Becoming Cousteau

First off, I'm not an english bigot. I'm all for non-english productions but if you provide english subtitles, I expect them to be a good translation, easy to read and doesn't distract from the film. Is that too much to ask for? I only made it less than halfway before I had to give up. 42" tv just didn't do it. Not only were the subtitles flashed too quickly but they were in a very small font which made it difficult to follow the film and read the translation at the same time. I may go back and watch this again, and ignore the subtitles, but I just don't have the patience to finish the film as is. Ok, so why not find subs somewhere else. Because the subtitles are part of the film so adding subs would just make it even more distracting. But, it's not just this film. Most producers make what they want without considering their viewers, or maybe they do consider but insist their viewers to be multi-lingual, multi-cultural, and with dog level hearing abilities and tv sound to match.

For those of us who did not know much of this explorer with the red beanie hat prior to watching this documentary, the story presented is lacking on a few essential details. For example we are told Cousteau was in an accident, and we see a short clip of a road. Cousteau says that this accident hindered him in becoming a pilot. We are not told what kind of accident he was in, one can only assume that he was in a car accident. Furthermore, we are not told what kind of damage he suffered. Yes, I can google stuff, but key details like this should not be left out of a documentary like this. Another example of bad direction/editing is when we are presented to the year 1979, only to be presented to the year 1977 just 15 seconds later. Nothing happened in 1977? Or was one of the headlines showing the wrong year?

On the plus side the story is fascinating, and the source material is impressive- so many video clips and interviews used to tell us this marvellous tale. And the music towards the end really builds up the tension to the finale.

All in all an intriguing dive (just had to go there, didn't I?) in to a man that gets more and more color the deeper one goes.

Very good documentary. It's also showing how early he warned the world what will happen to our planet and climate if we not change. But all this arrogant world leaders did noting. Money rules the world. Saddely.

Greetings again from the darkness. For anyone under age 35, it may be difficult to imagine a world where high-definition cameras don't blanket every nook and cranny of our planet. These days, there are multiple channels serving up nature and oceanic documentaries, many with stunningly clear and colorful underwater photography. Each of these owe a debt of gratitude to Jacques-Yves Cousteau, and documentarian Liz Garbus is here to make sure we all know it.

Jacques Cousteau trained as a Navy pilot, but a serious accident drove him to swimming as therapy for his broken body. It's there where he became enamored with free-diving and spear-fishing, and Ms. Garbus includes some archival video clips to show those early days. He was soon driven to dive deeper and stay under longer, which led him to co-invent the regulator for Aqua-lung, the early device that eventually allowed for scuba diving and breathing underwater. His co-inventor happened to be the father of his wife Simone, whom he married in 1937. Simone, along with their two sons, spent a great deal of time on the Calypso. The crew referred to her as "The Sheperdess".

This unique underwater access meant Cousteau and his cohorts could perform research never before imagined. Soon they had re-commissioned a boat as "Calypso" and turned documenting the sea into their mission. Cousteau's love of cinema meant that he had to develop a camera that would function underwater so he could film all activities. In fact, it's Cousteau's own video archives that make up much of the clips used by Ms. Garbus here. In 1956, Cousteau and young French filmmaker, Louis Malle, finished their film, THE SILENT WORLD, and the underwater photography was so groundbreaking that the film won the prestigious Palm d'Or at Cannes, and the Oscar for Best Documentary. Cousteau claimed his films were not documentaries, but rather "true action stories". Malle, of course, went on to direct such acclaimed films as ELEVATOR TO THE GALLOWS (1958), ATLANTIC CITY (1980), and Au Revoir les Enfants (1987).

Ms. Garbus does a nice job of chronicling Cousteau's work, and for the many of us who were dedicated followers of his TV series, "The Undersea World of Jacques Cousteau", that red stocking cap remains a familiar visual. Actor Vincent Cassel reads passages from Cousteau's journals, and we learn that "Diving is the most fabulous distraction you can imagine", and that he was "miserable" out of the water. This matters because he transformed from delivering spell-binding underwater photography to an activist and educator, trying to make the world understand how humanity was destroying the ecosystem and what that meant to our world. All of today's discourse on the topic was indeed started by Cousteau, who proclaimed, "You protect what you love." Liz Garbus is one of our most talented documentarians, as evidenced by her work in such films as WHAT HAPPENED, MISS SIMONE, 2015 and THE FARM: ANGOLA, USA, 1998, and ALL IN: THE FIGHT FOR DEMOCRACY, 2020. The first two earned her Oscar nominations, and here she pays tribute to Jacques Cousteau - an explorer, researcher, filmmaker, and activist. She focuses on his professional life, and also touches on his tangled personal life - one that resulted in two additional kids (producers of this film) with Francine (while he was married to Simone), one of the divers on Calypso. We learn of the tragedy in Cousteau's life, and that he and his crew discovered the oil in the Persian Gulf while raising funds for their expeditions. Cousteau is shown at the Earth Summit in 1992, where he is treated as an international rock star. Ms. Garbus' film shows how Cousteau's work helped educate us as he tried to make the world a better place, by giving us an appreciation of the underwater world he so treasured.

Opening in theaters on October 22, 2021.

I learned a lot from this film, it was packed with content and at points was compelling and tragic. I found its presentation to be a bit hap hazard in the way it jumped between voice over cameos, interviews, narration and footage, which made it feel a bit cluttered however I did leave with a clear sense of Cousteau's character journey.