final association with Warner Brothers&#39; TV-production unit resulted in this successful 1962 pilot, which featured William Windom in a guest-starring role as an Army private with an interesting past. The episode begins with a beach assault at Salerno and ends as the Allies&#39; drive inland to within striking distance of San Pietro. Though the action sequences are well-enhanced with stock footage from older war films -- William Wellman&#39;s &quot;Darby&#39;s Rangers&quot; (1958) and Michael Curtiz&#39;s &quot;Force of Arms&quot; (1951) -- the quieter scenes are also handled deftly. Altman skillfully introduces the series&#39; regulars who will figure in future episodes: the crooning Italian-American lover-boy Private D&#39;Angelo (Eddie Fontaine); the stocky, barrel-chested Private Lucavich (Roland LaStarza); wisecracking Private Hanson (Robert Gothie); and the Tennessee mountain-boy radio specialist Private Gibson (Roger Davis)..

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