Harry Potter and the Deathly Hallows: Part 1

Entering the Empire, Leicester Square felt a bit like entering a Hogwarts "Chamber of Secrets" as we noticed from the display screen only showed details of films on screens 1, 2, 5 and 6 with no mention of the "special" pre-release showing of what was appearing on screen 4 - for film reviewers and those lucky enough to get a ticket – this was no place for ordinary "muggles" ...

Directed by David Yates - HARRY POTTER AND THE DEATHLY HALLOWS - PART 1 is the seventh episode in the Harry Potter series and is part one of a two part final conclusion to the story.

The film starts with Rufus Scrimgeour (Bill Nighy) the new Director of the Ministry of Magic telling Harry Potter (Daniel Radcliffe), Hermione Granger (Emma Watson) and Ron Weasley (Rupert Grint) the details of the lately deceased Albus Dumbledore's (Michael Gambon) last will and testament – along with a warning that due to the resurgence and return of the Dark Lord Voldemort (Ralph Fiennes) and with Dumbledore no longer there to protect them – they are advised that Hogwart's is no longer a safe place for them ...

Previous events have determined that the soul of the Dark Lord has been split up and is contained within seven different horcrux objects – in a bid to attain immortality ... and, without finding and destroying all of these unknown objects the Dark Lord could never be defeated ...

With this in mind, Harry, Hermione and Ron (HH&R) decide to leave Hogwart's and their families behind by erasing their parent's memory of them … HH&R team up with the surviving members of the "Order of the Phoenix" to find these seven unknown horcrux objects and to construct battle plans against the ever growing power of Lord Voldermort's Dark Forces …

Harry and his friends are soon discovered and are attacked and only some of them manage to escape and regroup at the Weasley's secret hideout … where they count their losses

During a wedding held at the Weasley's they are attacked yet again by the Dark Forces and HH&R escape and find themselves alone again … HH&R are now left to their own devices to try and solve the riddles of the locations and form of the remaining outstanding horcrux objects … and how they may be able to destroy them … this also includes a hazardous break-in into the Ministry of Magic which is now controlled by the Dark Lord. In addition they also discover that the negative energy in carrying around one of the horcrux objects without being able to destroy it is affecting anyone who carries it turning them against the others in the group.

Meanwhile, with the Dark Lord's forces on the constant hunt for Harry Potter and friends, Voldermort himself wishes to track down the location of the three Deathly Hallows – whom he believes will make him invincible.

HH&R soon come into contact with Luna Lovegood's father Xenophilius who also lets slip the secret of the Deathly Hallows – and now they must also search for these to prevent Voldemort from getting them first. The race is on!

Special mention should be made for the performances of Brendon Gleeson as Alastor "Mad-Eye" Moody and Helena Bonham Carter as Bellatrix Lestrange – who both stole every scene that they were in … and the ever consistent Alan Rickman as Severus Snape.

There are many twists and turns and highs and lows throughout to keep everyone entertained through to the end …

I took my niece along to this showing for her birthday (she being a Harry Potter expert) and she quotes that "this is the best of the series of films so far, and is actually the first to better the associated book" … and this coming from such an ardent fan is high praise indeed … she (and I) were not disappointed and we are very much looking forwards to the final installment which is due out in 2011

HARRY POTTER AND THE DEATHLY HALLOWS - PART 1 is 146mins long, is a PG-13 certificate and will be on general release for muggles everywhere from Fri 19th November 2010

If you've read all the Harry Potter books, then you should know that, as the series went on, they essentially became an allegory for totalitarianism. Certainly one can see that in "Harry Potter and the Deathly Hallows: Part 1". Daniel Radcliffe, Rupert Grint, and Emma Watson reprise their roles as Harry, Ron, and Hermione, respectively. The three are now having to live almost in secret due to the almost fascistic takeover of the wizarding world by Lord Voldemort's (Ralph Fiennes) minions. In fact, while the three are undercover in the office building, the factory looks like something out of Nazi Germany or Stalin's USSR: the employees robotically help to publish material which pushes a fear of the "other" (in this case Muggles, or non-wizards). Harry, Ron and Hermione are like the French Resistance, one might say.

Anyway, it's a good thing that they broke the final book into two movies. So far, they're doing a really good job not only bringing the magic to the screen, but also warning of the dangers that totalitarian entities - represented here by the Death Eaters - pose. I recommend it.

Tom Felton, Jason Isaacs, Helena Bonham Carter, Alan Rickman, Robbie Coltrane, Warwick Davis, Brendan Gleeson, John Hurt, David Thewlis, Timothy Spall, Imelda Staunton, and Julie Walters reprise their roles from the previous movies, with new additions Bill Nighy and Rhys Ifans.

