Hellboy Animated: Sword of Storms

Not a fan of this animation style, the proportions between the character were way off from the movie and the voice acting was terrible. It was a nice touch to use some of the same voice actors from the films, but when the actors don't give a great performance in live action what makes them think there voice work will be better. I really wanted to like this animated movie because I had heard it was closer to the comic books (which I have never read) and I have felt the movie was missing a little something and maybe that was it's distance from the comic books. But if this is really a better representation of the comic books then I'll just stick to the live action movies.

Live action translates perfectly into animation in this feature-length Hellboy adventure. What makes it even better is that the main cast return to do the voices and Marco Beltrami's main theme is used. A lot of animated spin-offs in the past have proved to be just as good when taken seriously by the makers (Animatrix, Spider-Man) but, in my opinion, Hellboy: Sword of Storms was good enough for a theatrical release. A small one, like Batman: Mask of the Phantasm.

The story has HB, Liz and Abe go to Japan where a local historian has gone missing and a priceless exhibit damaged. While at the scene, HB wanders off, following a strange Fox and ends up trapped somewhere in time. Liz and Abe have no idea where he is but have their own problems to deal with as the weather takes a turn for the worse.

Stuck in ancient Japan, HB must deal with a bunch of vampires, demons and monsters in an effort to get home. Easier said than done.

I liked the movie, but felt it lacked something. Still, it made me interested in the character, even though I have yet to buy a single Hellboy comic book. After watching this however, I can't wait to get some more of HB. The animation style follows that of the comic pretty closely and the color pallet ranges from very bright and very colorful to moody and atmospheric. It's very impressive and highly detailed. Don't expect 'saturday morning' style animation here.

If you are seriously into Hellboy or even if you are just a casual fan of the movie then you totally have to get this. I eagerly await Hellboy: Blood and Iron, due out this summer. In the meantime, I reckon I ought to get me some Hellboy comic-books.

The latest incarnation of the Mike Mignola's once underground, now seemingly omnipresent and unstoppable, comic book masterpiece, 'Hellboy', now comes into the world of animation. The first of the several planned animated films, 'The Sword of Storms' takes Hellboy and drops him in a fantasy world of Japanese folklore.

The voice acting is excellent. Ron Perlman has now become the de facto voice of Hellboy, and if this ever becomes an animated series, his presence will be crucial for its success. More surprisingly, considering her usually rather flat and whiny voice, Selma Blair delivers a finely nuanced performance. The best of all however, is Doug Jones. Seemingly perennially cursed by his background as a mime, the man has been seen in several great films in recent years but never heard. He has a pleasant, deep-ish voice, which entirely suits Abe Sapien. David Hyde Pierce acquitted himself well in Hellboy but will not be missed in the sequel. Hopefully Mr Jones' fine performance here will encourage studio execs to leave him be as the voice of the Silver Surfer.

The character designs are deliberately different from Mignola's and in my opinion, that is a smart decision. Hellboy himself remains relatively faithful to the original concept, but shown in a more stylised form, reminiscent of Bruce Timm's drawings. For the most part, this works, apart from an occasional slip where Hellboy's face takes on an exaggerated facial expression, lapsing into caricature. Abe Sapien, Liz Sherman and a few of the supporting characters are more radically redesigned and remind of the current pseudo-manga style of 'The Batman' or 'Jackie Chan Adventures'. Personally, I am not a great fan of this particular approach, but I acknowledge it is popular and in context, effective. Mike Mignola's original drawing style is not completely ignored and is most clearly evoked in the design of Hellboy's various skeletal and monstrous opponents. There are also some attempts to emulate the comic's use of shadows (most notably in the "Heads" sequence).

There are however, some problems. The animation itself is very hit and miss, and apart from the already mentioned weird facial expressions, there are occasional strange and unnatural movements from the characters. Some scenes feature noticeably poorer animation quality than the overall film. They appear jerky and cheap and look as though they were completed in a rush.

The plot itself is not overly engaging. Although a story about cursed ancient lovers shows promise, it is severely underdeveloped, in favour of some nonsense about Thunder Gods and Dragons. The majority of the actual film shows Hellboy wandering around Wonderland (or something), fighting assorted monsters. Some of these action sequences are great fun but it all gets repetitive so that the overall effect is episodic and only occasionally compelling (I'm going to mention "Heads" again here – that segment is excellent). The other half of the film deals with Abe and Liz, but they are not given much to do, and their action sequences are nowhere near as interesting as Hellboy's. There is some attempt to deal with Liz's distrust of her powers but it largely falls flat, especially compared to the comics and film. However, the fact that there is some characterisation at all, as well as the presence of some rather mature themes and some unflinching violence mark this as more than just a kids-only film. Hopefully, the creators are just hitting their stride, and some of the wrinkles will be ironed out by the next instalment.

Supposedly only 75 minutes long, but it feels nearly twice that, Sword of Storms is exactly what you don't want the Hellboy movie to be. It manages the trifecta of bad animated movies, to wit:

1.) Bad Voice-Acting - Someone apparently told Selma Blair to growl all her lines (deadpan), and while Perlman and Doug Jones were great, they weren't enough to make up for the rest of the straight-to-video players. I really don't need to hear Phil Lamarr do his stock suburban white kid voice ever again.

2.) Clunky, Boring Animation - I can accept that the native Hellboy style probably wouldn't work in an animated movie, but why would you go with this? It's as if a low-budget anime and Ultimate Avengers had a particularly ugly child. I wouldn't be surprised if Sword of Storms shares an animation studio with Ultimate Avengers, it's crap.

3.) More minutes than story - There's a gigantic lull in this movie, worse than any Bond Film, nestled neatly between the beginning and end. This part is especially disappointing because Mignola actually wrote this incarnation of Hellboy. Combind with the clunky, slow, thrill-less animation style the movie utterly fails to redeem itself with the climax. I was too deep in my coma/stupor to enjoy Hellboy punching things, and that's saying something.

This is the kind of movie you can only enjoy as light background music, the instant you take an interest in the story it will disappoint.

I caught this on its Cartoon Network debut, after about two weeks of waiting eagerly for the day to come. After I'd witnessed the Sci-Fi Channel's absolutely brilliant "Amazing Screw-On Head", also a creation of Mike Mignola, maybe my hopes were too high that this would have the same edge and charm and wit. It didn't quite hit that peak. Considering the audience, I guess it couldn't have.

Another thing I wasn't prepared for was Abe Sapien being so completely different from his movie incarnation. Not worse, just different. Despite having most of the same voice actors, don't come into this movie expecting it to be a translation of the live film.

Artistically, it's pretty great stuff. I watch the DeviantArt gallery of one of the film's concept artists, and minus some tweaking on the designs to make them easier to animate they kept it pretty consistent to the art direction. The character designs of the supporting characters are pretty standard stuff, but the film also boasts some truly beautiful layouts and artwork with rich and well-used color. Animation's kinda choppy in places, but nothing too bad.

I kinda wish the script and voice acting really stepped up to plate; despite its efforts there was only one line in the whole film I really laughed at. Still, it was a good way to spend two hours. I'd watch it again.