Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.
- Nominated for 1 BAFTA Award
- 6 wins & 1 nomination total
- Self
- (archive footage)
- (uncredited)
- Samir Masri
- (as Seena Jon)
- Casey Claybon
- (as M. Neko Parham)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe majority of the actors in the film were not told the premise of the movie. The working title for the film was "D.O.A.P.," and the actors were not told what the plot was, except for their specific scenes.
- GoofsThe movie is supposed to be a 2008 TV broadcast, but at the end of the movie; when they give us the aftermath facts before the credits; they say that Zikri is still waiting for his appeal over one year after his conviction on April 10, 2008. So, if he was convicted on April 10, 2008 and it has been over a year since that time; that would mean that the broadcast is taking place no earlier than 2009 and not in 2008.
- Quotes
[end title cards]
Title card: One year after his conviction, Jamal Abu Zikri has still not been granted leave to appeal.
Title card: He remains on death row in Stateville Correctional Center.
Title card: Since recording the interview for this film Robert H Maguire has resigned as Head of the Chicago Field Office of the FBI.
Title card: USA PATRIOT III, introduced in the days after the assassination, has since been turned into permanent law.
Title card: It has granted investigators unprecedented powers of detention and surveillance, and further expanded the powers of the executive branch.
That future time is portrayed with an escalation of the anti-war fervor and a growing concern over the dangers posed by North Korea.
The film flips between staged scenes, real footage & documentary style interviews. It does a fine job of seamlessly blending those pieces to create a very plausible "precreation".
It is interesting watching this film on October 9th, 2006... a day which began with news of North Korea's first nuclear test. The first twenty minutes of the film are dotted with mentions of that scenario.
There are some chilling scenes in this film... especially early on, when you get a real sense of the protesters being contained and beaten down by Chicago police in full riot gear.
After a political speech in the hotel, the President is ushered down a standard meet-and-greet rope-line. It is at this point that the film lives up to its name. Shots are fired and one of the most frenzied scenes of any film this year ensues. Bush is thrown into a waiting limo, which speeds off to the nearest hospital. The crowd at the rope line is panicked beyond recognition. The FBI launches into gear. The media machine revs its engines. And the Chicago skyline lights the night air as an eerie sense of history-in-the-making takes hold.
Later that night, newscasters announce the death of George W. Bush and the film transposes into an FBI procedural... A virtual whodunit for us viewers. It feels very much like a David Mamet plot crossed with an Oliver Stone concept. It truly is a wonderfully imaginative idea played out with great skill and cinematic artistry.
***
OK - The secondary question in reviewing this film is this... Is it wrong? Is it morally questionable to have such a premise be the focal point of a film? Is it in bad taste?
Well, I have always been one to follow Roger Ebert's mandate that, "It is not always what a film is about, but how it is about it." I try not to pass judgment on the subject, but on the skill of the film itself.
However, this is a very brazen subject. Even for a Bush-hating liberal like me, this approaches the line, if indeed it doesn't cross it. It comes dangerously close to going too far.
That being said, I think it stops short of that line and delivers a legitimate scenario that merits people's attention. I believe this film earns the right to touch on this subject. It is a quality film and should not be thought of as a sensationalistic attempt to shock audiences.
***
Back to the plot... The film analyzes the hunt for suspects and forensic evidence. It follows the investigation all the way to a murder trial. I will not detail the story any further.
What this film does brilliantly is to shade the discussion toward issues like the Patriot Act, Homeland Security futility, the right to privacy, the right to a fair trial, and the apathy of the American public to seek truth and justice. It hints at Governmental manipulation, a wag the dog mentality. It tells personal stories of civilians and soldiers and suspects and Presidential aides. This film has a tremendously broad scope considering the budget.
"Death of a President" meanders patiently toward a conclusion you will probably not expect. This is a very thoughtful film that wants us to think carefully about the consequences of future terrorism. It asks us to contemplate the futility of such a crime and the repercussions it would have on future generations. In fact, it very much condemns this scenario as the worst thing that could happen.
I was riveted by this film. It is not just a scream for attention with a daring title. It has something very important to say and it says it very eloquently. That it dramatizes the assassination of a sitting President only adds to the palpable tension and urgency of its message. I think that "Death of a President" is one of the best and most important films of 2006. Go out of your way to see it as soon as you can!
© Written by TC Candler IndependentCritics.com
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Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $519,086
- Opening weekend US & Canada
- $281,778
- Oct 29, 2006
- Gross worldwide
- $869,352
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1