Two women from different walks of life both desperately need a friend in this moment, when they cross paths by chance and form an unlikely friendship.Two women from different walks of life both desperately need a friend in this moment, when they cross paths by chance and form an unlikely friendship.Two women from different walks of life both desperately need a friend in this moment, when they cross paths by chance and form an unlikely friendship.
- Director
- Writer
- Stars
- Awards
- 3 nominations total
Megan Barlow
- Jill
- (voice)
Gigi Cambra
- Girl at Party
- (as Madison DeCambra)
Dion Cortez
- Guy at Party
- (as Kenzo Jett)
Federico Fernandez
- Pablo
- (voice)
Ariel Heller
- Charlie
- (voice)
Steve Pinder
- Brian
- (as Steve Greist)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film is a quietly profound exploration of how human connection can spark with surprising intensity-and how just as swiftly, it can begin to fray. Through restrained direction, layered performances, and a script that favors ambiguity over exposition, it captures the emotional terrain of friendship with remarkable authenticity. What unfolds on screen is less about plot than it is about presence, perception, and the delicate nature of understanding between people.
At its heart, the story presents two individuals whose lives briefly intersect in meaningful, if complicated, ways. Their connection isn't driven by dramatic external events, but by small moments-glances, silences, shared vulnerability-that feel deeply human. The film doesn't rush their relationship, nor does it attempt to define it with rigid labels. Instead, it invites the viewer to sit with the uncertainty, the tension, and the quiet comfort that can arise when two people find resonance in one another, even briefly.
What stands out most is the film's handling of emotional nuance. Rather than drawing clear lines between right and wrong, the story invites reflection on how much of our communication happens in the spaces between words. It's a study in subtle misalignments-how people can believe they understand each other perfectly, only to discover that they were never quite on the same page. The film resists easy answers and, in doing so, reflects something painfully true about human relationships: that they are often built on assumptions, and sometimes unravel when those assumptions are tested.
Much of the film's impact comes from its visual and auditory restraint. The cinematography is minimal but intentional, using framing and silence to communicate emotional distance and vulnerability. Scenes linger just long enough to create a sense of unease or intimacy, depending on the moment. There's a noticeable absence of music in key places, allowing the ambient sounds-or complete quiet-to speak volumes. These choices give the viewer space to absorb what's happening internally, rather than being guided by overt emotional cues.
The performances are central to the film's emotional power. The actors manage to convey a wide range of feeling with subtle gestures and expressions, making the emotional tension feel grounded and believable. Their chemistry is quietly compelling-not in a flashy or romanticized way, but in a way that feels rooted in the complexities of real human connection. They convey what it's like to navigate closeness and discomfort at the same time, and how fear or hesitation can reshape an otherwise promising dynamic.
Though the story may appear simple on the surface, it is rich in emotional texture. It explores themes of vulnerability, misunderstanding, and the deep human desire to be seen and understood. Rather than presenting a dramatic rupture or grand resolution, the film draws its power from what remains unsaid-from the subtle shifts that occur when expectations collide with reality, and when clarity is elusive.
What makes this film especially resonant is how relatable it is, even in its ambiguity. Many viewers will find echoes of their own experiences-friendships that felt effortless until they didn't, conversations that never quite landed the way they were intended, and moments of emotional dissonance that still linger. The film's refusal to explain or resolve everything may be frustrating for some, but it is also what gives it staying power. It trusts the audience to reflect, to question, and perhaps to see themselves in the silences.
In a world where many films rely on dramatic conflict and plot twists to keep our attention, this one opts for introspection and emotional honesty. It reminds us that sometimes, the most meaningful stories are the quiet ones-the ones that don't shout, but whisper something true.
At its heart, the story presents two individuals whose lives briefly intersect in meaningful, if complicated, ways. Their connection isn't driven by dramatic external events, but by small moments-glances, silences, shared vulnerability-that feel deeply human. The film doesn't rush their relationship, nor does it attempt to define it with rigid labels. Instead, it invites the viewer to sit with the uncertainty, the tension, and the quiet comfort that can arise when two people find resonance in one another, even briefly.
What stands out most is the film's handling of emotional nuance. Rather than drawing clear lines between right and wrong, the story invites reflection on how much of our communication happens in the spaces between words. It's a study in subtle misalignments-how people can believe they understand each other perfectly, only to discover that they were never quite on the same page. The film resists easy answers and, in doing so, reflects something painfully true about human relationships: that they are often built on assumptions, and sometimes unravel when those assumptions are tested.
Much of the film's impact comes from its visual and auditory restraint. The cinematography is minimal but intentional, using framing and silence to communicate emotional distance and vulnerability. Scenes linger just long enough to create a sense of unease or intimacy, depending on the moment. There's a noticeable absence of music in key places, allowing the ambient sounds-or complete quiet-to speak volumes. These choices give the viewer space to absorb what's happening internally, rather than being guided by overt emotional cues.
The performances are central to the film's emotional power. The actors manage to convey a wide range of feeling with subtle gestures and expressions, making the emotional tension feel grounded and believable. Their chemistry is quietly compelling-not in a flashy or romanticized way, but in a way that feels rooted in the complexities of real human connection. They convey what it's like to navigate closeness and discomfort at the same time, and how fear or hesitation can reshape an otherwise promising dynamic.
Though the story may appear simple on the surface, it is rich in emotional texture. It explores themes of vulnerability, misunderstanding, and the deep human desire to be seen and understood. Rather than presenting a dramatic rupture or grand resolution, the film draws its power from what remains unsaid-from the subtle shifts that occur when expectations collide with reality, and when clarity is elusive.
