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7.3/10
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Life in a town at war seen through the eyes of three young girls on the path to adolescence.Life in a town at war seen through the eyes of three young girls on the path to adolescence.Life in a town at war seen through the eyes of three young girls on the path to adolescence.
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A bittersweet innocence exists among a group of young girls growing up in a drug-controlled country. One viewing of this excellent film will convince even the most stubborn-minded of the main reason that some of Mexico's inhabitants are fleeing to America to seek a better life.
10aarpcats
Watching this movie reminded me of the blurry photographs of British children playing in the ruins of London during the Blitz. If a building were bombed today, the unsafe structure would be guarded by cops to keep the children from being buried in the rubble. But, when the city is being bombed every night, what's the difference in whether a child dies from bombíng or under a pile of loose bricks? War brings death and death becomes normal.
In the bucolic and gorgeous mountains of Jalisco, war is constant and unending. Flickering fire flies have been replaced by the lights of cell phones as villagers try desperately to get a call "to the other side" for money to leave. Staying means enslavement to the cartel and losing your daughters to brutal sex trafficking. Instead of bombs, the cartels and the useless police rain terror on the adults in the village. Everyone knows a dead girl, and everyone knows how to harvest opium. And everyone knows to run when the US helps Mexico spray chemicals on the poppy crops.
Yet, just as the London kids entertained themselves with soccer, school, story telling and friendships, so too do the children in the village in Jalisco. What terrifies their parents simply is business as usual to them. They can't help growing up in war, but they are growing up. They want to dance, go to rodeos, date - every day things that are death defying in Jalisco.
It's an excellent movie about how the human spirit survives the unthinkable.
I want to tie Americans to chairs to help them understand exactly what American drug habits, the War on Drugs and the crisis in Central America is doing to desperate, terrified people. I want them to understand that they aren't coming heee for handouts. I want them to understand that they are coming here to stay alive. I want them to see children burned with American pesticides.
The acting is astonishing, the cinematography brilliant and the story heartbreaking. And this story happens every day in Mexico.
In the bucolic and gorgeous mountains of Jalisco, war is constant and unending. Flickering fire flies have been replaced by the lights of cell phones as villagers try desperately to get a call "to the other side" for money to leave. Staying means enslavement to the cartel and losing your daughters to brutal sex trafficking. Instead of bombs, the cartels and the useless police rain terror on the adults in the village. Everyone knows a dead girl, and everyone knows how to harvest opium. And everyone knows to run when the US helps Mexico spray chemicals on the poppy crops.
Yet, just as the London kids entertained themselves with soccer, school, story telling and friendships, so too do the children in the village in Jalisco. What terrifies their parents simply is business as usual to them. They can't help growing up in war, but they are growing up. They want to dance, go to rodeos, date - every day things that are death defying in Jalisco.
It's an excellent movie about how the human spirit survives the unthinkable.
I want to tie Americans to chairs to help them understand exactly what American drug habits, the War on Drugs and the crisis in Central America is doing to desperate, terrified people. I want them to understand that they aren't coming heee for handouts. I want them to understand that they are coming here to stay alive. I want them to see children burned with American pesticides.
The acting is astonishing, the cinematography brilliant and the story heartbreaking. And this story happens every day in Mexico.
Mexico's official entry to 2022's Oscars is simple and slow-paced yet so emotional and tough. The story is heartbreaking, moving, flows smoothly and delivers so much feelings without any forced efforts. Performances are solid and real. Cinematography is stunning. It's not everyone's cup of tea though.
Shedding light on the fearful existence & perilous life that women & children are forced to live in Mexican towns ravaged by drug trade, cartel violence & human trafficking, Prayers for the Stolen (Noche de fuego) captures this brutal reality through the coming-of-age journey of a young girl & her two best friends and makes for a gritty, affecting & heartbreaking slice of social realism.
Written & directed by Tatiana Huezo in her feature film debut, the film benefits from her earlier efforts as a documentarian as she utilises a similar raw style & uncompromising approach that adds a realistic touch & unflinching quality to the drama and allows it to unfold at its own pace while remote setting, grim atmosphere & sincere performances further strengthen the material.
However, the emotional impact the film was aiming for doesn't translate as well as it should've, for much of the plot remains uneventful, some scenes drag on for too long while others are cut earlier than expected, thus resulting in a picture that's harsh & harrowing in bits n pieces yet is unable to get under the skin. The film presents the difficult state of affairs but doesn't truly dig into it.
Overall, Prayers for the Stolen explores friendship, endurance, loss of innocence, cartel terror & endemic violence to give the audience an insight into the dark side of modern-day Mexico, and begins Huezo's feature filmmaking endeavours on a promising note if not a rewarding one. The performances are strong & gripping but the characters & situations depicted still required more development & fine tuning. Worth a shot anyway.
Written & directed by Tatiana Huezo in her feature film debut, the film benefits from her earlier efforts as a documentarian as she utilises a similar raw style & uncompromising approach that adds a realistic touch & unflinching quality to the drama and allows it to unfold at its own pace while remote setting, grim atmosphere & sincere performances further strengthen the material.
However, the emotional impact the film was aiming for doesn't translate as well as it should've, for much of the plot remains uneventful, some scenes drag on for too long while others are cut earlier than expected, thus resulting in a picture that's harsh & harrowing in bits n pieces yet is unable to get under the skin. The film presents the difficult state of affairs but doesn't truly dig into it.
Overall, Prayers for the Stolen explores friendship, endurance, loss of innocence, cartel terror & endemic violence to give the audience an insight into the dark side of modern-day Mexico, and begins Huezo's feature filmmaking endeavours on a promising note if not a rewarding one. The performances are strong & gripping but the characters & situations depicted still required more development & fine tuning. Worth a shot anyway.
A good story, a strong direction, very beautiful cinematography and convincing acting.
However, for some reason, I didn't feel the emotional impact I was supposed to. Even if the story is good, the plot is, for too many minutes, uneventful and that pace is an issue as almost removed all my interest on it. I also have some serious problems with the editing (some scenes drag a lot as mentioned but also some strange and incoherent cuts, especially in the classroom).
However, for some reason, I didn't feel the emotional impact I was supposed to. Even if the story is good, the plot is, for too many minutes, uneventful and that pace is an issue as almost removed all my interest on it. I also have some serious problems with the editing (some scenes drag a lot as mentioned but also some strange and incoherent cuts, especially in the classroom).
Did you know
- TriviaOfficial submission of Mexico for the 'Best International Feature Film' category of the 94th Academy Awards in 2022. It made the shortlist but did not end up nominated.
- SoundtracksCariñito
Written by Ángel Aníbal Rosado
Performed by Zindu Cano, Vivir Quintana, Alejandro Díaz, Leo Soqui, Rodrigo Garibay, Alfonso Figueroa, Leonardo Heiblum and Jacobo Lieberman
- How long is Prayers for the Stolen?Powered by Alexa
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- Молитви за викрадених
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- Runtime1 hour 51 minutes
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- 1.78 : 1
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