Luxor

Nice cinematography, simple script and huge hidden feelings. Love The vintage of everything in Luxor . Like that chemistry between Hannah and Sultan and let's talk about dancing scene absolutely reversing how much this girl suffering and liked to be itself. Great film to be watched.

Set in the ancient Egyptian city, Luxor is almost portrayed as a silent documentary. Director Zeina Durra constantly has the camera leading or following. Down tight Egyptian streets. Through majestic ruins. Ahead of Hana, who is endlessly wandering; her thoughts leagues before her. Luxor is a contemplative movie, and Durra's slow pacing accentuates that study.

To the movie's benefit, Durra beautifully displays the archeological wonders of the city. From the Temples of Karnak and Luxor itself, to the Winter Palace hotel, Durra showcases a part of the world that thanks to COVID and the outgoing Presidency's relationship with Arab affairs, remains an unvisited destination to many Americans. However, even Rick Steve's tourism videos jump to a snappier beat.

Hana is a British aid worker returning to Luxor on holiday. Scarred from scenes of an unmentioned battlefront, Hana wanders the quiet city alone until she runs into Sultan, an archaeologist and former lover. Sultan is totally Indiana Jones looking to rekindle that affair with the feisty Marion. Hana would rather play the hard-to-get Willie and has no time for love, Dr. Jones. She is shellshock and is hoping the mystery of the ancient world resets her ability to again see hope.

Luxor is 90 minutes of Hana walking, wondering, wanting. Durra slowly provides details to Hana's life, but those little points become lost in the stagnant plot while the biggest mystery remains unanswered. If Hana so desperately wishes to move beyond her former life, why return to the city where she knows her former boyfriend works? Lots of wonderful ruins in Ireland that are aching to be visited.

Luxor is not meant to be a riotous rom com, but perhaps it should have been. The slow, piercing character study of a film is a worthy genre, yet Hana's story has no true resolution. Her solemn attitude is frustrating as she cannot decipher the beauty that is all around her. What could have been a majestic tragedy is instead as dry and dusty as a desert road.

I am always excited to see a film set in Luxor, and there were some beautiful shots and nice moments. I have to say, I agree with most of the reviews on here. This is a film where nothing happens. I've been watching a lot of Egyptian cinema, and this film is very un-Egyptian in that there is no passion, no intensity, no chemistry, no sizzle. I know this is the way the director wanted it to be. But for me it was disappointing. To say it is understated is- an understatement. We want to know the story between the lovers, what happened - we are never told it. Did they just give up on their love? When they meet again, where is the passion? Where is the feeling? Andrea Riseborough is playing the role of someone badly traumatised, and she plays it well. But Karim Saleh just seems smooth and American, I don't see the Egyptian character in him at all... not my experience of Egypt. A couple of things that really annoyed me: we are told, its pronounced Abide-os. NO! Its A-bid-os. How could they do that? And they neglect to mention its the place of Osiris. We don't hear the old lady's reading, which makes it seem as though traditional healers (of which there are many) are a waste of time. Not very respectful... I love all things Egyptian, but this is not it. These people seem cold, aloof, English and restrained. I found it quite frustrating.

Hana is a doctor working in conflict zones. She comes to Luxor as a place that can restore and invigorate the soul. She's been there in her youth, and a chance meeting with her old flame makes her question her life choices and the possible future paths. This film is like a slow contemplative walk among the Egyptian pyramids and ruins, with Hana as a silent guide. There aren't many surprises and there aren't any ready-made answers, but I enjoyed the gentle humour and the pastel tones of this very cinematic piece. I could relate to Hana's questioning her mid-life satisfaction and searching for a way out of a hectic pace of life.

1) I get that Andrea Riseborough has turned half dead over the past couple of years and gained immense sadness in her eyes. Watch her in "Disconnect" from 2013/14 and then in her recent major roles in "Zerozerozero"/"Possessor" or this one. There is a strong effort to suppress her natural beauty, and it seems more like her own choice. Anyway, she's carrying that depressed torch with a unique lifeless energy.

2) I was compelled to watch this (IMDb 5.3) to see if it really was worthless. My verdict is that it's definitely not. Its not for everyone but shares nothing with a typical Hollywood film set in the Mediterranean. Some of us long for films that have scanty plot twists and since I find the actress worthy her salt and not unlikable (which can be a task these days).

3) This film albeit slowly prodding without any substantial revelation, doesn't attempt any preachy sermons or any life changing epiphanies. The film is flat, just like life may seem when you're in a rut (which our emaciated lead is in).