A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.A group of young adults visit a boarded up campsite named Crystal Lake where they soon encounter the mysterious Jason Voorhees and his deadly intentions.
- Awards
- 2 wins & 5 nominations total
Featured reviews
A group of young adults, some in search of the elusive illegal herb, stumbles upon Camp Crystal Lake, where a legend tells of a boy who grew up to be a killer. A few weeks later, another group enters that same woods. The body count begins to climb... is Jason back, and if so, can he be stopped? Let me make a confession: I really didn't want to like this movie. I loved the original series of films, I don't like remakes for the most part, and with Michael Bay's name attached, I knew it was going to be an action-packed film done in ADHD-ready music video format. Sadly, I wasn't wrong about the last part. However, the film as a whole isn't that bad.
The Jason mythology is still here. His mother is still involved, there's still a hockey mask, and it all makes sense. I'm a little unclear as to why he has a home at Camp Crystal Lake (he has a permanent bed at a summer camp), but that's fine. We even have the brother off to find his little sister scenario, which hasn't been in the series since the 1980s... well done bringing back a one-dimensional character. Crazy Ralph isn't here, but an old woman does a weak job replacing him, which is better than nothing.
If you're looking for sex, drugs and rock and roll, this film has it. Plenty of topless girl screen time (thanks, Willa Ford), although you should be warned that the two most attractive women (Whitney and Jenna) don't get naked. Sorry. Marijuana plants and bongs are around, as is the Pabst Blue Ribbon. Some might say "if you only have PBR, you're out of beer" but I disagree. As for the rock... they had Night Ranger's "Sister Christian". What more do you want? The theater audience I went with enjoyed singing along.
Many good one-liner jokes, and the gore here is decent. I'm not going to say it's the best gore I've ever seen, but there's no shortage of bodies getting impaled, hacked up, shot with arrows... another reviewer summed this film up as "killing spree", and that couldn't be more true. There was almost no plot to speak of (this is the film's downfall), but how could there be when characters were getting killed off every five minutes? Derek Mears is a fine Jason. There is a better one -- Kane Hodder -- but Mears' version, where Jason looks like Darkman, is respectable. Despite all my misgivings about this film, it turned out to be alright. Not my favorite in the series, not by a long shot. But if you're into beautiful young people drinking, having sex and dying in bloody ways, this film should meet your criteria for quality. Next on the list, the "Last House on the Left" remake... if there's one film I think should have been left alone, that's it. But if they do as well as Marcus Nispel (a great guy, and director of one of the better "Frankenstein" incarnations) did on this one, it has a chance.
The Jason mythology is still here. His mother is still involved, there's still a hockey mask, and it all makes sense. I'm a little unclear as to why he has a home at Camp Crystal Lake (he has a permanent bed at a summer camp), but that's fine. We even have the brother off to find his little sister scenario, which hasn't been in the series since the 1980s... well done bringing back a one-dimensional character. Crazy Ralph isn't here, but an old woman does a weak job replacing him, which is better than nothing.
If you're looking for sex, drugs and rock and roll, this film has it. Plenty of topless girl screen time (thanks, Willa Ford), although you should be warned that the two most attractive women (Whitney and Jenna) don't get naked. Sorry. Marijuana plants and bongs are around, as is the Pabst Blue Ribbon. Some might say "if you only have PBR, you're out of beer" but I disagree. As for the rock... they had Night Ranger's "Sister Christian". What more do you want? The theater audience I went with enjoyed singing along.
Many good one-liner jokes, and the gore here is decent. I'm not going to say it's the best gore I've ever seen, but there's no shortage of bodies getting impaled, hacked up, shot with arrows... another reviewer summed this film up as "killing spree", and that couldn't be more true. There was almost no plot to speak of (this is the film's downfall), but how could there be when characters were getting killed off every five minutes? Derek Mears is a fine Jason. There is a better one -- Kane Hodder -- but Mears' version, where Jason looks like Darkman, is respectable. Despite all my misgivings about this film, it turned out to be alright. Not my favorite in the series, not by a long shot. But if you're into beautiful young people drinking, having sex and dying in bloody ways, this film should meet your criteria for quality. Next on the list, the "Last House on the Left" remake... if there's one film I think should have been left alone, that's it. But if they do as well as Marcus Nispel (a great guy, and director of one of the better "Frankenstein" incarnations) did on this one, it has a chance.
