Talk to Me

I was not sure what to think when I started watching Talk to Me. It gave off an interesting style, but I wasn't sure it would amount to anything. Maybe I was afraid it would depend too much on the black rights subject matter. Immediate impressions aside, I soon found myself immersed in the movie. I was completely inside by the time of Martin Luther King, Jr.'s assassination. From there until the end, I felt for the characters and enjoyed the ride. It reveals some things about our culture that other movies are afraid to show, but not in a manner where the whole movie depends on it.

The acting is phenomenal, especially from Don Cheadle as Petey Greene. He makes such a realistic, complex, radical-yet-modest radio talk show host. His emotions flow forth freely from the screen into the audience. Chiwetel Ejiofor also makes a notable appearance as Dewey Hughes, who becomes Greene's manager. The chemistry between these two main characters (and actors) is wonderful. The music editing is excellent and goes a long way to help put an emotional impact on viewers. There is plenty of comedy and equal amounts of tragedy. Towards the end, a point of reflection is achieved which sums up all the main ideas presented throughout the film. The plot itself has its ups and downs, but is ultimately satisfying.

Talk to Me has all the attributes necessary to be a great film. Its structure is original and successfully melds comedy, tragedy, and drama together. Highly recommended if you have the opportunity to see it.

As Ralph Waldo Petey Greene Jr., who became a one-man inner-city media explosion in Washington, D.C., starting in the late '60s, Don Cheadle is superb. Petey doesn't just say that word — he means it. He wins over Dewey Hughes (Chiwetel Ejiofor), the slick, smart program director who is revealed to be a lot less of an stiff than he appears. Directed by Kasi Lemmons , Talk to Me digs into the relationship between Petey and Dewey, whose love/hate relationship is fascinating to watch. The two actors are marvelous. As crazy as he looks in those suits, Cheadle's never looks anything but cool. The rest of the cast is solid, but they mostly stay out of the way of the leads.

Well done! This movie hooks you initially with its comedy, but then evolves into a serious look at not only race relations, but every individual's struggle to define him/herself. Don Cheadle is so spot-on that it's easy to think it was an effortless role for him, but that would be shortchanging the man for his talents. But the real bonus of the film for me was discovering the supporting actors -- I had never heard of Chiwetel Ejiofor or Taraji Henson before, but, boy, I'll be looking for them now. And if all else fails, the soundtrack for this movie was more than worth the ticket price! Kudos to Kasi Lemmons, the cast and crew!

"I'll tell it to the hot, I'll tell it to the cold. I'll tell it to the young, I'll tell it to the old. I don't want no laughin', I don't want no cryin', and most of all, no signifyin'. This is Petey Greene's Washington." Petey Greene

Petey Greene was as big in radio in the mid-to-late 60's as Howard Stern in the 90's only Greene was much more powerful an advocate for and influence over minorities that Stern ever even thought to be. Stern himself admits to Petey's groundbreaking DJ persona, speaking truthfully from the heart.

Talk to me smartly chronicles Greene's astounding rise to national prominence as a Washington, D.C. black advocate, whose only limitation dramatically is that in the end his career and life ended pathetically as a result of hubris and misunderstanding.

Don Cheadle as Petey and Chiwetel Ejiofor as his "Mr. Tibbs" manager, Dewey Hughes, are the acting team of the year, initially despising each other, needling each other to be more than they are, comforting each other in down times, and ultimately responsible for the major successes and failures of their lives. All this with barely a scene overplayed. Even after Martin Luther King's death, when Petey the ex-con DJ goes on the air to help mitigate the destructive revenge of blacks in D.C., Cheadle underplays effectively.

The limitation of Talk to Me is that the story has been told many times before, the typical rise and fall of a star, even though it may be true. In this case it is, and the last third of the film suffers from a clichéd depiction of Petey's degeneration and death, both of which are not half as interesting as his rise to stardom. That he struggled with alcohol his whole life, never became comfortable with stand up comedy or TV talk show hosting, and ominously coughed for cancer are not interesting parts of his life, albeit accurate and dominant in his decline.

However, his failure on his only appearance on the Tonight Show is a memorable caution about being something you are not, being forced into a role not meant for you.

Dieing in his early 50's from lung cancer is a sad denouement to a life that had been broadcasting iconic when he simply told it the way it was from a little studio that let him speak effectively to his people about rights and pride. Over 10,000 attended his funeral in D.C., more than any non-elected person in the city's history. Petey would have been proud.

As a resident of Washington, from 1962 to 1975, I got to know Petey Greene's Washington very well. Any African American who lived in DC during the sixties, seventies and eighties should find something to like in this flick for sure. Movie was both informative and entertaining - which are the best kind to me. The picture's primary characters are Petey and Dewey Hughes, two totally different brothers. How their relationships grows and evolves is a wonderful thing to experience and is the essence of the movie in my opinion. Expect to have some good laughs and a intimate look into a very chaotic period of American History. Movie caused me to remember feelings that had long passed into the mental archives. For those of you old enough to recall, the sixties and seventies where a very special time in this country. Movie gives a good look at the different perspectives of the period.

Oh, and Don Cheadle is becoming a class unto himself.