A young woman embarks on a 1000 mile odyssey through America where she meets a disenfranchised drifter. But all roads lead back to their terrifying pasts and to a final stand that will deter... Read allA young woman embarks on a 1000 mile odyssey through America where she meets a disenfranchised drifter. But all roads lead back to their terrifying pasts and to a final stand that will determine whether love can survive their otherness.A young woman embarks on a 1000 mile odyssey through America where she meets a disenfranchised drifter. But all roads lead back to their terrifying pasts and to a final stand that will determine whether love can survive their otherness.
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This movie intriguingly blends cannibalistic horror and romance, while exploring themes of identity, acceptance, and embracing one's truth. Taylor Russell as Maren gives a captivating performance that is both heartbreaking and empowering. Timothée Chalamet's portrayal of a young man trying to find peace in an unjust world is also spellbinding. The script is filled with striking dialogue, and the haunting score by Trent Reznor and Atticus Ross adds depth to this mesmerising story.
BONES AND ALL is an intense, heartbreaking, and uplifting tale that is sure to leave an impact. It's a must-watch for anyone who enjoys horror and romance, or simply needs a reminder of the power of love. Be warned though - this movie has lots of blood and gore, so it's not for the faint of heart.
It felt like the director tried to capture too much in 2 hours and it ended up being a scattered slideshow of artsy scenes with gore and confusion. The 5/10 stars I give is for the acting, mainly on the part of Chalamet and Rylance. My other 5 is lost to the direction, editing, and script of the film.
The trailer and hype was 10x better than the movie itself, so all you need to watch is that. This could've been a true masterpiece, and I desperately wanted it to be. I found myself trying to be convinced it was good, but ultimately faced the honesty that it fell through. A chance for beauty, lost to the wind.
Even though the cinematography and atmosphere are beautiful and what you would expect from the visual master, the film suffers from tonal shifts and a very talky script that is only saved by a fantastic turn by Mark Rylance. His menacing presence is the feature only redeeming quality.
The narrative is overstretched by a terribly slow pace reinforced by wooden dialogues between lovers that don't have much chemistry to begin with. Timothée Chalamet is clearly miscast as his sweet and soft demeanor don't match with the supposed danger and inner violence of his character.
Star of the show, Taylor Russell is beautiful and haunting. She also carries much of the movie on her frail shoulder. But the underdeveloped family moments and repetitive travel adventures don't help to build much of her personality. So when we get to the core horror aspect of the movie it mostly fails. Most "gory" moments are contrived, shoehorned inside the romance. They are too few, tonally all over the place and end up underwhelming.
After the masterful Suspiria, I was really expecting Guadagnino to deliver on the horror front but I think he got sucked away by the gorgeous landscapes and forgot to build up tension or fear. Bones & All ultimately ends up being a tiresome teen romance road trip interrupted by bizarre gory scenes. I will just rewatch Kathryn Bigelow's masterpiece "Near Dark" which I think would have been the perfect inspiration.
Some great performances but all eclipsed by Taylor Russell who is outstanding as the conflicted Maren struggling to come to terms with who she is and what she can and cannot do about it.
The movie is not perfect, but I enjoyed watching it, as to me this mixture of gory horror and on the road romance is quite new.
The plot is quite thin and the pace of the movie is slow and indefinite, but to me this is not negative: in the two hours of screentime I was never bored, and I sort of felt like I was on the road along with the protagonists.
The lead actors were really good, and in my opinion this was one of the best performances by Timothée Chalamet, whose chemistry with Guadagnino is undeniable. I think he was particularly suited for this role, because his innocent face and body perfectly communicated the nature of his character, conflicted between his monstrous instincts and his good heart.
The best performance was anyway delivered by Mark Rylance, whose creepy character Sully was great for keeping the tension high throughout the whole movie.
I really loved the poetic atmospheres of the road trip scenes, so typical of Guadagnino.
The negative aspects that can't be denied are the poor development of the characters, which makes it hard to root for them, and the quality of the dialogues, which are often shallow.
Personally I didn't appreciate the ending scene and the related dialogue especially.
Despite some negative specs, I would absolutely suggest seeing it, if you don't mind some pretty gory scenes.
Did you know
- TriviaDirector Luca Guadagnino stated in a video for Vanity Fair that the fringe in Maren's hairstyle came directly from the haircut of a character from Jonathan Demme's The Silence of the Lambs (1991). The character in question is Stacy Hubka (played by Lauren Roselli).
- GoofsJanelle's reading of the letter (in voice over) doesn't exactly match the written letter seen in Maren's hands.
- Quotes
Maren: [to Brad] You're not one of us?
Jake: Abso-fuckin-lutely normal he is! Well, uh, clearly not normal. Hasn't had his full bones yet. But I reckon that's coming soon enough.
Lee: Full bones?
Jake: When you eat the whole thing, bones and all. You ain't done that yet? That's a big fucking deal. It's like your first time. There's before bones and all, and then there's after.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Hasta los huesos
- Filming locations
- Maysville, Kentucky, USA(location)
- Production companies
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Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $7,834,907
- Opening weekend US & Canada
- $2,258,562
- Nov 27, 2022
- Gross worldwide
- $15,234,907
- Runtime2 hours 11 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1