Armageddon Time

James Gray really can write psychologically and morally complex characters better than the vast majority of filmmakers working today. The central family portrayed in his latest film showcases this.

The people in Gray's 1980 New York are all remarkably flawed with objectionable traits and tendencies, yet they have tangible human qualities that make watching them a constantly riveting experience. They struggle to live and love and Gray gives them all little satisfying moments to grow.

As for the performances, they're equally awe-inspiring, especially Anne Hathaway and Anthony Hopkins. But the young boy, Banks Repeta, is also a standout and manages to carry most of the film on his own.

Plot-wise, however, the film is seriously lacking in momentum and substance. There really is no inviting incident nor is there even a real central conflict in the film; just small subplots that begin and sometimes come to an end over the course of the movie.

The lack of tangible pacing and progress makes the story's conclusion feel a bit hollow and empty, but the journey itself is packed with little rewarding moments and powerful scenes that make the overall experience a mostly satisfying one.

If director Gray thinks Reagan mentioning Armageddon was traumatic, he ought to talk to those of us who lived through the Cuban Missile Crisis! Other than being scared by the suggestion of nuclear war rather than actually being on the brink of it, this film is lackluster and derivitive. Nothing original and nothing new to say, with pedestrian direction, and an uninspired script. This is a movie that thinks it has a lot to say but it just doesn't have anything interesting to say. It's hard to become invested in such silly, shallow, and self-absorbed characters. An excellent cast does the best they can but it all adds up to very little indeed.

A dull and boring film which ended with me thinking "what was the point" and what a waste of time. A complete mystery as to what was the story and more importantly what was the moral of the story. Even Anthony Hopkins could not save this film. I kept on waiting for the wisdom of Hopkins' character to be revealed and passed on to his grandson given his obliquely alluded to family history of terror during the Second World War at the hands of the Nazis during the Holocaust. All Hopkins' character could come up with was a single reference to "be a mensch". We had to put up with two extremely annoying adolescents.

You've seen it many times before, watching other people grow up's such a chore, we've all been adolescent, distracted and pubescent, it's a boring set of takes and you will snore. Perhaps if it had something new to say, portrayed a family more uniquely in their way, a novel circumstance, to catch your eye, a second glance, not monotony of children in their play. If you make it to the end you might just wonder, why fine actors chose to loot your time and plunder, must be quite a fallow year, to want to make this and appear, in something that's so dull, it makes you want to slumber.

Although it also makes you wonder whether an aging Welshman is the only person who could have filled that specific role.

Thia is the only idea that caught my attention in this film.

Being a thirteen or so young boy with a caring full family that loves you, and protects you, this is a privilege.

But no boy at that age is going to realise it despite all the trouble he seems to adore.

I actually hoped the film will focus on the idea of art at that time and originality, but apparently they had other plans.

I think the film discussed and focused at that period of time as a whole and its after effects on the new generation of young boys. Honestly, i didn't feel connected to the boy. I wasn't engaged.

Other than all that, the acting was very good and Sir Anthony Hopkins is always nice to see.