Teenagers head out to Crystal Lake, NJ where they encounter murderous Jason and his handy machete...
Make no mistake horror fans, Friday the 13th 2009 isn't exactly a remake of the 1980 slasher classic (save for the opening five minutes), but really more of another sequel to the popular series. Even still Friday' fans will find much to enjoy in this splashy, well-made slasher flick. The film makes no pretensions, it's a slasher film and acts like one too! The action arrives hard and fast, with bloody brutal kill sequences and some intense chase scenes. There's also a dash of dark humor (and plenty of topless actresses) thrown in for good measure.
So I can't complain that there's little character development or that the movie is riddled with clichés and stereotypes because this film is wise enough to dispense with the myriad BS and get to the elements that Friday' fans enjoy. Good choice. My only big complaint is the fact that Harry Manfredini's iconic theme music wasn't featured much, if any, in the movie. I did miss that ki-ki-ki ma-ma-ma.
Worth your money horror fans, as this is one of the best Friday' movies in many years.
** 1/2 out of ****
Make no mistake horror fans, Friday the 13th 2009 isn't exactly a remake of the 1980 slasher classic (save for the opening five minutes), but really more of another sequel to the popular series. Even still Friday' fans will find much to enjoy in this splashy, well-made slasher flick. The film makes no pretensions, it's a slasher film and acts like one too! The action arrives hard and fast, with bloody brutal kill sequences and some intense chase scenes. There's also a dash of dark humor (and plenty of topless actresses) thrown in for good measure.
So I can't complain that there's little character development or that the movie is riddled with clichés and stereotypes because this film is wise enough to dispense with the myriad BS and get to the elements that Friday' fans enjoy. Good choice. My only big complaint is the fact that Harry Manfredini's iconic theme music wasn't featured much, if any, in the movie. I did miss that ki-ki-ki ma-ma-ma.
Worth your money horror fans, as this is one of the best Friday' movies in many years.
** 1/2 out of ****
This remake is perfectly fine and it blows my mind that a lot of people trash it... they honestly haven't seen some of the films that came before this if they think this is awful.
A group of young adults set up tent near the abandoned summer camp where a series of gruesome murders are said to have taken place back in 1980. The perpetrator was a grieving mother, driven insane by the drowning of her child, Jason, whom she believed was neglected by the camp counselors. As legend has it, the last survivor of the attacks beheaded the woman. But then Jason came back, and now he is a vengeful and inexorable killer, wielding crossbows, swords, axes and other sharp instruments. The legend proves horribly true, as these campers quickly discover. Six months later, the brother of one of those campers distributes posters of his missing sister. The police believe she took off with her boyfriend; but he knows better. The brother crosses paths with an uptight young rich guy who is having his girlfriend and friends over at his parents' cabin. The brother ends up at the cabin himself just before his sister's attacker sets upon them all.
In brief: we meet a group of annoying people who, happily, are quickly dispatched. Then we are unhappy to meet a new group of even more annoying people who take longer to get killed off. Didn't we sometimes see things from Jason's point of view in the original "Friday the 13th" series? I would have preferred to see everything from his point of view because I was squarely on his side.
It's depressing seeing this old schlock revived with a glossy sheen, a generous budget and a certain amount of technical efficiency. A certain cold, mechanical efficiency. Everything is shot too dark, with extreme close-ups of the action and in tiny little bits of film that race by too quickly for us to get a good read on what's going on until it's over. My frequent thought: "Oh, that would have been scary." Viewers unfamiliar with the original series will wonder about the superfluous back story regarding the mother, the single hint of the supernatural that isn't followed up on until the end and the mysteriously dwelt-upon moment where the killer discovers a hockey mask and decides to start wearing it. "A MYTH IS BORN!!" Give me a break.
