The investigation into the death of a conservative talk show host leads to a stalker who claims to be having an affair with his wife. McCoy suspects that the wife manipulated her into killin... Read allThe investigation into the death of a conservative talk show host leads to a stalker who claims to be having an affair with his wife. McCoy suspects that the wife manipulated her into killing him.The investigation into the death of a conservative talk show host leads to a stalker who claims to be having an affair with his wife. McCoy suspects that the wife manipulated her into killing him.
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- DA Arthur Branch
- (as Fred Dalton Thompson)
- Alana Sinclair
- (as Marlyne N. Afflack)
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Featured reviews
She kept talking about this dream she had where he disappeared
Great episode, in my point of view the better of this season, I like very much the "order" part. Great performance for the wife: by looking in her eyes, you can't trust anything she said, she's too greedy.
Lesbian crush
This is the case Sam Waterston has to win. A lot depends on Devicq's preppie and naive son Joseph Cross. He can't believe this about mom, who could?
Guest stars really take this episode from the regulars.
Fatal obsession
Rewatching "Obsession" as part of my rewatch of Season 15 (which was part of my overtime 'Law and Order' franchise rewatching), it still is a very good episode. While not quite one of the best of the season, it is much closer to being in that group than being in the worst category. It's not a perfect episode perhaps, with one half being slightly better than the other, but the good things are numerous and the best of them are great (among the best being the guest cast).
Will get the not so good out of the way. It is another case of one half being better than the other, where the first is interesting and well done if nothing unique and not as ceaselessly compelling as the second.
It did feel a little running out of time like towards the end, with the truth perhaps needing a little longer to unfold.
However, the production values are still slick and suitably gritty (without being too heavy in it), the location work intimate but not overly so. The music is not too melodramatic and is not used too much, even not being too manipulative in revelations. The direction is accomodating yet with momentum. All the regulars are very good, especially in the second half (Sam Waterston faring best but Annie Parrisse is already proving herself to be leagues better than Elisabeth Rohm), but this is a case of the main guest star stealing the show. Paula Devicq does manipulative so well, with her eyes being especially telling.
Script is thought provoking, taut and tonally well balanced, while the story engrosses and surprises throughout the tense second half. The character writing for Devicq's character truly fascinates.
Overall, very good. 8/10.
Did you know
- TriviaThis episode appears to be based on two separate cases/incidents:
- The 2004 Bill O'Reilly sexual harassment scandal.
- The 1999 Celeste Beard Johnson case. Beard was convicted of conspiracy to murder her husband, Steven Beard who, at 75, was rich and more than twice her age. The shotgun trigger was actually pulled in 1999 by Tracey Tarlton who alleged that she was Celeste's lesbian lover. The pair met at a mental health facility treating clients with depression. Tracey made a plea deal, testifying that Celeste manipulated her into killing Steven by claiming he was abusive.
- GoofsAnyone who took 30 Vicodin per day would be suffering from severe liver failure as the minimum dose of acetaminophen in each tablet reaches the toxic level after just 6 per day.
- Quotes
Tyler Browning: Shea was always portraying Afghanistan like this Holy War. You know the real reason we invaded that country?
Joe Fontana: Have you been downtown lately? Seen that hole in the skyline?
Tyler Browning: Bin Laden was the excuse they were waiting for. This administration wants to build an oil and gas pipeline from Tajikistan...
Joe Fontana: Tajikistan, Afghanistan, as long as the gas finds its way into my Benz, I don't really care where it comes from.
- ConnectionsReferences Rashomon (1950)