Directed by
| Lance Doty | ||
Writing Credits (in alphabetical order)
| Max Brand | ... | (book) |
| Lance Doty | ... | (writer) |
Cast (in credits order)
Produced by
| Luca Ceccarelli | ... | line producer |
| Lance Doty | ... | producer |
| Amy Gossels | ... | associate producer |
| Sam Welch | ... | producer |
Music by
| Keith Patchel | ||
Cinematography by
| Bruce McCleery | ||
Editing by
| Charly Bender | ||
Casting By
| Amy Gossels | ||
Production Design by
| Susan Magestro | ||
Art Direction by
| Rocky De la Vega | ||
Set Decoration by
| Susan Magestro | ||
Costume Design by
| Lahly Poore | ||
Makeup Department
| Georgia Allen | ... | makeup department head |
| Aleen L Martinez | ... | key hair stylist |
Production Management
| Lance Doty | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Joann Connolly | ... | second second assistant director |
| Claudio Ruben | ... | second assistant director |
| Philip Lee Seeger | ... | first assistant director (as Philip Seeger) |
Art Department
| Jess Coffer | ... | assistant property master |
| Celeste Cole | ... | on-set dresser |
| Ursula Coyote | ... | art department coordinator |
| Greg Davidson | ... | swing gang |
| Ram Goradia | ... | set dresser |
| Juan Souter | ... | leadperson |
Sound Department
| Dustin DuPilka | ... | sound designer |
| Alex Noyes | ... | re-recording mixer |
| Nicholas Renbeck | ... | sound designer |
| Edwardo Santiago | ... | production sound mixer |
| Ryland Witten-Smith | ... | boom operator |
Special Effects by
| Dick Hogle | ... | special effects coordinator |
| Sean McCormick | ... | special effects key |
Stunts
| Tomas Sanchez | ... | stunt coordinator |
| Omar Paz Trujillo | ... | stunt performer |
Camera and Electrical Department
| Theodore Y. Bott | ... | gaffer |
| Erick Castillo | ... | second assistant camera |
| Kenneth Coblentz | ... | key grip |
| Ursula Coyote | ... | still photographer |
| Sergius Nafa | ... | first assistant camera: "a" camera (as Serge Nofield) |
| Georgia Tornai Packard | ... | camera operator (as Georgia Packard) |
| James R. Powell | ... | first assistant camera |
| Nickolas Dylan Rossi | ... | assistant camera |
| Chad Watters | ... | electrician |
Animation Department
| Bill Plympton | ... | animator |
Costume and Wardrobe Department
| Birgitta Bjerke | ... | costumer |
| Elizabeth Lancaster | ... | key set costumer |
Editorial Department
| Eugene Lehnert | ... | on-line editor |
| Jimmy Mann | ... | colorist: dailies |
| Kevin Palmer | ... | additional editing |
| Sam Welch | ... | additional editing |
Location Management
| Bill Kelman | ... | location manager |
Music Department
| Lance Doty | ... | music supervisor |
Script and Continuity Department
| Kathleen Messmer | ... | script supervisor |
Additional Crew
| Robert Anthony Brass | ... | stand-in |
| Cornelius Christian | ... | researcher |
| Colin Garza | ... | set production assistant |
| Deanne May | ... | assistant production coordinator |
| Chris Ranney | ... | stand-in |
| Eileen Street | ... | payroll accountant / production accountant |
| Joseph von Stern | ... | production coordinator |
| Tavia Stroup | ... | stand-in (uncredited) |
Thanks
| Michele Doty | ... | extra very special thanks |
| Mark Gill | ... | special thanks |
| Saint Jude | ... | special thanks |
| Kenji Misumi | ... | dedicatee |
| Al Oerter | ... | in memory of |
| Barry Sonnenfeld | ... | special thanks |
| Stephen St. John | ... | very special thanks |