In brief: we meet a group of annoying people who, happily, are quickly dispatched. Then we are unhappy to meet a new group of even more annoying people who take longer to get killed off. Didn't we sometimes see things from Jason's point of view in the original "Friday the 13th" series? I would have preferred to see everything from his point of view because I was squarely on his side.
It's depressing seeing this old schlock revived with a glossy sheen, a generous budget and a certain amount of technical efficiency. A certain cold, mechanical efficiency. Everything is shot too dark, with extreme close-ups of the action and in tiny little bits of film that race by too quickly for us to get a good read on what's going on until it's over. My frequent thought: "Oh, that would have been scary." Viewers unfamiliar with the original series will wonder about the superfluous back story regarding the mother, the single hint of the supernatural that isn't followed up on until the end and the mysteriously dwelt-upon moment where the killer discovers a hockey mask and decides to start wearing it. "A MYTH IS BORN!!" Give me a break.
"Friday the 13th" is a Thriller - Horror movie in which we follow a group of young adults who venture to Camp Crystal Lake, only to encounter the iconic killer lurking in the woods.
I wasn't fascinated by this movie because despite the solid scares and brutal kills, it fell into the trap of relying too heavily on formulaic slasher tropes. The film's biggest strength is its ability to provide the kind of slasher violence fans expect-Jason is relentless, and the kills are gory and creative. The cinematography captures the eerie atmosphere of the campgrounds, and the tension is palpable in some of the film's more suspenseful moments. However, much like other slasher reboots, the movie struggles with its lack of compelling characters. The group of victims feels interchangeable, making it difficult to connect with their fates and care for them. Despite offering some enjoyable moments for fans of the franchise, the movie fails to break new ground. The plot is predictable, and while the movie tries to flesh out Jason's backstory more than previous entries, it doesn't do enough to make him more menacing or interesting. In conclusion, I have to say that "Friday the 13th" is an average reboot that offers some thrills for slasher fans but doesn't stand out in a genre already filled with similar movies.
I wasn't fascinated by this movie because despite the solid scares and brutal kills, it fell into the trap of relying too heavily on formulaic slasher tropes. The film's biggest strength is its ability to provide the kind of slasher violence fans expect-Jason is relentless, and the kills are gory and creative. The cinematography captures the eerie atmosphere of the campgrounds, and the tension is palpable in some of the film's more suspenseful moments. However, much like other slasher reboots, the movie struggles with its lack of compelling characters. The group of victims feels interchangeable, making it difficult to connect with their fates and care for them. Despite offering some enjoyable moments for fans of the franchise, the movie fails to break new ground. The plot is predictable, and while the movie tries to flesh out Jason's backstory more than previous entries, it doesn't do enough to make him more menacing or interesting. In conclusion, I have to say that "Friday the 13th" is an average reboot that offers some thrills for slasher fans but doesn't stand out in a genre already filled with similar movies.
Did you know
- TriviaRichard Burgi wasn't cast as Sheriff Bracke until 12 hours before they needed to begin filming his character's scenes.
- Goofs(at around 24 mins) It is illegal for patrons to pump their own gas in New Jersey. By law there would have been an attendant on duty and gas would not be paid for inside.
- Crazy creditsThe movie's title does not appear until 23 minutes and 50 seconds into the film.
- Alternate versionsAlso available in a so-called Killer Cut, which includes story extensions, extra violence and more sexual content.
- SoundtracksFriday The 13th Jason Vocal Effects
Written by Harry Manfredini
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Viernes 13
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $65,002,019
- Opening weekend US & Canada
- $40,570,365
- Feb 15, 2009
- Gross worldwide
- $91,509,154
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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