Imprint

Wow! If you're about to watch "Imprint", you should prepare for sixty of the most intense and horrific minutes of your life, as Takashi Miike's contribution to the "Masters of Horror"-franchise is, in one word, perplexing! I have yet to see the director's acclaimed masterpiece "Audition" but, until then, this is definitely my most favorite piece of his work! The themes and style here are totally different to, say, "Itchi the Killer" or "Fudoh", but it's disturbing and terrifying on entirely different levels. The story is macabre and definitely has an Asian folklore feel to it, but the torture sequences and perverted sub themes are typically Takashi Miike; meaning very explicit, shocking and on the verge of sickening. It's also a real pleasure to see the hugely underrated actor Billy Drago star in a glorious horror project again! He also appeared in the recent (and surprisingly great "The Hills Have Eyes"-remake), so here's to hoping that this charismatic actor is in the middle of making a successful comeback! Drago plays a mysterious American who travels through Japan all by himself to find the lost love of his life. He arrives on a crazy island where only prostitutes and their pimps live and discovers that the woman he loved passed away. Her sad story is told to him by a deformed whore who also has a lot of other peculiar revelations to share, each one more morbid and repellent than the other. "Imprint" was banned in the States for some obvious reasons, notably the incredibly unsettling torture scene in which a poor girl's fingers and gums are used as a pin-cushion! I'm used to a lot, but this particular part was really hard to watch. Other deeply shocking moments of the story include a brutal and detailed abortion sequence and the overall nihilistic attitude towards unborn humans. This short movie is beautifully made, with sublime camera-work and masterful make-up effects. Miike's directing is solid as a rock and proves that he truly deserves to be called a "Master of Horror". "Imprint" is often hard to watch but impossible to forget. Highly recommended!

In the Nineteenth Century, in Japan, the American journalist Christopher (Billy Drago) is traveling through the country searching Komomo (Michie), the missing love of his life that he had abandoned years ago promising to come back to her later. He arrives in a shadowy island inhabited by whores and caftans, where he has an encounter with a deformed prostitute that tells that his beloved Komomo had passed away. He drinks sake with her and later he asks the woman to tell the story of her life. The prostitute discloses a dark and cruel story about her life and the sad fate of Komomo.

The macabre "Imprint" is another disturbing and brutal movie of Takashi Miike. Using magnificent camera-work and impressive make-up in an awesome atmosphere, "Imprint" approaches gruesome and gore theme like abortion, fetus, incest, torture, perversions and abuse along 63 minutes running time of pure and sick horror with many twists. I confess that I felt uncomfortable and disturbed with the sadistic sequence of the torture of Komomo. Takashi Miike really honors the title of this series, being a Master of Horror. My vote is eight.

Title (Brazil): "Marcas do Terror" ("Marks of the Terror")

Takashi Miike of "Audition" and "Ichi the Killer" fame directed this 13th episode of the Showtime series "Masters of Horror" - apparently it was never aired in the USA because the Showtime people were horrified at the episode, and probably with good reason. I like to think that Miike intentionally parodies "Memoirs of a Geisha", and "the last samurai" with this one. He combines the two in the story of a broken down American man who goes back to Japan to find the whore he fell in love with years before - the parallels with the serious movie "The Last Samurai" are unmistakable. The outlandish and over the top crazy costumes mimic the audacity of the costuming in "Memoirs of a Geisha", and the fact that this was done in English rather than Japanese only strengthens the parallels between "Imprint" and MoaG - and yet again Youki Kudoh (who was in Moag) makes an appearance, this time as a deformed prostitute. There are great lines such as "There is nothing on this island but demons and whores", and others less fit for print, but instant classics nonetheless. There are the classic Miike elements - violence, rogue abortions, murder, and incest, and a torture scene only outdone by Audtion. I couldn't give it a full 10 because Miike doesn't seem to work well with just a 1 hour window, and the plot doesn't make for a solid and clean short story, but fans of Miike should try to get their hands on this one, it is worth a look.

I spend way too many hours reading reviews on movies (and shows) on this site. Yet, I am addicted to it and thus continue on. Normally, I feel that good, bad or indifferent, any review is a good review as long as the reviewer actually watched the film. This short film was pretty good in my opinion, and enough has been written about it where I don't feel I can contribute any more on that level. however, I am disappointed that more of us are not outraged that Showtime commissioned Miike to make a show, then ban it. Showtime is a paid premium network (read ADULT) I could understand if it were broadcast television, which has strict guidelines because children shouldn't see graphic stuff like this. But as an adult in an adult situation, I am absolutely anti censorship and think it is total BS that Showtime could lame out... Nobody should watch any of the Masters of Horror series at all if you can't handle disturbing imagery!!! For the sake of movie fans that are responsible adults, let us make our own decisions regarding censorship, I am absolutely certain that plenty of people out there who are unfamiliar with Miike films shut off this story before the half way point, nice, neat and tidy self censoring. Thank you for not bowing to the interests of lame corporate sponsors.

IMPRINT is Takashi Miike's entry into the cable TV series MASTERS OF HORROR, and the one entry to be banned from transmission (in the US that is). Its certainly an impressive entry. The story follows an American man as he travels to Japan to find the prostitute who he fell in love with and whom he made a promise to, to take back to America and marry. He meets another prostitute who recounts the story of the women he is looking for and what happened to her fate. Told in flashback the story takes a rashomon-like approach as the womens story becomes steadily unreliable, until she reveals the true side to her tale. Cue scenes of torture, abortion and also hints of incest and child abuse and general weirdness, that those familiar to Miike will expect. Its a generally well made, and beautifully filmed tale, though at times it felt like a sumnation of the best bits of Miikes work, mainly the excessive extreme films, such as ICHI, DEAD OR ALIVE and AUDITION. Though Miike is always an interesting director to watch and his entry into this otherwise excellent series, stands out as one of the best. In some ways you can see why it was banned from television!