A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.
- Awards
- 4 wins & 8 nominations total
- Themselves
- (archive footage)
- Self - Bass and Vocals, The Band
- (archive footage)
- Self - Vocals and Drums, The Band
- (archive footage)
- Self - Piano and Vocals, The Band
- (archive footage)
- Self
- (archive footage)
- Self - Robbie's Mother
- (archive footage)
- Self
- (archive footage)
- Self - Robbie's Father
- (archive footage)
- Self - Robbie's Biological Father
- (archive footage)
- Self - Robbie's Uncle
- (archive footage)
- Self - Robbie's Uncle
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I can vividly remember getting the 'brown' album, which I still have, and being blown away by what I thought were former Confederate soldiers (which they resembled on the cover, old Civil War photos come to life). The music, vocals, and lyrics were indelibly fixed in my mind and I played the album for days even up to today. I played the tape out in my car (perfect driving music). 'Once Were Brothers' is music history iwell thought out and told by Robertson with archival footage of the other members and guest historians (Ronnie Hawkins, their road manager, Clapton, Van Morrison, etc.). Lots of stuff here that I didn't know. I thoroughly enjoyed every minute, and the doc prompted me to get out my Band LPs and CDS for a nice listen.
If you are a fan or even new to The Band you shouldn't be disappointed in this film. Just take a trip back and enjoy the scenery.
With that song, the world of mid-century America became aware of a new sound, Americana: a country rock with soul and surpassingly genial musicians. Daniel Roher's Once Were Brothers: Robbie Robertson and the Band is a memorable documentary as well as a most engaging history of the colorful era of '60's and '70's rock, where loud, sensual music eclipsed any other form in previous cultural changes.
With the producing guidance of Martin Scorsese, who helmed The Last Waltz about the Band's final concert, Robbie Robertson, guitarist and songwriter, guides us through his teen years and hookup with musicians who themselves would hook up with Bob Dylan, to help him tour to the boos of audiences that just didn't get the electric guitar: Dylan exclaims, "They were gallant knights for standing behind me."
Deftly carrying us through photo album pics and original music, this remarkable doc makes it feel like we are there, reliving the charismatic troupe's glory days and eventually its struggle with drugs. As Robbie says, "It was so beautiful, it went up in flames."
However, it's a story well told, even down to the homely shots of Robbie courting Dominique and their eventually blissful marriage.
Heroin emerges (as it frequently seems to do) with devastating effect on the gifted Levon. Through it all, Robbie lets us know how much he loved this brotherhood, and we see the contribution he continues to make to the welfare of music and people.
We have been blessed in the last few years with outstanding films about music-let Once were Brothers be at the top of the list: It was "a sound you've never heard before, but like they've always been here." Bruce Springsteen
Beyond the story as told by the many participants lending their reflections to this doc, I must say that the filmmaking is quite well done. Daniel Roher weaves a film with archival footage, testimonials, and the legendary music into something that is exciting to watch for any fan of The Band. It is emotionally touching, funny, insightful, and ultimately a great tribute. Yes it is Robbie's portrait of The Band, but it nevertheless faithfully chronicles a musical force that would influence generations to come.
Loved the old footage of the Band.
But the story in this film is not complete; what about how he sneakily got their publishing rights, and created a chasm between his "brothers"?
This is a piece of the puzzle, of the Band. But it's no way THE story. There's a lot more to their story. I'd love to know what Garth had to say about this film. Bob Dylan himself had no interest in being involved present day.
Robbie had talent. But to claim he wrote the Bands music and lyrics all by himself is bananas. Only reinforced by the fact he still claims the band ended when he left. Do your research viewer, the Band didn't die when he left. They played for years together after. Why does he ignore this? Doesn't fit his narrative...
This isn't a film about the Band as much as it is a film about Robbie and what he wants people to believe about the Band. Too bad. We needed a full doc.
Did you know
- TriviaThe distinct signature sound Garth Hudson has on the organ is from a Lowrey organ.
- Quotes
Ronnie Hawkins: They paid 35000 cash right in front of me for a little ole bit of cocaine. I snorted a couple lines, and I said, "Boys, there's enough flour and sugar in this shit, you'll sneeze biscuits for three fuckin' months after you snort this..."
Ronnie Hawkins: [chuckles]
Ronnie Hawkins: ...and they ended up buying another one.
- ConnectionsEdited from The Last Waltz (1978)
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Once Were Brothers: Robbie Robertson and the Band
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $449,561
- Opening weekend US & Canada
- $37,828
- Feb 23, 2020
- Gross worldwide
- $536,534
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.85 : 1