Up until now, I was convinced that from the 4th book onwards, Harry Potter-books had become too complex to make into film: Goblet of Fire was a sore disappointment. Order of the Phoenix left many Potterheads wanting more, even if it wasn't a bad film per se (personally I thoroughly enjoyed it, even though I felt they left out too much). Half-blood Prince -while visually stunning- did not capture the brilliance of the book. With "Harry Potter and the Deathly Hallows", I think the makers have finally succeeded in crafting a movie that was both fun to watch for casual viewers while also catering to the needs of the hard-core fans who know the books by heart. The decision to split the movie into two parts may be judged as a financial one by some, but I'm convinced it was the only possible way to make this work. The movie was cut off at the perfect time as well, having the viewers yearn for more without being too abrupt.

I don't want to give away anything, so I'll just say this: Hats of to you, David Yates. One can only hope the second installment will continue in the same vein...

It should be wise for people to at least watch the first six films in order before watching this one, if they haven't read the books already.

With this film, we are slowly but surely bidding farewell to one of cinema's most successful and imaginative franchises. The franchise, like Harry Potter himself, has grown and matured as the years (and films) progress. Part I of the "Deathly Hallows" is ultimately a strong build- up to what will be a triumphant, bittersweet finale for everybody.

I won't waste time trying to talk about the performances, because they are all great and powerful in their own way. Never mind that many of the cast members are very talented veteran British actors (try getting John Hurt, Alan Rickman, Ralph Fiennes, Brendan Gleeson, David Thewlis, Michael Gambon, Helena Bonham Carter, Imelda Staunton, Jason Isaacs and Bill Nighy in the same film again) - the three young actors who we have come to love and care for following the first film a decade ago, basically carry the franchise on their shoulders, and this film is no exception. Radcliffe looks handsome, Grint looks gruff, and Watson looks gorgeous. They've grown into fine young people.

Screenwriter Steve Kloves doesn't forget to add the mood and gloom to the story as it slowly unfolds, but then again he adds some light humor to the film when it needs it. Bonus points for making this not only a visual spectacle, but also a character-driven ensemble; there's some complex characterization here. Also there's some action which aren't seen on screen, but mentioned by the characters. It's OK, because it's necessary for the brisk pacing, and it's not really that important anyways. Besides, the human mind can imagine these images far more powerfully.

There are many themes in this film. Sacrifice, determination, (obviously) friendship, and above all - acceptance. As the films progressed the films started to gain an increasingly dark momentum - signaling that all hope may be lost. But in the end, will good triumph over evil? Like the film, real life isn't so sure. Also, the fact that the actors and crew are moving on after a decade of making these films - it's also another way of acceptance - the films have ended, they're moving on for the better of their lives/careers. It's real life, and I wish all these promising young actors brilliant lives and careers ahead of them.

"Hallows: Part I" is many parts thrilling, as there are quite a number of intense action sequences. Many of them, of course, are done with well-rendered visual effects, and in this one they just blend in at a natural level without being too jarring. However, the action sequences are perfectly blended in with the gripping, dramatic moments. They don't feel heavy handed and it's beautiful to look at. The animated sequence about the origins of the Deathly Hallows is an absolute masterclass and jaw-droppingly beautiful to both watch and listen. If separated by itself it can win an Oscar for best animated short.

The crew also get their due here. David Yates has gotten a firm grip on the film's direction since directing the fifth and sixth films years ago. The cinematography is stunning and exquisite, and it gives off a certain moody hue to the film. The editing is also crisp, it's not choppy when it doesn't need to be. Alexandre Desplat's score really makes a difference, it literally puts you into the world with its beautiful, harmonious, and emotional tones.

In short, I would have to say that this film is the best "Harry Potter: film yet in all honesty. I grew up with the series, and as per the actors, it will be an emotional goodbye. But rest assured, the finale will be grand.

One more thing. This interpretation of the novel is the best one yet. The novel is done justice, something not seen since the first three films. It's something for both the fans and novel-readers alike, as there are some pieces only book readers can discover while watching the film. It's definitely a huge improvement over "Half-Blood Prince"'s adaptation, which for me is the worst Potter film.

Harry Potter is a phenomenon. But, like all things, it most come to an end eventually. This is the beginning of the end, and I wouldn't have it any other way.

Overall rating: 75/100

P.S.:Eat your hearts out, Twi-hards.

