Land

Some of the reviews of this movie complain of the slow pace and it is in fact slow. But as we get older we are not in such a rush to get to the end, don't need a breakneck pace to satisfy. We can often see ourselves in this sort of film and have some experience of loss. I very much enjoyed this.

Maybe it's a trend, maybe it's a passing phase, but simplistic stories about becoming one with the wild have been hard to ignore of late. From Chloe Zhao's 'Nomadland' to Robin Wright's 'Land,' following the stories of women who have tried to disappear into nature has made for intriguing subject matter.

In Wright's directorial debut we follow the journey of Edee, a middle-aged woman who escapes civilization as she copes with guilt that stems from a tragic personal loss. The film's low budget-ness helps give it an authentic feel, as the focus is on the Wyoming wilderness and the struggle Edee has not only with the elements, but with her inner demons. But it's not all doom and gloom - we get to witness a rebirth of sorts with her budding friendship with a local man (Demián Bichir), as well as a very important learning by film's end.

If 'Land' is an example of what Wright is capable of on both sides of the camera, we should expect much more to come.

This is a beautiful film about people, about loss and about how people try to cope with that loss. Robin Wright's protagonist chooses to go away, escaping everything and everybody.

Land is a great reminder that the budget of a good movie doesn't have to be huge; you can tell an interesting story without expensive sets and an enormous cast and crew.

I wouldn't have thought that it would be a good idea to star in your own directorial debut, but Robin Wright comes out perfectly fine, both as an actor and as a director.

Demián Bichir does a beautifully understated performance in the supporting role of Miguel, and while the sets are not expensive, they often present breathtaking mountain vistas.

Land is definitely worth watching.

For a drama like this there was some nice mystery and tension too. The landscape and cinematography was amazing. The simple yet effective cast was convincing. I got a bit teary eyed.

I'm not entirely sure why this was so poorly received. I understand the bit of a cliche in the plot, finding yourself after a tragedy and rebuilding the world you live in to suit the lifestyle you need (See: Nomadland).

The reasons this movie worked are as follows.

The music was paired phenomenally with the visuals. The soundtrack was mostly beautifully orchestrated and delicate strings coupled with some ambient tracks that really worked with the mood of the introspective and developmental scenes.

The shots in this film are absolutely incredibly. Alberta was an amazing landscape to capture and being reminded of the beautiful, incredible and yet cruel land (hehe) that we often take for granted and certainly underestimate.

The plot fits neatly inside of 1 hr and 30 min, it does not get boring, and it completely encompasses the process of emotional healing through incredible visual story telling.

This movie is worth watching, and I recommend it to someone who is patient and wants something tender and mindfully directed to enjoy.