An ambulance transferring dangerous convicts crashes in the middle of nowhere. It soon becomes clear that the crash was no accident, and the survivors are being stalked by a killer. Just 30 ... Read allAn ambulance transferring dangerous convicts crashes in the middle of nowhere. It soon becomes clear that the crash was no accident, and the survivors are being stalked by a killer. Just 30 feet to the road, but will anyone reach it alive?An ambulance transferring dangerous convicts crashes in the middle of nowhere. It soon becomes clear that the crash was no accident, and the survivors are being stalked by a killer. Just 30 feet to the road, but will anyone reach it alive?
- Director
- Writers
- Stars
J. Lindsay Robinson
- Officer Revesz
- (as Lindsay Robinson)
Tom Lim
- Ghillie Man
- (as a different name)
Shawna McGill-Legault
- Mother
- (as Shawna Pliva)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's a really good movie who doesn't love revenge an eye for eye. It's worth a watch very good gore and decent acting. Please give it go it's full of surprises especially at the end.
Interesting but not great. I liked the twist (no spoilers here) I don't feel like seeing this was a waste of my time but I probably wouldn't watch it again.
An ambulance carrying some dangerous prisoners crashes late one night, leaving both police, paramedics and convicts stuck in the woods. Then things get worse when they discover there are those waiting for them in the darkness who have lethal intentions towards them.
It's a low-budget flick which is effectively one main location, i.e. The stricken ambulance where the survivors of the crash try and make it out alive. I know it's a nit-pick, but the film is well too stylishly lit for deep in the woods during the middle of the night. Bright neon lights of all colours seem to light up every scene which - although looking pretty - just doesn't seem real.
But, apart from that very minor gripe, the cast do their jobs well enough. There are some revelations as the characters try to figure up what they're up against and why they're here. The budget is low. I was almost about to turn the film off when I saw what was waiting for them in the woods, but the film quickly pointed out that those lurking in the shadows weren't supposed to be anything you - technically - couldn't see in real life, so I gave the film a pass.
It was entertaining enough. The main antagonist over-acts a bit and sometimes comes across as a little 'too British' (I have no idea of the actor's ethnicity, so I have no idea whether he was putting on the accent. It's not a bad story if you're watching it on a streaming platform - just be sure to ignore the plot holes and the ending is a little vague (but I may just have missed something). Perhaps I wasn't in the mood to be very forgiving on this one as the fact that the computer generated blood effects seemed to be the 'wrong way round' in my opinion, i.e. A pistol shot to the head completely destroys the whole human head whereas a shotgun blast to the face leaves the victim completely intact, minus some blood spatter at the rear.
It's a low-budget flick which is effectively one main location, i.e. The stricken ambulance where the survivors of the crash try and make it out alive. I know it's a nit-pick, but the film is well too stylishly lit for deep in the woods during the middle of the night. Bright neon lights of all colours seem to light up every scene which - although looking pretty - just doesn't seem real.
But, apart from that very minor gripe, the cast do their jobs well enough. There are some revelations as the characters try to figure up what they're up against and why they're here. The budget is low. I was almost about to turn the film off when I saw what was waiting for them in the woods, but the film quickly pointed out that those lurking in the shadows weren't supposed to be anything you - technically - couldn't see in real life, so I gave the film a pass.
It was entertaining enough. The main antagonist over-acts a bit and sometimes comes across as a little 'too British' (I have no idea of the actor's ethnicity, so I have no idea whether he was putting on the accent. It's not a bad story if you're watching it on a streaming platform - just be sure to ignore the plot holes and the ending is a little vague (but I may just have missed something). Perhaps I wasn't in the mood to be very forgiving on this one as the fact that the computer generated blood effects seemed to be the 'wrong way round' in my opinion, i.e. A pistol shot to the head completely destroys the whole human head whereas a shotgun blast to the face leaves the victim completely intact, minus some blood spatter at the rear.
The concept was a pretty good one and the photography is decent. The film is hurt by poor dialogue and stiff performances all around. There's a good film in here, this just isn't the product we're provided.
'Ditched' is an interesting and unusual Canadian horror story with a unique directorial style and a truly superb electronic soundtrack by Clayton Worbeck (I wish it was available to buy - can't find it anywhere).
At the centre of this lies a storyline that is not unfamiliar. The twist at the end places the tale in familiar territory, but where this succeeds is in the way the tale is told. We begin at a point where the action has already started and the cast of characters attempts to piece events together alongside the audience. The dialogue is sometimes irritating (too much of the 'we can *do* this' grandstanding).
The cinematography is unusual and striking, with key moments and characters often obscured by sickly yellow/red lighting. Viewers should be warned that the continual flashing of lights might induce additional discomfort - but although overused, it works very well ensuring that nothing appears to be quite real.
The third act is when the increasingly confusing narrative becomes a mix of lengthy exposition and events that ask too much of the audience. Far too much talking deadens the atmosphere, which is a shame. A definite case of the journey proving more enjoyable than the destination, in my view. My score is 5 out of 10.
At the centre of this lies a storyline that is not unfamiliar. The twist at the end places the tale in familiar territory, but where this succeeds is in the way the tale is told. We begin at a point where the action has already started and the cast of characters attempts to piece events together alongside the audience. The dialogue is sometimes irritating (too much of the 'we can *do* this' grandstanding).
The cinematography is unusual and striking, with key moments and characters often obscured by sickly yellow/red lighting. Viewers should be warned that the continual flashing of lights might induce additional discomfort - but although overused, it works very well ensuring that nothing appears to be quite real.
The third act is when the increasingly confusing narrative becomes a mix of lengthy exposition and events that ask too much of the audience. Far too much talking deadens the atmosphere, which is a shame. A definite case of the journey proving more enjoyable than the destination, in my view. My score is 5 out of 10.
- How long is Ditched?Powered by Alexa
Details
Box office
- Budget
- CA$1,000,000 (estimated)
- Runtime
- 1h 26m(86 min)
- Color
- Aspect ratio
- 2.35 : 1
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