What makes this film especially resonant is how relatable it is, even in its ambiguity. Many viewers will find echoes of their own experiences-friendships that felt effortless until they didn't, conversations that never quite landed the way they were intended, and moments of emotional dissonance that still linger. The film's refusal to explain or resolve everything may be frustrating for some, but it is also what gives it staying power. It trusts the audience to reflect, to question, and perhaps to see themselves in the silences.
In a world where many films rely on dramatic conflict and plot twists to keep our attention, this one opts for introspection and emotional honesty. It reminds us that sometimes, the most meaningful stories are the quiet ones-the ones that don't shout, but whisper something true.
Lina Suh's feature directorial debut "Meeting Me Meeting You" is a beautiful exploration of the kind of human connection that can unfold from a seemingly mundane transaction.
At its heart is the chance encounter between two seemingly opposite women, a modern day odd couple - Sav, a free-spirited, canceled social media personality seeking escape through travel, and Simone, a structured Korean-American divorce attorney deeply rooted in her immigrant upbringing. What begins as a simple backpack transaction transforms into an intimate evening of revelations, as Suh crafts a narrative that beautifully captures how strangers can become catalysts for profound personal change.
The structure -- primarily set in Simone's suburban home -- creates the kind of intimate canvas where dialogue can become the true star, and Suh's exceptional writing shines through. The characters' conversations flow with natural authenticity while revealing layers of complexity underneath.
Beyond its compelling character work, Suh's film offers a nuanced exploration of cultural identity in America. Through these two women - one shaped by California's free-wheeling ethos, the other by the dual influences of Korean heritage and American assimilation - the film speaks volumes about different female experiences in contemporary society. Yet Suh never reduces her characters to mere cultural mouthpieces; instead, she reveals how their backgrounds have shaped distinct worldviews while illuminating their universal human desires for connection, understanding and authenticity.
"Meeting Me Meeting You" is that rare film that entertains deeply while quietly expanding our understanding of both ourselves and others.
At its heart is the chance encounter between two seemingly opposite women, a modern day odd couple - Sav, a free-spirited, canceled social media personality seeking escape through travel, and Simone, a structured Korean-American divorce attorney deeply rooted in her immigrant upbringing. What begins as a simple backpack transaction transforms into an intimate evening of revelations, as Suh crafts a narrative that beautifully captures how strangers can become catalysts for profound personal change.
The structure -- primarily set in Simone's suburban home -- creates the kind of intimate canvas where dialogue can become the true star, and Suh's exceptional writing shines through. The characters' conversations flow with natural authenticity while revealing layers of complexity underneath.
Beyond its compelling character work, Suh's film offers a nuanced exploration of cultural identity in America. Through these two women - one shaped by California's free-wheeling ethos, the other by the dual influences of Korean heritage and American assimilation - the film speaks volumes about different female experiences in contemporary society. Yet Suh never reduces her characters to mere cultural mouthpieces; instead, she reveals how their backgrounds have shaped distinct worldviews while illuminating their universal human desires for connection, understanding and authenticity.
"Meeting Me Meeting You" is that rare film that entertains deeply while quietly expanding our understanding of both ourselves and others.
I recently watched "Meeting You, Meeting Me" at the Beloit International Film Festival, and was struck by how effortlessly the filmmakers brought the story to life. Telling a compelling narrative without relying on car chases, guns, or explicit erotica is no small feat, yet they achieved it with grace and finesse. The story is solid, the cast is superb, and the direction is commendable!
Despite being a film about loneliness, it leaves you feeling anything but alone. There is a quiet poetry to it-an undercurrent of peace and acceptance-that isn't overt or preachy but subtly woven throughout. When the credits roll, you're left emotionally reenergized, perhaps even inspired to reach out to a loved one you've been neglecting for some time, just to say hello.
I highly recommend the film. It's a must-see!
Despite being a film about loneliness, it leaves you feeling anything but alone. There is a quiet poetry to it-an undercurrent of peace and acceptance-that isn't overt or preachy but subtly woven throughout. When the credits roll, you're left emotionally reenergized, perhaps even inspired to reach out to a loved one you've been neglecting for some time, just to say hello.
I highly recommend the film. It's a must-see!
Meeting You, Meeting Me is a stunningly told story that unfolds with such care and authenticity, you feel less like a viewer and more like a companion. Every scene flows with intention, drawing you deeper into the emotional landscape without ever forcing a moment. The actors share an onscreen chemistry that is nothing short of magnetic. Their connection feels lived-in, and organic. Their performances breathe life into the story, letting it blossom naturally through shared glances, pauses, and unspoken truths. The pacing is gentle but purposeful, allowing the story to unfold with emotional clarity and depth. This is storytelling at its most intimate and transporting.
Meeting You, Meeting me is a touching film about two women(American and South Korean) coming from opposing sides of life who can see each other's blind spots, but have the discomfort of facing from them. In an era where people are obsessed with their own echo chambers, it is a poignant reminder that different views can solve issues we never knew that we had.
Meeting You, Meeting Me has done a fantastic job peeling the layers of complex and guarded characters only to reveal none of us know ourselves nearly as much as we might think and may need others to point out aspects for us to even begin to tackle them.
Through her own film, has Lina Suh found Suh Lina?
Meeting You, Meeting Me has done a fantastic job peeling the layers of complex and guarded characters only to reveal none of us know ourselves nearly as much as we might think and may need others to point out aspects for us to even begin to tackle them.
Through her own film, has Lina Suh found Suh Lina?
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- Runtime
- 1h 25m(85 min)
- Color
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