Three Days and a Life

This is a very good thriller, immersive from the first minute, but also with a heart. And especially with an amazing twist in the end, that almost brought tears in my eyes and that may hit home for anyone. With a single word, it rewrites the story, the film, it even shifts the role of main character to another one. I was also pleased to see Sandrine Bonnaire and Charles Berling again, but young Pablo Pauly was the main attraction. Please note I love good American thrillers and don't like European dramas too much, so don't be deterred from seeing this Belgian film just because it's European; it is is a lesson of writing, shooting and acting.

I suffered 25 minutes of this unique junk. If I write what I really think of what MUST happen to EVERYONE in EVERY way involved in this film, I would be banned for ever from imdb.

It is a little slow, have to say, but it's good. I don't understand the relationship between Antoine and his mother. She was so cold and they never talked about things that had happened to him. Every single caring mom would ask her son what is going on. Even when she found out that he witnessed the dog being shot, she didn't ask her son about it. Weird. Years later, he came back to the village and due to the circumstances he decided to stay there. His mother never asked about his sudden change of plans. Then, her partner revealed that he had known the whole truth, and probably, she had too, but she never spoke to her son about it. These are the things I didn't like, everything else was well made.

Summary

Based on a remarkable novel by Pierre Lemaitre (also the film's screenwriter), Three Days and a Life is a kind of moral essay (in the best sense) on the scope of a tragic incident (plus others of varying severity and characteristics), chance and the passage of time on the destiny of a twelve-year-old boy.

Review

Antoine, a 12-year-old boy who lives in a small town in the Belgian Ardennes, stars in a tragic event whose shadow will be projected over several years of his life.

On each of the days of the title this and two other very dissimilar events occur, but strangely they will operate together on the fate of the protagonist (whom the action takes up several years later) and the knowledge of the truth.

Based on a remarkable novel by Pierre Lemaitre (also the film's screenwriter), Three Days and a Life is a kind of moral essay (in the best sense) about the scope of a specific incident (plus the other two, actually), chance and the passage of time on the destiny of a person and their personal ties.

With a town and a forest (a scenario that would later proliferate in the French and Belgian police), Nicolas Boukhrief's film is more of a drama than a thriller. Or rather: the success and the disturbing thing about this story is the psychology of a protagonist organized in such a way that both territories can alternate but not overlap. There is an asordinate daily life in that battered community (in more ways than one) to which Antoine is reintegrated without problems. Rob's serene soundtrack helps remarkably define that mood.

The performances of Jeremy Senez as the child Antoine, Pablo Pauly as the adult Antoine and Sandrine Bonnaire as a mother capable of expressing a thousand emotions just with her expressions and her silences are highlighted.

The cinematography is gorgeous and the movie has a great choice of music, scenes are filmed in dynamic shots that are very much character focused.

The story is filled with tention, and some great pieces of dialogue, pacing sometimes feels a bit odd as the movie skips large periods of time however the scenes we did see all serve a purpose.