A sullen Minister of Magic Rufus Scrimgeour (Bill Nighy) sets the mood for this seventh and penultimate instalment of Harry Potter. "These are dark times, there's no denying," he intones gravely, pointing out the grim state of affairs facing the nation- murders, disappearances and raids- but reassuring the public, as any politician would, that his Ministry has it all under control. Of course, he is only bluffing, and it doesn't take long before the palpable sense of doom and despair convinces you otherwise.

Welcome back to the magical world of Harry Potter, one that began with wonder and joy, but has since become shrouded in death and darkness. Still visibly distraught from the death of his mentor Professor Albus Dumbledore, Harry is now tasked to continue with the mission of the late Dumbledore- to find and destroy the remaining Horcruxes (accursed objects containing fragments of Voldemort's soul). It doesn't get any easier, since Voldemort is nearing the height of his powers, and his bidders have infiltrated the bureaucracy to paint Harry as a wanted criminal.

There are fewer and fewer allies around- even those within the Order of the Phoenix may have since betrayed their ranks- and the first half hour quickly establishes the danger and urgency of the situation at hand. Members of the Order, including Mad-Eye Moody (Brendan Gleeson) and Hagrid (Robbie Coltrane), attempt to escort Harry to safety- but even that mission is met with an attack from the Death Eaters, culminating in a dizzyingly exciting high-speed flying-bike chase that shouldn't disappoint fans looking for some action sorely missed in the last movie.

Indeed, naysayers who think David Yates doesn't know how to stage thrilling action sequences should think again, as he demonstrates amply that he is just as capable when it comes to staging them. He also displays an uncanny knack for milking suspense out of scenes- in particular, Harry, Hermoine and Ron's daring raid on the Ministry of Magic and their subsequent visit to Godric's Hollow, Harry's birthplace and home to Bathilda Bagshot, a magician and dear friend to Dumbledore. These brim with nail-biting tension, and Yates plays them out nicely to set your pulse racing at the end.

The crux of this film however lies in the relationships between Harry, Hermoine and Ron as they set off in the middle of the film across the bleak English countryside on their quest to discover the means to destroy the Horcruxes. On the run from Voldemort, the trio find the immensity of their journey taking a toll on them. Harry and Ron's friendship begins to fray as Ron grows suspect of Hermoine's affections for Harry. Meanwhile, Harry can barely conceal his frustration with getting no headway and starts losing his temper at Ron.

Infused with a profound sense of isolation and loss, this middle stretch in the film may be tedious for some impatient viewers, but fans will be rewarded with probably the richest depiction of the relationships between the characters since the first two movies. One scene where Harry and Hermoine suddenly decide to dance together to the tune of Nick Cave's The Children playing on the radio is lyrical in its depiction of their desperate attempt to find levity in a world that affords none. Yes, their friendship strong and deep since the beginning will be tested, and Yates delivers an emotional payoff towards the end of the film that is truly poignant.

Thanks to the decision to split the final book into two films, Yates doesn't hurry through these scenes. Instead, he allows the audience to experience the frustration, jealousy and uncertainty of his characters, and allows for Radcliffe, Watson and Grint to display some fine acting with the minimalest distraction from any visual effects. The additional time also turns out to be a blessing for fans and audiences, allowing them the opportunity to see their favourite supporting characters back on screen- most prominently of course Dobby the elf who returns to give the movie a touching finale.

Amidst the gloom, screenwriter Steve Kloves again provides for rare welcome moments of levity. Harry's escort mission is aided by magical decoys of Harry, one of them wearing a bra. To get to the Ministry of Magic, one needs to flush oneself down a toilet bowl. These occasional sparks of humour enliven a film that is otherwise ominous and menacing. Kloves however fumbles slightly with the lengthy expository, and those who have not read the book will find themselves struggling to catch up with the significance of certain characters (e.g. Sirius' brother, Regulus Arcturus Black) and certain events (e.g. Bathilda turning into a slithering serpent).

Still Kloves never had an enviable task to begin with, and Yates- at his most confident here- guides the proceedings along admirably, unfolding them briskly at the start, then settling in for a deliberately measured pace and finally picking up speed for as much as a climax as this first- parter can have. His assuredness also shows in his artistic choices, especially a wayang-kulit-like animated sequence telling the story of the Deathly Hallows.

Though we know better than to expect the grand showdown between Harry and Voldemort by the end of the film, there is still a distinct sense that what we have seen so far is only a build-up for something bigger and far more astounding. But even as a prelude, this seventh film is notable in its own right, a tense and thrilling experience darker, scarier and more mature than any of its predecessors